who's who in research visuAl Arts - Intellect

London, Lewisham Way New Cross,
London, SE14 6NW, United
Kingdom
Keywords cultural plurality,
interdisciplinarity, interactivity, self
and peer analysis
Gregorij Kurillo
University of California, Berkeley,
736 Sutardja Dai Hall #1758,
Berkeley, CA 94720-1758, United
States of America
Keywords metaverse, virtual
collaborative systems, cyberarchaeology
Marius Kwint
University of Portsmouth, School of
Art, Design, and Media, Eldon
Building, Winston Churchill Avenue,
Portsmouth, PO1 2DJ, United
Kingdom
Keywords media, culture studies, pop
culture, British studies, design, art,
contemporary art
sought, based on the concept of dependent origination,within the
dynamic interrelation of body-space-nature-art-science-technology.
› Zen and the art of peer and selfassessment in interdisciplinary, multimedia,
site-specific arts practice: a transcultural approach, Art, Design &
Communication in Higher Education, 2.3, 131-142.
Gregorij Kurillo received a BSc and Ph.D. degrees from the Faculty of
Electrical Engineering, University of Ljubljana, Slovenia, in 2001 and
2006 respectively. He was a research assistant at the Laboratory of
Robotics and Biomedical Engineering at the same institution from
2002 to 2006 researching the application of robotic grasping principles
to human grasping analysis in virtual environments. He has also
participated in two European Union funded projects (iMatch and
Alladin), which focused on a virtual reality simulation for the training
of wheelchair users and the development of a force- measuring
platform for assessment of post-stroke patients. Dr. Kurillo was a
postdoctoral researcher at the University of California, Berkeley from
2006–2009. During his postdoctoral appointment he has worked on
improving the existing multi-camera system for tele-immersion.
› Cyber-archaeology and metaverse collaborative systems, Metaverse
Creativity, 1.1, 7-19.
Marius Kwint has been a Departmental Lecturer since 1999. Previously
he taught media and cultural studies at Southampton Institute, before
becoming Senior Research Fellow in History of Design at the Victoria
and Albert Museum and Royal College of Art. His background
interests are in British popular culture, material culture and design from
the eighteenth century to the present day. He edited the book Material
Memories: Design and Evocation (Oxford 1999); other publications
include articles on his doctoral topic of eighteenth-century English
circuses and on the history of the souvenir, and catalogue essays for
several exhibitions of contemporary art.
› Reviews, Art, Design & Communication in Higher Education, 5.1, 71-.