who's who in research visuAl Arts - Intellect

Nick Rowe
York St John University, Lord
Mayor’s Walk, York, YO31 7EX,
United Kingdom
Keywords stigma, pedagogy, social
inclusion, theatre, mental health
Daniel Rubinstein
United Kingdom
Keywords digital photography, new
media, digital culture, contemporary
culture
University's Narrative Research Group, the Higher Education
Academy, and the International Society for the Study of Narrative. Her
research explores contemporary British-American comics from literary,
cultural, narratological and semiotic perspectives.
› EDITORIAL, Studies in Comics, 1.1, 3-5.
› Reviews, Studies in Comics, 1.2, 379-403.
› Editorial, Studies in Comics, 1.2, 189-190.
Nick Rowe is a senior lecturer at York St John University where he
teaches in the Faculty of Health and Life Sciences and in the Faculty of
Arts. With a background in psychiatric nursing and dramatherapy,
Rowe is particularly interested in the relationships between theatre and
mental health. He is a performing member of Playback Theatre York
and is the author of Playing the Other: Dramatizing Personal
Narratives in Playback Theatre (2007).
› Border crossings: Arts and health work in a university, Journal of Applied
Arts & Health, 1.3, 241-250.
› REVIEWS, Journal of Applied Arts & Health, 2.1, 93-101.
› Forgetting the machine: Patients experiences of engaging in artwork while
on renal dialysis, Journal of Applied Arts & Health, 2.1, 57-72.
Daniel Rubinstein is the head of digital photography at London South
Bank University and the principle editor of Philosophy of Photography
– an academic journal devoted to the scholarly understanding of
photography. He has published extensively on the subject of new
media, digital culture and photography. His research is concerned with
the role of photography in contemporary culture and the uses of
photographic imagery in new media environments. As an editor of the
journal Philosophy of Photography, he aims to delineate a field of
study which develops tools for the critical analysis of the many ways in
which images affect our lives. His own research is concerned with the
cultural shifts caused by the transition from analogue to digital
photography and by the impact of photography on (non)representational
thinking and the production of meaning.
› Tag, Tagging, Philosophy of Photography, 1.2, 197-200.