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who's who in research visuAl Arts - Intellect

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London, Scotland, W1F 8GQ, United<br />

K<strong>in</strong>gdom<br />

Keywords theatre, playwright<br />

Diane Gromala<br />

Simon Fraser University, School of<br />

Interactive <strong>Arts</strong> and Technology,<br />

13450-102nd Avenue, 14th Floor,<br />

Central City, Surrey, British<br />

Columbia, V3T 0A3, Canada<br />

Keywords body <strong>in</strong>teraction, flow of<br />

energy, new consciousness, presence<br />

<strong>in</strong>teractive art, phenomenology<br />

Rafi Grosglik<br />

Ben-Gurion University of the Negev,<br />

Department of Sociology &<br />

Anthropology, Department of<br />

Sociology & Anthropology, Ben-<br />

Gurion University of the Negev, Beer<br />

Sheva 84105, Israel<br />

Keywords<br />

Jeffrey B. Grubbs<br />

Roberts Wesleyan College, 2301<br />

Westside Drive, Rochester, NY<br />

14624, United States of America<br />

extensive work with Suspect Culture Theatre Group, which he cofounded.<br />

An Imag<strong>in</strong>ed Sarha was performed for the first time on 7 May<br />

2010, dur<strong>in</strong>g the Mayfesto political theatre festival at the Tron Theatre,<br />

Glasgow.<br />

› An Imag<strong>in</strong>ed Sarha, Journal of <strong>Arts</strong> & Communities, 2.2, 133-144.<br />

Diane Gromala is Associate Director of the School of Interactive Art<br />

and Technology at Simon Fraser University. Gromala has always<br />

pushed the envelope for art beyond traditional canvas and computer<br />

graphics doma<strong>in</strong>s <strong>in</strong>to Virtual Reality (VR) and Physiological<br />

Comput<strong>in</strong>g. Gromala is the co-author, with Jay David Bolter, of<br />

Interaction Design, Digital Art and the Myth of Transparency.<br />

Cambridge: MIT Press (2003).<br />

› Touch<strong>in</strong>g light: A new framework for immersion <strong>in</strong> artistic environments,<br />

Technoetic <strong>Arts</strong>: A Journal of Speculative Research, 5.1, 3-14.<br />

› The symbiogenic experience: towards a framework for understand<strong>in</strong>g<br />

human–mach<strong>in</strong>e coupl<strong>in</strong>g <strong>in</strong> the <strong>in</strong>teractive arts, Technoetic <strong>Arts</strong>: A Journal<br />

of Speculative Research, 8.1, 11-18.<br />

Rafi Grosglik is a Ph.D. candidate at the department of Sociology &<br />

Anthropology, Ben-Gurion University of the Negev. He holds a<br />

Master's degree <strong>in</strong> Sociology & Anthropology (with dist<strong>in</strong>ction). S<strong>in</strong>ce<br />

2008 he has been do<strong>in</strong>g <strong>research</strong> on the cultural field of organic food <strong>in</strong><br />

Israel. His dissertation deals with cultural globalization and the<br />

sociology of Israeli cul<strong>in</strong>ary culture.<br />

› Global ethical cul<strong>in</strong>ary fashion and a local dish: Organic hummus <strong>in</strong> Israel,<br />

Critical Studies <strong>in</strong> Fashion & Beauty, 2.1-2, 165-184.<br />

Jeffrey B. Grubbs is an Associate Professor and Division Chair of<br />

Visual <strong>Arts</strong> at Roberts Wesleyan College <strong>in</strong> Rochester, New York. He<br />

completed his education at Indiana University, Miami University, Ohio<br />

and f<strong>in</strong>ished his doctoral degree <strong>in</strong> Art Education at the Ohio State<br />

University. Jeff is a pr<strong>in</strong>tmaker and pa<strong>in</strong>ter. He teaches art education<br />

methods courses as well as contemporary art history, foundations of

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