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The history of the popes, from the close of the middle ages : drawn ...

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THE POPE AND LEARNING. I29<br />

who sang <strong>the</strong> praises <strong>of</strong> <strong>the</strong> part taken by <strong>the</strong> Pope in <strong>the</strong><br />

victory <strong>of</strong> Lepanto remained without recognition. ^ <strong>The</strong><br />

fact that in spite <strong>of</strong> his parsimony he gave 5,000 scudi for <strong>the</strong><br />

reprinting <strong>of</strong> <strong>the</strong> works <strong>of</strong> St. Thomas and St. Bonaventure<br />

shows in what direction <strong>the</strong> real interests <strong>of</strong> Pius V. lay. 2<br />

It is true that he never carried into execution <strong>the</strong> literary plan<br />

which he had once, while a simple religious, propounded to a<br />

learned German, namely, an edition <strong>of</strong> unedited Greek works,^<br />

but on March 5th, 1571, he appointed a commission composed<br />

<strong>of</strong> Cardinals Sirleto, Hosius, Maffei, Montalto, Colonna and<br />

Giiistiniani to examine and refute in writing <strong>the</strong> Confession <strong>of</strong><br />

Augsburg, and <strong>the</strong> attacks <strong>of</strong> <strong>the</strong> Centuriators <strong>of</strong> Magdeburg.*<br />

Clearly realizing <strong>the</strong> necessity <strong>of</strong> a solid defence against <strong>the</strong><br />

attacks <strong>of</strong> <strong>the</strong> Protestants in <strong>the</strong> matter <strong>of</strong> Church <strong>history</strong>,^<br />

<strong>the</strong> Pope in 1567 charged <strong>the</strong> learned Jesuit Canisius to show<br />

in <strong>the</strong> first place, with examples, how <strong>the</strong> Centuriators had<br />

distorted historical events.® Since Pius V. died hardly a<br />

^ See <strong>the</strong> poems <strong>of</strong> G. B. Albano, H. Catena, Lud. Cavani, and<br />

Tommaso Correa in Carmina illustr. poet., I., 456 seq. ; III., 316<br />

seq., 317 seq., 448 seq. Of <strong>the</strong> many poems which were occasioned<br />

by <strong>the</strong> Battle <strong>of</strong> Lepantu (see Vol. XVIII. <strong>of</strong> this work) <strong>the</strong>re was<br />

dedicated to <strong>the</strong> Pope <strong>the</strong> very rare " Canzone supra la vittoria<br />

ottenuta dall'armata de principi christiani contra la Turchesca,"<br />

Venice, A. Muschio, 1571, on <strong>the</strong> title-page <strong>of</strong> wliich <strong>the</strong>re is a<br />

" Roma et Italia resurgens." Perhaps<br />

vignette with <strong>the</strong> motto :<br />

its author was <strong>the</strong> Venetian, Ottaviano Maggi ; cj. Melzi, 1., 171.<br />

Ano<strong>the</strong>r very rare work is " Hier. Zo])])io, Laude del santiss. et<br />

grandiss. Pio V'.P. per la glorios. et lelic. vittona contra 'lurcho,"<br />

Bologna, Aless. Benaccio, 1571.<br />

* See Catena, 136.<br />

' See <strong>the</strong> *letter <strong>of</strong> Giov. Sambucus to Sirleto ol February 20,<br />

1566, Vatican Library ; set- A|>p. n. 6<br />

* See Ada consist, card. S. Sevennae, XXllL, 322.<br />

^ <strong>The</strong> Centenarius <strong>of</strong> Wilhelm Eisengrein (Ingolstadt, 15661 <strong>of</strong><br />

which Pius V. accepted <strong>the</strong> dedication, certainly gave <strong>the</strong> first im-<br />

pulse to this ; see Pfleger in Histor. Jahrbuch, XXV., 782 seq.; cf.<br />

also Braunsberger, Pius V., 62 seq., and Corresp. dipt., II., 273.<br />

* See Canisii Epist., V., 480 6eq. ; cj. Braunsberger, Pius V.,<br />

64 seq.<br />

VOL. XVIL 9

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