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The history of the popes, from the close of the middle ages : drawn ...

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THE MONUMENTS OF ANTIQUITY. II5<br />

and <strong>the</strong> very fact that <strong>the</strong> Pope presented such statues to<br />

<strong>the</strong> Romans, as well as to <strong>the</strong> cardinals and princes/ to be<br />

publicly exposed in <strong>the</strong>ir palaces, goes to show that he, in<br />

common with almost all Italians, felt no scruples on <strong>the</strong><br />

subject. 2 If he had considered <strong>the</strong> exhibition <strong>of</strong> nude statues<br />

in his palace dangerous for himself, he would certainly have<br />

acted ruthlessly in <strong>the</strong> matter. All that can with truth be<br />

said <strong>of</strong> his hostility for antiquity is that, to Pius V., whose<br />

interests lay entirely in religious matters, <strong>the</strong> statues <strong>of</strong><br />

antiquity, which were, in <strong>the</strong> eyes, not only <strong>of</strong> <strong>the</strong> learned men<br />

di Firenze et alcune sorte di pietre mischie bellissime "), Urb.<br />

1041, p. 117, 131, Vatican Library. Since <strong>the</strong> gift had only<br />

been made by word <strong>of</strong> mouth, Pius V. confirmed it in a *motu<br />

proprio <strong>of</strong> September 27, 1571, Ricci Archives, Rome. Cardinal<br />

Este also received presents before his quarrel with Pius V. (see<br />

Lanciani, III., 81 ; cf. Winnefeld, Die Villa Fladrians bei<br />

; see in App. n. 52 <strong>the</strong> *report <strong>of</strong> Cusano<br />

Tivoli, Berlin, 1895, 5)<br />

<strong>of</strong> December 18, 1568, State Archives, Vienna. <strong>The</strong> two examples<br />

<strong>of</strong> <strong>the</strong> Pasquino group which had been found near <strong>the</strong> Mausoleum<br />

<strong>of</strong> Augustus and outside <strong>the</strong> Porta Portese also went to Florence<br />

in 1570. <strong>The</strong> most important discoveries <strong>of</strong> antiquities in <strong>the</strong><br />

time <strong>of</strong> Pius V. were <strong>the</strong> monuments and inscriptions <strong>of</strong> <strong>the</strong><br />

bro<strong>the</strong>rs Arvali which came to light in 1570 outside <strong>the</strong> Porta<br />

Portese, and which for <strong>the</strong> most part went to <strong>the</strong> collection <strong>of</strong><br />

Fulvio Orsini ; see Henzen, Acta (1874). An *Avviso di Roma<br />

<strong>of</strong> October 25, 1569, relates <strong>the</strong> discovery <strong>of</strong> an antique which<br />

had taken place in a ra<strong>the</strong>r curious way in <strong>the</strong> city : *" L'orso<br />

del card. Orsino che sta legato appresso Pasquino grafiiando<br />

I'altro giorno la terra sotto quella pietra di marmo, dove e fermato<br />

Pasquino cav6 fuori moti giulii antichi et alcune medagUe d'oro<br />

con una chiave d'argento." Uro. 1041, p. 169b, Vatican Library.<br />

^ Cf. supra p. 112 seq. In 1569 and 1570 Albert V. <strong>of</strong> Bavaria<br />

also received <strong>from</strong> Pius V. presents <strong>of</strong> antique statues ; see<br />

GoETZ, Beitrage, 508, n. 2, 733 n. i. In Bertolotti, Artisti<br />

Venez., Venice, 1884, 27, a permit to M, Soriano <strong>of</strong> July 14, 1571.<br />

to transport <strong>from</strong> Rome to Venice " 2 teste di marmo antiche."<br />

* Since scandal was given at Bologna by <strong>the</strong> nudity <strong>of</strong> <strong>the</strong><br />

statue <strong>of</strong> Neptune on <strong>the</strong> fountain <strong>the</strong>re, Pius V. approved <strong>of</strong> its<br />

being covered up ;<br />

see Patrizi, II Gigante, Bologna, 1897, 62.

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