who's who in research visuAl Arts - Intellect

Cath Keay
Newcastle University, Kings Walk,
Newcastle upon Tyne, United
Kingdom
Keywords visual art, photography
Alexander Kelly
Third Angel, 3 Brookfield Yard,
Sheffield, S7 1DY, United Kingdom
Keywords Third Angel, devising,
The Lad Lit Project, autobiography,
biography
Christian Kerrigan
Chelsea College of Art, University of
the Arts, Interior & Spatial Design,
London, United Kingdom
Keywords biology, protocells, timebased
architecture, nanotechnology,
mythology
Kath Ceay is a doctoral candidate at Newcastle University. Her current
work involves three large terracotta word sculptures that have been
placed in the sea underneath the pier at Blyth, to be colonised by
barnacles, mussels and sea squirts. After this colonisation has taken
place, and the original sculptures almost obliterated by sea life, they
will be transferred, still living, to tanks for exhibition.
› Colonie Estive, Journal of Visual Art Practice, 9.3, 259-266.
Alexander Kelly is Co-Artistic Director of Sheffield-based
performance company Third Angel, with which he devises, directs,
writes, designs and performs. The company makes a range of work
incorporating live performance, installation, film, video and
photography that tours throughout the United Kingdom, mainland
Europe and beyond. Thematically and formally the company's work
explores and responds to the times and places in which we live,
combining documentary research, fiction and autobiography. As part of
the collaboration ‘Christopher Hall and Alexander Kelly’, Alex makes
film, video and performance pieces of a somewhat more blokey nature
than he does with Third Angel. Alex is an experienced educator, and
has taught at numerous universities across the United Kingdom. He has
also taught for Third Angel at the Calouste Gulbenkian Foundation in
Lisbon. He is Associate Senior Lecturer in Performance Practice at
Leeds Metropolitan University.
› GHOSTWRITING FOR PERFORMANCE: Third Angel's The Lad Lit
Project, Journal of Writing in Creative Practice, 2.1, 69-90.
The 200 Year Continuum is the title given to Christian Kerrigan’s
progressive anthology of works, questioning and responding to
society’s relationship with, and understanding of, emerging
technologies and ecology. In his art he uses digital technology to make
objects, installations, and drawings which draw out an array of ideas
about nature, technology and mortality. Kerrigan is currently Associate
Lecturer in Drawing for Spatial Design at Chelsea College of Art, and
is the V&A’s first digital Artist in Residence. His work has been
published alongside artists such as Joseph Beuys, Jeanne Claude &
Christo and Olafur Eliasson in 'Art in Action, Nature, Creativity and
Our Collective Future' by Natural World Museum & UNEP.
› The 200-Year Continuum, Technoetic Arts: A Journal of Speculative