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LIGHT DRAMA style, and yet the verse obtrudes as verse far more than in Menander. It is endstopped, and Menander's excited chopping of phrases (which makes the division of parts uncertain) has been simplified. Yet even in this bald style there are characteristically Plautine touches absent in Menander. Alliteration marks Milphio's self-importance (1099) and admiration. Menander's apicrroc. . .
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THE CAMBRIDGE HISTORY OF CLASSICAL
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THE CAMBRIDGE HISTORY OF CLASSICAL
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CONTENTS List of plates P°g e xii
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CONTENTS 11 Cicero and the relation
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CONTENTS PART V! EARLY PRINCIPATE 2
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CONTENTS 41 Minor figures 770 by RO
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PREFACE The Cambridge History of Cl
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Anth. Lat. ANRW Bardon BT Bude Burs
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OCT Para via PIR PL PLF PLM PLRE PM
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READERS AND CRITICS Cambridge Histo
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BOOKS AND READERS IN THE ROMAN WORL
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EDUCATION The same dependence, and
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EDUCATION Such were the characteris
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AUTHOR AND PUBLIC his work on a sma
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AUTHOR AND PUBLIC was of humble or
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AUTHOR AND PUBLIC remained relative
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BOOKS AND PUBLICATION Greek papyri
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BOOKS AND PUBLICATION In antiquity
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BOOKS AND PUBLICATION "We are on sl
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Page 43 and 44:
THE 'FATA LIBELLORUM' conditions
Page 45 and 46:
THE 'FATA LIBELLORUM' to look. Even
Page 47 and 48:
SCHOLARSHIP AND CRITICISM panion vo
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THE SENSE OF 'LIBER' two books, as
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2 LITERARY CRITICISM Literary criti
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THE 'ACADEMICS' for we find him ass
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THE 'ACADEMICS' on the prominence o
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THE 'ACADEMICS' some distinguished
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THE 'ACADEMICS' descended to erotic
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THE 'ACADEMICS' before it three pre
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THE CRAFTSMEN ON THEIR CRAFTS to su
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THE CRAFTSMEN ON THEIR CRAFTS foren
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THE CRAFTSMEN ON THEIR CRAFTS to ju
Page 69 and 70: II EARLY REPUBLIC Cambridge Histori
Page 71 and 72: THE GENESIS OF POETRY IN ROME I. TH
Page 73 and 74: THE PRE-LITERARY BACKGROUND The lin
Page 75 and 76: THE PRE-LITERARY BACKGROUND This ar
Page 77 and 78: THE EARLIEST EPIC POETRY Despite a
Page 79 and 80: THE SCOPE AND CONTENTS OF THE ANNAL
Page 81 and 82: THE SCOPE AND CONTENTS OF THE ANNAL
Page 83 and 84: ENNIUS AND THE MUSES Virgil's time
Page 85 and 86: ENNIUS THE HELLENISTIC POET the Gra
Page 87 and 88: ENNIUS THE HELLENISTIC POET anapaes
Page 89 and 90: ENNIUS THE HELLENISTIC POET anachro
Page 91 and 92: ENNIUS THE HELLENISTIC POET This is
Page 93 and 94: ENNIUS THE HELLENISTIC POET wind-si
Page 95 and 96: 5 DRAMA I. THE ORIGINS OF ROMAN DRA
Page 97 and 98: THE ORIGINS OF ROMAN DRAMA story in
Page 99 and 100: THE ORIGINS OF ROMAN DRAMA not only
Page 101 and 102: THE ORIGINS OF ROMAN DRAMA record t
Page 103 and 104: THE ORIGINS OF ROMAN DRAMA declaime
Page 105 and 106: THE ORIGINS OF ROMAN DRAMA Greek pr
Page 107 and 108: THE ORIGINS OF ROMAN DRAMA poets fr
Page 109 and 110: THE ORIGINS OF ROMAN DRAMA a well-d
Page 111 and 112: THE ORIGINS OF ROMAN DRAMA and who
Page 113 and 114: LIGHT DRAMA Plautus (i) The authent
Page 115 and 116: LIGHT DRAMA Carthaginian' = Karched
Page 117 and 118: LIGHT DRAMA (Alexis may have). Lycu
Page 119: LIGHT DRAMA fore cannot logically a
Page 123 and 124: LIGHT DRAMA Characterization is not
Page 125 and 126: LIGHT DRAMA exploits and strategy w
Page 127 and 128: LIGHT DRAMA City One is, through ex
Page 129 and 130: LIGHT DRAMA Ballio's entrance in Ps
Page 131 and 132: LIGHT DRAMA mentioned as outsiders,
Page 133 and 134: LIGHT DRAMA He lists several object
Page 135 and 136: LIGHT DRAMA Menander, but distorted
Page 137 and 138: LIGHT DRAMA ing, and because of the
Page 139 and 140: LIGHT DRAMA and even spectacular
Page 141 and 142: LIGHT DRAMA loaded sense which we f
Page 143 and 144: LIGHT DRAMA quae ibi aderant forte
Page 145 and 146: LIGHT DRAMA Terence had a difficult
Page 147 and 148: SERIOUS DRAMA The Argonautic saga a
Page 149 and 150: SERIOUS DRAMA narrow and unsystemat
Page 151 and 152: SERIOUS DRAMA related to the real-l
Page 153 and 154: SERIOUS DRAMA dramatists. Perhaps m
Page 155 and 156: SERIOUS DRAMA TRF 590, 591-3 = ROL
Page 157 and 158: THE RANGE OF OLD LATIN PROSE Cicero
Page 159 and 160: THE RANGE OF OLD LATIN PROSE Flamin
Page 161 and 162: TECHNICAL WRITING dimensions for th
Page 163 and 164: THE PEN IN POLITICS wider audience
Page 165 and 166: THE PEN IN POLITICS she is able to
Page 167 and 168: THE PEN IN POLITICS When Cato spoke
Page 169 and 170: HISTORY To be truly Roman was not a
Page 171 and 172:
CATO ORATOR what a position our cou
Page 173 and 174:
CATO ORATOR plebitas, duritudo (cf.
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THE MINOR WORKS OF ENNIUS Ennius ke
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THE MINOR WORKS OF ENNIUS associate
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SATURA BEFORE ENNIUS? remark are cu
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LUCILIUS ((30) 1013 M = ROL 1091).
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LUCILIUS si minu' delectat, quod or
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LUCILIUS should risk his own life t
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LUCILIUS cruel by asking a friend h
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LUCILIUS Greek words are very promi
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Ill LATE REPUBLIC Cambridge Histori
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8 PREDECESSORS The short poems of C
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PREDECESSORS even to a twentieth-ce
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THE NEW POETS AND THEIR ANTECEDENTS
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Page 205 and 206:
Page 207 and 208:
THE MARRIAGE OF PELEUS AND THETIS k
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THE MARRIAGE OF PELEUS AND THETIS C
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THE MARRIAGE OF PELEUS AND THETIS i
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'CATULLI VERONENSIS LIBER' lines of
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'CATULLI VERONENSIS LIBER' Catullus
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LESBIA, SIRMIO, CALVUS Lesbia. But
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LESBIA, SIRMIO, CALVUS Hadriae tabe
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LESBIA, SIRMIO, CALVUS o uenusta Si
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LESBIA, SIRMIO, CALVUS Licinius, ye
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10 LUCRETIUS The De rerum natura of
Page 227 and 228:
BACKGROUND references to Roman ritu
Page 229 and 230:
BACKGROUND This verdict cannot be c
Page 231 and 232:
BACKGROUND genuine excitement, the
Page 233 and 234:
POET AND PHILOSOPHER these can be e
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LUCRETIUS 3. THE POEM Structure Lik
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THE POEM teaching. The prologues, f
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THE POEM from earlier parts of the
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THE POEM elsewhere in the work and
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THE POEM politics, law, and public
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THE POEM and which would at the sam
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THE POEM poetry in too cerebral a m
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CICERO'S ATTITUDE TO CULTURE gorean
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CICERO'S ATTITUDE TO CULTURE date i
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ORATORY AS CICERO FOUND IT trumped
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ORATORY IN CICERO AND HIS CONTEMPOR
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Page 259 and 260:
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VERSE Lines of similar structure to
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LETTERS In letter no. 9, long enoug
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SPEECHES We may surmise however tha
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SPEECHES Exordia, in Cicero's opini
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SPEECHES He executed all the prison
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DIALOGUES AND TREATISES As his prim
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DIALOGUES AND TREATISES Yet the De
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DIALOGUES AND TREATISES Senate and
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DIALOGUES AND TREATISES his daughte
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DIALOGUES AND TREATISES dared to br
Page 285 and 286:
LITERARY INFLUENCE IN ANTIQUITY fea
Page 287 and 288:
SALLUST known as the 'Catiline'), p
Page 289 and 290:
SALLUST over distinction between bo
Page 291 and 292:
SALLUST recent history? An answer i
Page 293 and 294:
SALLUST to seem good' is high prais
Page 295 and 296:
SALLUST moves closer to biography.
Page 297 and 298:
SALLUST Many asyndeta do not effect
Page 299 and 300:
13 CAESAR C. Julius Caesar's surviv
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CAESAR Tigurini on the river Arar,
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CAESAR the Gallic Wars. Indeed it w
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VARRO to explain how, in a full lif
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VARRO found in Menippus, a third-ce
Page 309 and 310:
CORNELIUS NEPOS Nepos' shallow lear
Page 311 and 312:
PROSE AND MIME 3. THE LITERARY MIME
Page 313 and 314:
IV THE AGE OF AUGUSTUS Cambridge Hi
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15 UNCERTAINTIES Cicero was murdere
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UNCERTAINTIES the decline of civili
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16 THEOCRITUS AND VIRGIL Theocritus
Page 321 and 322:
THEOCRITUS AND VIRGIL The Idyll beg
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VIRGIL AND THEOCRITUS rusticana). O
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VIRGIL AND THEOCRITUS eleventh Idyl
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VIRGIL AND THEOCRITUS ness on the p
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THE BOOK OF ECLOGUES M. Pollio hims
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THE BOOK OF ECLOGUES lective beauty
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THREE ECLOGUES tion that it was wri
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THREE ECLOGUES — an allusion to C
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THREE ECLOGUES reader's, unschooled
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POLITICAL BACKGROUND The poem deals
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INTENTION AND NATURE OF THE POEM im
Page 343 and 344:
STRUCTURE farmer's calendar. Passag
Page 345 and 346:
STRUCTURE Troy. Caesar himself has
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STRUCTURE principle, which could th
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STRUCTURE ported by the logos and i
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18 THE AENElD I. THE AENEID AND ITS
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AUGUSTAN BACKGROUND story became we
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AUGUSTAN BACKGROUND ut cum carcerib
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AUGUSTAN BACKGROUND nothing other t
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LITERARY BACKGROUND and Hecuba', el
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LITERARY BACKGROUND euertere opum i
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COMPOSITION AND STRUCTURE technique
Page 365 and 366:
THE CHIEF CHARACTERS forward and si
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THE CHIEF CHARACTERS his Trojans ha
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THE CHIEF CHARACTERS development of
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THE CHIEF CHARACTERS world the best
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THE CHIEF CHARACTERS But that was e
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THE CHIEF CHARACTERS aspects of Tur
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DESTINY AND RELIGION he could trans
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DESTINY AND RELIGION their individu
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STYLE AND METRE can on occasion use
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STYLE AND METRE more cannot be said
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STYLE AND METRE caesura to line end
Page 387 and 388:
CONCLUSION Deiphobus; the deaths of
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A CRITIQUE OF THE TRADITIONAL STERE
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Page 399 and 400:
Page 401 and 402:
Page 403 and 404:
Page 405 and 406:
A CRITIQUE OF THE ACADEMIC DICHOTOM
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Page 411 and 412:
Page 413 and 414:
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Page 417 and 418:
Page 419 and 420:
Page 421 and 422:
Page 423 and 424:
20 LOVE ELEGY I. GENERAL INTRODUCTI
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GENERAL INTRODUCTION transform Gree
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CHARACTERISTICS OF THE LOVE ELEGY (
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CORNELIUS CALLUS twenties. Of the f
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ALBIUS TIBULLUS mythological or oth
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SEXTUS PROPERTIUS taken from his ea
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PUBLIUS OVIDIUS NASO the countrysid
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OTHER ELEGISTS The Latin love elegy
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'FAME IS THE SPUR' The symbols are
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THE HEROIDES resultant action is en
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THE HEROIDES Dido threaten; the des
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THE HEROIDES Finally his impatience
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THE FASTI (Acontius and Cydippe), C
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THE METAMORPHOSES tragic (Cephalus
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THE METAMORPHOSES to new things'
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THE METAMORPHOSES by contrast, now
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THE METAMORPHOSES another catalogue
Page 457 and 458:
THE METAMORPHOSES (13.i—398). Thi
Page 459 and 460:
THE METAMORPHOSES maintained by the
Page 461 and 462:
THE POEMS OF EXILE Ovid was not a p
Page 463 and 464:
THE POEMS OF EXILE distinction is c
Page 465 and 466:
THE POEMS OF EXILE ingenio tamen ip
Page 467 and 468:
THE POEMS OF EXILE 10), or his pers
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THE POEMS OF EXILE The language and
Page 471 and 472:
THE POEMS OF EXILE light the Tristi
Page 473 and 474:
THE POEMS OF EXILE Ovid's was a muc
Page 475 and 476:
ACHIEVEMENT AND CHARACTERISTICS in
Page 477 and 478:
LIVY Historical activity had flouri
Page 479 and 480:
LIVY a basis a narrative which he c
Page 481 and 482:
LIVY of Abydus is told in terms of
Page 483 and 484:
LIVY lights occurs when the Aequi t
Page 485 and 486:
23 MINOR FIGURES I. POETRY The poet
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POETRY unlike the Copa and Moretum,
Page 489 and 490:
POETRY survival, written according
Page 491 and 492:
POETRY Messallae of 31 B.C. 1 A hig
Page 493 and 494:
POETRY The elegiac, on the other ha
Page 495 and 496:
POETRY Codrusque ille canit, quali
Page 497 and 498:
POETRY saepe suas uolucres legit mi
Page 499 and 500:
POETRY concerns the origins of astr
Page 501 and 502:
POETRY utque per ingentis populus d
Page 503 and 504:
POETRY Rome, it seems, never lost h
Page 505 and 506:
POETRY while fr. i, T, ., ' Idaeos
Page 507 and 508:
POETRY Pedo is more Virgilian. Usua
Page 509 and 510:
POETRY another area of Latin litera
Page 511 and 512:
PROSE apotheosis in a stiff, rather
Page 513 and 514:
V EARLY PRINCIPATE Cambridge Histor
Page 515 and 516:
24 CHALLENGE AND RESPONSE The first
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CHALLENGE AND RESPONSE home towns a
Page 519 and 520:
CHALLENGE AND RESPONSE under August
Page 521 and 522:
25 PERSIUS The satires of Persius a
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SATIRE 2 high-quality honour' (inco
Page 525 and 526:
SATIRE 4 (In the second, one notes
Page 527 and 528:
SATIRE 6 enlightened self-indulgenc
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26 THE YOUNGER SENECA I. INTRODUCTI
Page 531 and 532:
THE STYLISTIC REVOLUTIONARY while i
Page 533 and 534:
SENECAN PROSE You tell me {you say)
Page 535 and 536:
SENECAN PROSE In either case, howev
Page 537 and 538:
SENECAN PROSE Pensies — a paragra
Page 539 and 540:
SENECAN TRAGEDY that the literate p
Page 541 and 542:
SENECAN TRAGEDY literature (modern
Page 543 and 544:
SENECAN TRAGEDY reproduced for thei
Page 545 and 546:
SENECAN TRAGEDY an Attendant; and t
Page 547 and 548:
SENECAN TRAGEDY eclipse, or is the
Page 549 and 550:
THE OCTAVIA in modern discussions,
Page 551 and 552:
27 LUCAN Petronius' classicistic re
Page 553 and 554:
LUCAN to warrant the hypothesis of
Page 555 and 556:
LUCAN declamation, epode — all st
Page 557 and 558:
LUCAN The imminent rupture of all l
Page 559 and 560:
LUCAN Likewise, in the sphere of di
Page 561 and 562:
LUCAN As with poetic diction, so wi
Page 563 and 564:
LUCAN No rural Pan dwelt there, no
Page 565 and 566:
LUCAN desertion is premature; worse
Page 567 and 568:
LUCAN at uagus Afer equos ut primum
Page 569 and 570:
LUCAN The horses are stabbed, not s
Page 571 and 572:
LUCAN Lucan now completes his demol
Page 573 and 574:
LUCAN non Euri cessasse minas, non
Page 575 and 576:
LUCAN proves right: he remains outs
Page 577 and 578:
INTRODUCTORY It was only at the Ren
Page 579 and 580:
INTRODUCTORY thoroughly vindicated.
Page 581 and 582:
STATIUS fantasia on a curious plane
Page 583 and 584:
STATIUS quality of his verse. To th
Page 585 and 586:
STATIUS a propempticon, since it wi
Page 587 and 588:
STATIUS ancient poets, with a unive
Page 589 and 590:
STATIUS elements in the poems, but
Page 591 and 592:
STATIUS no less many-sided are its
Page 593 and 594:
STATIUS The epic ends on a note of
Page 595 and 596:
STATIUS ing mania spreads to Argos
Page 597 and 598:
STATIUS lengthy battle scenes (Book
Page 599 and 600:
VALERIUS sense to Valerius' detrime
Page 601 and 602:
VALERIUS object. By such a metamorp
Page 603 and 604:
VALERIUS feeble and attenuated: obs
Page 605 and 606:
VALERIUS you are astounded, I know
Page 607 and 608:
VALERIUS instead a historic Weltbil
Page 609 and 610:
SILIUS Pliny's words have survived
Page 611 and 612:
SILIUS the recipient of a divine be
Page 613 and 614:
SILIUS miniature. Silius' cura has
Page 615 and 616:
29 MARTIAL AND JUVENAL On the usual
Page 617 and 618:
MARTIAL AND JUVENAL Faustinas' vill
Page 619 and 620:
MARTIAL AND JUVENAL dictate to him:
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MARTIAL AND JUVENAL to laud the new
Page 623 and 624:
MARTIAL AND JUVENAL imagination, an
Page 625 and 626:
MARTIAL AND JUVENAL selection is ap
Page 627 and 628:
MARTIAL AND JUVENAL never seen dire
Page 629 and 630:
MARTIAL AND JUVENAL at his disposal
Page 631 and 632:
MARTIAL AND JUVENAL the first of wh
Page 633 and 634:
MARTIAL AND JUVENAL rifle the resou
Page 635 and 636:
MARTIAL AND JUVENAL tives, Grecisms
Page 637 and 638:
MARTIAL AND JUVENAL Now autumn With
Page 639 and 640:
MARTIAL AND JUVENAL Likewise Juvena
Page 641 and 642:
MARTIAL AND JUVENAL derision. Juven
Page 643 and 644:
PHAEDRUS fables had appeared only i
Page 645 and 646:
CALPURNIUS SICULUS patron represent
Page 647 and 648:
LAUS PISONIS favoured never feared
Page 649 and 650:
EPIGRAMS group of verses, on Claudi
Page 651 and 652:
31 PROSE SATIRE I. APOCOLOCYNTOSIS
Page 653 and 654:
PROSE SATIRE 2. PETRONIUS Petronius
Page 655 and 656:
PETRONIUS arrestingly adapted, the
Page 657 and 658:
32 HISTORY AND BIOGRAPHY I. VELLEIU
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VELLEIUS PATERCULUS Atticus (Cic. B
Page 661 and 662:
TACITUS compelled the attention of
Page 663 and 664:
TACITUS demonstrate his talents rat
Page 665 and 666:
TACITUS Tacitus begins his Historie
Page 667 and 668:
TACITUS weaving details or opinions
Page 669 and 670:
TACITUS writing. Tacitus' style is
Page 671 and 672:
TACITUS Verbal sharpness, concomita
Page 673 and 674:
TACITUS sension and lust for power
Page 675 and 676:
PLINY THE YOUNGER serious request f
Page 677 and 678:
PLINY THE YOUNGER affected. By blen
Page 679 and 680:
HISTORY AND BIOGRAPHY 5. SUETONIUS
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SUETONIUS not so much because of it
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FLORUS as hero (see 2.14.4—6), th
Page 685 and 686:
33 TECHNICAL WRITING 1. POMPONIUS M
Page 687 and 688:
COLUMELLA sension as he is independ
Page 689 and 690:
PLINY THE ELDER was both patriotic
Page 691 and 692:
FRONTINUS well have sought a very p
Page 693 and 694:
QUINTILIAN In the long technical se
Page 695 and 696:
FRONTO on threadbare themes exude t
Page 697 and 698:
AULUS GELLIUS has benefited us grea
Page 699 and 700:
VI LATER PRINCIPATE Cambridge Histo
Page 701 and 702:
35 INTRODUCTORY The period to be st
Page 703 and 704:
INTRODUCTORY regions as the militar
Page 705 and 706:
INTRODUCTORY only in the Greek lang
Page 707 and 708:
INTRODUCTORY between Ambrose and Sy
Page 709 and 710:
INTRODUCTORY significant way differ
Page 711 and 712:
POETRY characteristics. The first i
Page 713 and 714:
POETRY It has been dated at various
Page 715 and 716:
POETRY of Man, but it is very doubt
Page 717 and 718:
POETRY Trier to become tutor to Gra
Page 719 and 720:
POETRY In the words of a perceptive
Page 721 and 722:
POETRY The prey is hooked, and slan
Page 723 and 724:
POETRY been challenged. They are br
Page 725 and 726:
POETRY centuries saw the flourishin
Page 727 and 728:
POETRY looked like; and of Stilicho
Page 729 and 730:
POETRY Posteritas, admitte fidem: m
Page 731 and 732:
POETRY which he did not wish to sur
Page 733 and 734:
POETRY is characteristic of the cla
Page 735 and 736:
POETRY while adopting the latter. T
Page 737 and 738:
POETRY which Valentinian and his fa
Page 739 and 740:
POETRY of date, and it is clear tha
Page 741 and 742:
37 BIOGRAPHY The form of imperial b
Page 743 and 744:
BIOGRAPHY wise unknown authorities
Page 745 and 746:
BIOGRAPHY concerned with anti-Chris
Page 747 and 748:
BIOGRAPHY Laomedon to the capture o
Page 749 and 750:
BIOGRAPHY hearted commitment to a s
Page 751 and 752:
HISTORY Not all Republican or early
Page 753 and 754:
HISTORY themselves to a readership
Page 755 and 756:
HISTORY long and discursive history
Page 757 and 758:
HISTORY mentators. But it also cont
Page 759 and 760:
HISTORY Julian's teacher and friend
Page 761 and 762:
HISTORY There survives in a medieva
Page 763 and 764:
HISTORY summary fashion, either by
Page 765 and 766:
HISTORY are unknown to us, but bear
Page 767 and 768:
HISTORY particular from Virgil. His
Page 769 and 770:
HISTORY of Nazianzus. Most of these
Page 771 and 772:
HISTORY All these points demanded c
Page 773 and 774:
39 ORATORY AND EPISTOLOGRAPHY The s
Page 775 and 776:
ORATORY AND EPISTOLOGRAPHY and othe
Page 777 and 778:
ORATORY AND EPISTOLOGRAPHY as one o
Page 779 and 780:
ORATORY AND EPISTOLOGRAPHY to Valen
Page 781 and 782:
SCHOLARS works as Varro's Res rusti
Page 783 and 784:
SCHOLARS platonist mystic worship o
Page 785 and 786:
GRAMMARIANS read and write. In ever
Page 787 and 788:
GRAMMARIANS is sound rather than or
Page 789 and 790:
MINOR FIGURES rate rhetorical purpl
Page 791 and 792:
MINOR FIGURES the courts during Dio
Page 793 and 794:
APULEIUS (' On the commonwealth') a
Page 795 and 796:
APULEIUS exhorting those readers to
Page 797 and 798:
APULEIUS guard a corpse led to his
Page 799 and 800:
APULEIUS The two main anecdotes in
Page 801 and 802:
APULEIUS a traditionally dissolute
Page 803 and 804:
APULEIUS attributable to an impulsi
Page 805 and 806:
VII EPILOGUE Cambridge Histories On
Page 807 and 808:
The primary aim of any literary his
Page 809 and 810:
EPILOGUE Of the epic composed betwe
Page 811 and 812:
EPILOGUE pastoral now exists side b
Page 813 and 814:
EPILOGUE the Tuscidans and from the
Page 815 and 816:
APPENDICES Cambridge Histories Onli
Page 817 and 818:
APPENDIX OF AUTHORS AND WORKS ANDRO
Page 819 and 820:
APPENDIX OF AUTHORS AND WORKS had i
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