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The history of the popes, from the close of the middle ages : drawn ...

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208 HISTORY OF THE POPES.<br />

mounted on horses <strong>the</strong>re was no dangerJ In <strong>the</strong> end all that<br />

Pius V. obtained was that <strong>the</strong> bull-fights were forbidden for a<br />

time, on <strong>the</strong> pretext <strong>of</strong> <strong>the</strong> mourning in which <strong>the</strong> nation was<br />

plunged on account <strong>of</strong> <strong>the</strong> imprisonment <strong>of</strong> Don Carlos ;^<br />

o<strong>the</strong>rwise <strong>the</strong> bull had no effect in Spain, and Gregory XIII.<br />

found himself obliged to remove <strong>the</strong> penalty <strong>of</strong> excommunica-<br />

tion inflicted by his predecessor. ^<br />

A warning <strong>of</strong> <strong>the</strong> Council may perhaps have lent strength<br />

to <strong>the</strong> intention <strong>of</strong> Pius V. to prohibit <strong>the</strong> use <strong>of</strong> figured music<br />

in divine worship, and to allow nothing but <strong>the</strong> Gregorian<br />

chant.* A brief directed against a kind <strong>of</strong> Church music<br />

which provoked sensuality ra<strong>the</strong>r than piety was issued by<br />

him a few years later, on <strong>the</strong> authority <strong>of</strong> what had been said<br />

at <strong>the</strong> Council, to <strong>the</strong> Bishop <strong>of</strong> Lucca, in whose city <strong>the</strong><br />

musical performances during Holy Week occasioned all<br />

manner <strong>of</strong> scandals among <strong>the</strong> young people <strong>of</strong> both sexes,<br />

who flocked to <strong>the</strong>m in great numbers.^ A prohibition <strong>of</strong><br />

burials in <strong>the</strong> churches was also <strong>the</strong> outcome <strong>of</strong> a proposal<br />

1 Ibid. 366.<br />

^ Ibid. 323.<br />

^Iheinek, Annales, II., 122, 590.<br />

^*Av\iso <strong>of</strong> July 5, 1567, Urb. 104c, p. 413, Vatican library.<br />

Perhaps <strong>the</strong> legend <strong>of</strong> <strong>the</strong> threat to figured music in Rome, and how<br />

it was saved by Palestrina, sprang <strong>from</strong> this statement and a<br />

confusion <strong>of</strong> Pius V. with his predecessor. It was in this same<br />

year 1567 that Palestrina thought <strong>of</strong> leaving Rome and entering<br />

<strong>the</strong> service <strong>of</strong> <strong>the</strong> Emperor : *" II cantore Giov. di Palestrina si<br />

contenta di venir a servire la M*^^ V* per quattrocento scudi<br />

d' oro r anno ;<br />

io ho fatto quanto ho potuto per ridurlo ancora a<br />

meno, ma non ho potuto ottener piii. Adesso aspetter6 che la<br />

yiik yra j^j command! quello ho a fare circa quest' huomo, il quale<br />

mi vien lodato da niolti " (Arco, November 8, 1567, State Archives,<br />

Vienna). *" Con Giov. di Palestrina non passer6 piii innanzi."<br />

(Arco, January 3, 1568, ibid.).<br />

^ Brief <strong>of</strong> April 4, 1571, in Laderchi, 1571, n. 165. In this,<br />

as <strong>the</strong> Council had done, Pius V. censured <strong>the</strong> " lascivia " <strong>of</strong> <strong>the</strong>se<br />

performances. Two o<strong>the</strong>r briefs, <strong>of</strong> April 2, 1570, on ecclesiastical<br />

music in Mexico, ibid. 1570, n. 417.

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