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61340 Vorabseiten_e - Unabhängige Expertenkommission Schweiz

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elsewhere – what enormous damage has been caused by the<br />

unscrupulous machinations of certain foreign ‹art dealers›». 13<br />

The recognition of the positive «side-effects» of immigration was thus<br />

restrained by the observation that in recent years, a large number of outsiders<br />

had unfortunately entered the world of art dealing, namely:<br />

«all those people who abandoned the most devious occupations in order<br />

to turn to the ‹milk cow› of art dealing and who are actually succeeding<br />

– despite their complete lack of expertise – in doing business purely as<br />

a result of their lack of scruples». 14<br />

From 1933, part of the Jewish collections came onto the market before a<br />

single work of art had been confiscated. Inevitably, the art dealers who had<br />

emigrated to Switzerland played a key role in the transfer of Jewish-owned<br />

art. As a result of their own personal experiences, they were ideally placed to<br />

act as intermediaries between the German and the Swiss art markets. The<br />

persecution of this group of people – and thus their problematical situation<br />

– should not obscure the fact that the art dealers concerned often travelled to<br />

Germany, at least until 1938, to visit their families who remained there and<br />

in order to maintain contacts with art collectors who wanted to sell their<br />

collections. This is well documented for a number of art dealers, such as Fritz<br />

Nathan, Walter Feilchenfeldt, and Alfred Flechtheim.<br />

Fiduciaries and banks<br />

The banks and fiduciary companies initially were mere service providers for<br />

other actors such as dealers and collectors; still, on some occasions – out of pure<br />

financial interest – they also developed their own initiative in the business and<br />

purchased art themselves. A notable example is the Zurich-based «Fides<br />

Treuhand-Vereinigung», which had been a subsidiary of Credit Suisse (<strong>Schweiz</strong>erische<br />

Kreditanstalt, SKA) since 1928. Although any individual responsibility<br />

is routinely denied today on the grounds that the company always acted only<br />

on behalf of third parties, Fides played an active role in art dealing from 1934<br />

to around 1943 by offering its services unsolicited and thus adding fresh<br />

impetus to the sale of Jewish property and «degenerate art». The company<br />

aimed both to reinvest a blocked German credit asset of 8 million reichsmarks<br />

within Germany and to gradually reduce it via export purchases on behalf of<br />

third parties. Bodenkreditanstalt, also a SKA subsidiary, 15 took steps similar to<br />

the ones taken by Fides in art dealing, in that it bought up iron and sheet metal<br />

for Switzerland in co-operation with German and Swiss industrial companies.<br />

351

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