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The history of the popes, from the close of the middle ages : drawn ...

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124<br />

HISTORY OF THE POPES.<br />

his own tomb he chose Bosco, his native place, where he built<br />

a richly endowed convent for <strong>the</strong> Dominicans. Vasari<br />

received <strong>the</strong> order to supply for this church <strong>of</strong> S. Croce a great<br />

high altar with a representation <strong>of</strong> <strong>the</strong> Adoration <strong>of</strong> <strong>the</strong> Magi<br />

he sent <strong>the</strong> painting to <strong>the</strong> Pope in <strong>the</strong> spring <strong>of</strong> 1567. In<br />

October 1568 Pius V. commissioned ano<strong>the</strong>r sculptor, Gian-<br />

antonio Buzi, to erect his own tomb. <strong>The</strong> monument is still<br />

in a good state <strong>of</strong> preservation. Between two rows <strong>of</strong> colums<br />

<strong>the</strong>re is shown <strong>the</strong> risen Christ, with <strong>the</strong> Pope kneeling at his<br />

feet. At <strong>the</strong> two sides, between pillars, are large statues <strong>of</strong><br />

Faith and Charity. <strong>The</strong> monument is completed above by a<br />

niche surmounted by a cross, and containing a statue <strong>of</strong> <strong>the</strong><br />

archangel Michael slajdng <strong>the</strong> dragon.<br />

His love for his own country, which also found liberal<br />

expression hi o<strong>the</strong>r ways,^ did not lead Pius V. to forget such<br />

venerated sanctuaries as Loreto and Assisi. At Loreto he<br />

had four magnificent bronze doors cast for <strong>the</strong> marble casing<br />

<strong>of</strong> <strong>the</strong> Holy House, while at Assisi, over <strong>the</strong> chapel where<br />

St. Francis died, he gave orders for <strong>the</strong> commencement <strong>of</strong><br />

<strong>the</strong> great church <strong>of</strong> S. Maria degli Angeli, which is distinguished<br />

for its grand simplicity, and <strong>the</strong> l<strong>of</strong>ty dome which can be seen<br />

for miles across <strong>the</strong> plain <strong>of</strong> central Umbria.^<br />

meats for <strong>the</strong> tombs <strong>of</strong> Paul IV. and Carpi in *Secondo e terzo<br />

libro d. Recett. d. r. Cam. Apost. 1567 and 1568, State Archives,<br />

Rome.<br />

^ See Dell'Acqua; 44, where <strong>the</strong>re is a good reproduction ;<br />

Catena, 133 seq. ; Thieme VI. 380. C/. Bruzzone, Bosco, I.,<br />

131. 133; IT, 164 seq.: Riv. di Alessandria, 1902, and XIV.,<br />

383, 395 ; Lanciani, IV., 44 seq. ; Jahrbuch der Pyeuss. Kunstsamml.,<br />

XXXIX., 194 n. i ; Kallab, Vasari-Studien, 125, 129 ;<br />

Bruzzone in Cosmos illustr., 191 4, 43 ; L. Mina, Delia chiesa e<br />

convento di Bosco Marengo, Alessandria, 1904. For <strong>the</strong> altar <strong>of</strong><br />

Vasari, cf. Kraus-Sauer, II., 2, 683. For <strong>the</strong> buildings <strong>of</strong> Pius V.<br />

at Bosco, see App. nn. 10-15.<br />

* See Bruzzone, Bosco, 1., 134 seq. ; Dell'Acqua, 29.<br />

^ See Beissel, Das hi. Haus zu Loreto, Freiburg, 1891, 18 ;<br />

Laspeyres, Kirchen dor Renaissance in Mittel-Italien, Leipzig,<br />

1882, Ft. 2, p. 37 ; GuRLrrx, Gesch. des Barockstiles, 56 seq. ;

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