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who's who in research visuAl Arts - Intellect

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Daniel T. Ste<strong>in</strong><br />

Keywords Lee Smith, The Devil's<br />

Dream, southern regionalism, country<br />

music history, denial of black<br />

presence<br />

Shepherd Ste<strong>in</strong>er<br />

Keywords photography, art history<br />

Tim Stephens<br />

London South Bank University,<br />

Faculty of Art Media & English, 103<br />

Borough Road, London, SE1 0AA,<br />

United K<strong>in</strong>gdom<br />

Keywords post-phenomenology,<br />

photography theory, time, nonrepresentational<br />

theory, formalist<br />

aesthetics<br />

› The ever-expand<strong>in</strong>g art curriculum – is it teachable or susta<strong>in</strong>able?,<br />

International Journal of Education through Art, 3.2, 141-154.<br />

Daniel T. Ste<strong>in</strong> holds a Master's degree <strong>in</strong> American Studies from<br />

Johannes-Gutenberg-Universität Ma<strong>in</strong>z, Germany. He has been<br />

teach<strong>in</strong>g <strong>in</strong> the English Department at the University of Michigan for<br />

the past two years.<br />

› Reviews, Studies <strong>in</strong> Comics, 1.2, 379-403.<br />

Shepherd Ste<strong>in</strong>er is an art historian and critic currently teach<strong>in</strong>g<br />

between Emily Carr University of Art and Design and the University of<br />

British Columbia. He co-edited Cork Caucus: On Art, Possibility, and<br />

Democracy (Frankfurt, 2007). Other publications on photography<br />

<strong>in</strong>clude ‘Allergy Patch: Michel Fried’s why photography matters as art<br />

as never before’ (Texte zur Kunst, 2010); ‘Read<strong>in</strong>g read<strong>in</strong>g <strong>in</strong><br />

Benjam<strong>in</strong>’s “Little history of photography”’ (In Tensions, 2008); and<br />

‘In other hands: Jeff Wall’s Beispiel’ (Oxford Art Journal, 2007).<br />

› Dialectical <strong>in</strong>roads to a post-political photography: Democratic violence <strong>in</strong><br />

the work of Lidwien van de Ven, Philosophy of Photography, 2.1, 57-81.<br />

Tim Stephens teaches Digital Photography, Art History and Critical<br />

Theory at London South Bank University. Recent papers <strong>in</strong>clude, ‘The<br />

Walk-as-Art Practice: the <strong>in</strong>fluence of Zen practice on Art’ (Royal<br />

Geographic Society, 2009) and ‘Sensory Illiteracy: sensory learn<strong>in</strong>g<br />

methodologies <strong>in</strong> Art’(Art and Ecology Conference, 2008).<br />

› What is rhythm <strong>in</strong> relation to photography?, Philosophy of Photography, 1.2,<br />

157-175.<br />

› Dosimetry, personal monitor<strong>in</strong>g film, Philosophy of Photography, 2.1, 153-<br />

158.

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