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The history of the popes, from the close of the middle ages : drawn ...

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no HISTORY OF THE POPES.<br />

Unfortunately, his subordinates did not always act up to<br />

<strong>the</strong> noble aims <strong>of</strong> <strong>the</strong> Pope/ who, moreover, was not always<br />

very happy in <strong>the</strong> steps he took in his capacity <strong>of</strong> temporal<br />

ruler. For example, an edict concerning <strong>the</strong> coinage which<br />

he issued in July, 1571, caused great consternation. ^ His<br />

true sphere was to be found in his care for spiritual matters,<br />

and, like Cardinal Bonelli, he was, in view <strong>of</strong> all that had to<br />

be done in that direction, unable to devote sufficient attention<br />

to <strong>the</strong> temporal administration. <strong>The</strong>refore, in April, 1568,<br />

Cardinal Chiesa was appointed to assist <strong>the</strong> Cardinal nephew,<br />

and in <strong>the</strong> January <strong>of</strong> <strong>the</strong> following year, Cardinals Alciati<br />

and Paleotto were Hkewise appointed.^ In July, 1570, it was<br />

rumoured that <strong>the</strong> Pope intended to withdraw altoge<strong>the</strong>r<br />

<strong>from</strong> temporal affairs, and leave <strong>the</strong>m to <strong>the</strong>se four Cardinals.*<br />

<strong>The</strong> attitude <strong>of</strong> Pius V, towards art has been misjudged in<br />

more than one respect. He laid himself open to this by an<br />

enactment by which he placed himself in direct opposition<br />

to <strong>the</strong> Popes <strong>of</strong> <strong>the</strong> age <strong>of</strong> <strong>the</strong> Renaissance. On February loth,<br />

1566, it was learned in <strong>the</strong> city that <strong>the</strong> Pope had made over<br />

to <strong>the</strong> Roman people all <strong>the</strong> antique statues which were in <strong>the</strong><br />

<strong>the</strong>atre <strong>of</strong> <strong>the</strong> Belvedere and its surroundings, and had<br />

charged some <strong>of</strong> <strong>the</strong> nobles to have <strong>the</strong>m moved to <strong>the</strong> Capitol.<br />

It was fur<strong>the</strong>r said that <strong>the</strong> priceless treasures which stood in<br />

<strong>the</strong> cortile <strong>of</strong> <strong>the</strong> Belvedere, and which had been protected<br />

<strong>from</strong> rain and risk <strong>of</strong> injury by screens in <strong>the</strong> time <strong>of</strong> Pius IV.,<br />

were to share <strong>the</strong> same fate. <strong>The</strong> Pope's reason for this was<br />

that it was unfitting that <strong>the</strong> successor <strong>of</strong> St. Peter should<br />

1 Cf. RoDOCANACHi, Institutions, 280.<br />

^ See *Avviso di Roma <strong>of</strong> July 18, 1571, Urb. 1042, p. 90,<br />

Vatican Library.<br />

^ See <strong>the</strong> *Avvisi di Roma <strong>of</strong> April 3, 1568, and January 15,<br />

1569, Urb. 1040, p. 479, and 1041, p. 4, Vatican Library.<br />

* An *Avviso di Roma <strong>of</strong> July 8, 1570 (Urb. 1041, p. 307,<br />

Vatican Library) reports : " S'e sparso voce per la corte chel<br />

Papa non voglia piu intervenire alii negotii pr<strong>of</strong>ani et secolari,<br />

ma deputarvi sopra 4 cardinali cioe Cesi, Thiano, Montalto et<br />

Piacenza, et che Sua S*^ voglia attender solamente alle cose<br />

spirituali et dell' inquisitione."

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