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who's who in research visuAl Arts - Intellect

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Miho Shimohara<br />

Kagoshima University, 1-20-6<br />

Kirimoto, Kagoshima-shi, 8300065,<br />

Japan<br />

Keywords Japanese art history,<br />

media, workshops, social<br />

constructivism, situated learn<strong>in</strong>g<br />

Ryan Sh<strong>in</strong><br />

The University of Arizona, Assistant<br />

Professor of Art Education, School of<br />

Art, P. O. Box 210002, Tucson, AZ<br />

85721-0002, United States of<br />

America<br />

Keywords cloth<strong>in</strong>g, food, Korean<br />

Ancestor Worship service, Native<br />

American Sweat Lodge, <strong>in</strong>tercultural<br />

learn<strong>in</strong>g<br />

Alison Shreeve<br />

Buck<strong>in</strong>ghamshire New University,<br />

High Wycombe Campus, Queen<br />

Alexandra Road, High Wycombe,<br />

Buck<strong>in</strong>ghamshire, HP11 2JZ, United<br />

K<strong>in</strong>gdom<br />

Keywords qualitative variation,<br />

<strong>research</strong>, design projects, visual<br />

reproduc<strong>in</strong>g, conceptual responses,<br />

Communities of Practice<br />

› Teach<strong>in</strong>g Che: a picture is worth a thousand words (or t-shirts), Visual<br />

Inquiry: Learn<strong>in</strong>g & Teach<strong>in</strong>g Art, 1.1, 53-57.<br />

Miho Shimohara is Associate Professor <strong>in</strong> the Fcaulty of Education at<br />

Kagoshima University, Japan. She received her MA from Kwansei<br />

Gaku<strong>in</strong> University. Her ma<strong>in</strong> <strong>research</strong> theme <strong>in</strong> Japanese art history<br />

especially pre-modern Yamato-e pa<strong>in</strong>t<strong>in</strong>gs, and she <strong>research</strong>ed this at<br />

the British Museum between September 2001 and January 2002. Her<br />

recent <strong>research</strong> also <strong>in</strong>cludes the study of workshops us<strong>in</strong>g Japanese art<br />

for cross-cultural understand<strong>in</strong>g.<br />

› The Narikiri Emaki (picture scroll) project, International Journal of<br />

Education through Art, 4.1, 7-27.<br />

Ryan Sh<strong>in</strong> is an assistant professor <strong>in</strong> the School of Art at the<br />

University of Arizona. His <strong>research</strong> <strong>in</strong>terests <strong>in</strong>clude issues of the<br />

representation and appropriation of Asian images and objects <strong>in</strong> the<br />

popular media and visual culture, critical discourse on m<strong>in</strong>ority visual<br />

culture, and Asian cultural performances and folk traditions.<br />

› An <strong>in</strong>tercultural learn<strong>in</strong>g of similarities and differences of rituals and<br />

customs of two cultures, International Journal of Education through Art, 6.3,<br />

361-380.<br />

Alison Shreeve is the Director of the HEFCE funded Creative Learn<strong>in</strong>g<br />

<strong>in</strong> Practice Centre for Excellence <strong>in</strong> Teach<strong>in</strong>g and Learn<strong>in</strong>g (CLIP<br />

CETL) at the University of the <strong>Arts</strong> London. The centre’s role is to<br />

enhance and dissem<strong>in</strong>ate successful student learn<strong>in</strong>g activities and to<br />

reward excellence <strong>in</strong> teach<strong>in</strong>g. The centre’s activities<strong>in</strong>clude<br />

develop<strong>in</strong>g pedagogic <strong>research</strong> <strong>in</strong> the university and <strong>in</strong>vestigat<strong>in</strong>g what<br />

is specific to learn<strong>in</strong>g <strong>in</strong> the discipl<strong>in</strong>es of art and design. Staff<br />

development is used to share and dissem<strong>in</strong>ate learn<strong>in</strong>g from all the<br />

centre’s activities. Alison has over twenty years experience <strong>in</strong> teach<strong>in</strong>g<br />

textiles and a Masters <strong>in</strong> Art Education. She is <strong>in</strong>terested <strong>in</strong> <strong>research</strong><br />

<strong>in</strong>to aspects of learn<strong>in</strong>g with<strong>in</strong> our discipl<strong>in</strong>es and this <strong>in</strong>cludes students<br />

and tutor’s conceptions of assessment. Alison iscurrently complet<strong>in</strong>g

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