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APPENDIX OF AUTHORS AND WORKS AEMILIUS MACER LIFE b. in Verona (Serv. ad Eel. 5.1, identifying him with Mopsus), d. in Asia 16 B.C. (Jerome, Chron. arm. Abr. 2001). An acquaintance of Tibullus (Tib. 2.6.1). WORKS Didactic poems on birds, serpents and herbs (Ovid, Trist. 4.10.43), the last two possibly belonging to one work. Diomedes (GLK I 374.21) and Nonius (220.18 and 518.32) attest the title Ornithogonia; Charisius (GLK1 81.18) attests a Theriaka, in two books, as shown by Comm. Bern, ad Lucan 9.701. Dist. Cat. 2, praef. 2 is of dubious value for the De herbis. Boios has been claimed as source for Ornithogonia by G. Knaack, AnaUcta Alexandrino-Romana (Greifswald 1880) 11, and G. Lafaye, Z,es mdtamorphoses d'Ovide (Paris 1904) 43: ref. to pictas uolucres at Manil. 2.43 is probably to Boios, not Macer. Quint. 10.1.56 notes M.'s unsuccessful imitation of Nicander (in his Theriaka), for which see also R. Unger, De Aemilio Macro Nicandris imitatore (Friedland 1845), Schneider's edition of Nicander (Leipzig 1856) 74, Knaack (above), and K. P. Schulze, Rh.M. 53 (1898) 543. Quintilian calls his style humilis at 10.1.87. BIBLIOGRAPHY Fragments in FPL, 107—10. Discussions in Teuffel 11 22—3, Schanz—Hosius 11 164—5, Bardon 11 44—7. VARIUS RUFUS LIFE A contemporary of Virgil and Horace (Jerome, Chron. ann. Abr. 2000), but older than they (Virg. Eel. 9.35, bracketing him widi Republican poet Cinna), he introduced Horace to Maecenas (Hor. Sat. 1.6.55), an ^ ' s mentioned several times in the Satires (1.5.41 and 93, 1.9.23, 1.10.81, 2.8.21 and 63). Editor with Tucca of Virgil's Aeneid, on the author's death (Quint. 10.3.8, Donat. Vita Verg. 39, Jerome, Chron. above, Serv. praef.). WORKS De morte (title attested by Macr. Sat. 2.19.20, 6.1.39—40): most probably a didactic with Epicurean flavour (on V.'s philosophy see Quint. 6.3.78); appears to have attacked Antony. Some critics identify it with the forte epos of Hor. Sat. 1.10.81, changing its title to De morte Caesaris: but the preposition de implies didactic, and no 862 Cambridge Histories Online © Cambridge University Press, 2008
APPENDIX OF AUTHORS AND WORKS ancient epic has a similar title. Fr. i imitated at Virg. Aen. 6.62.1, 2 at Geo. 2.50(5, 3 at Geo. 3. 115 and 4 at Eel. 8.88. Of Varian epic we have nothing: recusatio at Hor. Odes r.6 implies that V. is a suitable author for Agrippa's exploits, also that he contemplated a Diomedea, but no more. A tragedy, Thyestes: produced at games for Actium 29 B.C. (Parisinus 7530); see Quint. 10.1.18, 3.8.45. Valgius Rufus and the Varus of the Eclogues have been claimed for authorship, but Tac. Dial. 12 and Quint. 3.8.45 and 11.3.73 are quite clear on the name. Bardon (11 82) claims other tragedies for V., perhaps correctly. Panegyricus Augusti: attested by Porph. and ps.-Acron ad Hor. Epist. 1.16.27-9, which has been claimed as a recasting of the original; the rhythm, at any rate, is clearly that of Horace. Elegies mentioned at Porph. ad Odes. 1.6.1 have no other ancient testimony and are therefore suspect. Fragments in FPL 100— 1. BIBLIOGRAPHY R. Unger, Variide Morte eclog. reliqu. (Halle 1870); A. E. Housman, 'The Thyestes of Varius', C.Q. 11 (1917) 42-8; Schanz—Hosius 11 162-4; A. Momigliano, 'Epicureans in revolt', J.R.S. 31 (1941) 151-7; E. Bickel, S.O. 28 (1950) iooff.; Bardon 11 28-34; Nisbet and Hubbard (1970) on Hor. Odes 1.6; H. D. Jocelyn, C.Q. n.s. 30(1980) 387- 400. GRATTIUS LIFE Wrote before A.D. 8 (Ovid, Pont. 4.16.34) and is often assumed to have come from Falerii (see v.40). Bella ferarum at Manil. 2.43 is an allusion to a Greek Cynegetica, not to G. WORKS An incomplete Cynegetica, in 536 lines, with five fragments. For his improbable bucolics (on the basis of Ovid, Pont. 4.16.33) see Bardon 11 58. BIBLIOGRAPHY TEXTS AND COMMENTARIES: TEXTS: PL.M I 29-53; J. W. and A.M. Duff, Minor Latin poets, 2nd ed. (Loeb, 1935). COMMENTARIES: P. J. Enk (Zutphen 1918); R. Verdiere, 2 vols. (Wetteren 1964). STUDIES: M. Fiegl, Des Grattius Faliscus Cynegetica, seine Vorganger und seine Nachfolger (Gorz 1890); G. Pierleoni, 'Fu poeta Grattius?', R.F. 34 (1906) 58off.; P. H. Damste', 'Ad Grattium notulae'. Mnemosyne 53 (1925) 299*1"., J. Tolkiehn, Bursian 153 (1911) 95, and 171 (1915) 5; M. Schuster, ibid. 212 (1927) 82. 863 Cambridge Histories Online © Cambridge University Press, 2008
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THE CAMBRIDGE HISTORY OF CLASSICAL
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THE CAMBRIDGE HISTORY OF CLASSICAL
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CONTENTS List of plates P°g e xii
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CONTENTS 11 Cicero and the relation
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CONTENTS PART V! EARLY PRINCIPATE 2
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CONTENTS 41 Minor figures 770 by RO
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PREFACE The Cambridge History of Cl
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Anth. Lat. ANRW Bardon BT Bude Burs
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OCT Para via PIR PL PLF PLM PLRE PM
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READERS AND CRITICS Cambridge Histo
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BOOKS AND READERS IN THE ROMAN WORL
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EDUCATION The same dependence, and
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EDUCATION Such were the characteris
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AUTHOR AND PUBLIC his work on a sma
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AUTHOR AND PUBLIC was of humble or
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AUTHOR AND PUBLIC remained relative
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BOOKS AND PUBLICATION Greek papyri
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BOOKS AND PUBLICATION In antiquity
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BOOKS AND PUBLICATION "We are on sl
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THE 'FATA LIBELLORUM' conditions
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THE 'FATA LIBELLORUM' to look. Even
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SCHOLARSHIP AND CRITICISM panion vo
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THE SENSE OF 'LIBER' two books, as
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2 LITERARY CRITICISM Literary criti
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THE 'ACADEMICS' for we find him ass
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THE 'ACADEMICS' on the prominence o
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THE 'ACADEMICS' some distinguished
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THE 'ACADEMICS' descended to erotic
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THE 'ACADEMICS' before it three pre
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THE CRAFTSMEN ON THEIR CRAFTS to su
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THE CRAFTSMEN ON THEIR CRAFTS foren
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THE CRAFTSMEN ON THEIR CRAFTS to ju
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II EARLY REPUBLIC Cambridge Histori
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THE GENESIS OF POETRY IN ROME I. TH
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THE PRE-LITERARY BACKGROUND The lin
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THE PRE-LITERARY BACKGROUND This ar
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THE EARLIEST EPIC POETRY Despite a
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THE SCOPE AND CONTENTS OF THE ANNAL
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THE SCOPE AND CONTENTS OF THE ANNAL
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ENNIUS AND THE MUSES Virgil's time
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ENNIUS THE HELLENISTIC POET the Gra
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ENNIUS THE HELLENISTIC POET anapaes
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ENNIUS THE HELLENISTIC POET anachro
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ENNIUS THE HELLENISTIC POET This is
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ENNIUS THE HELLENISTIC POET wind-si
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5 DRAMA I. THE ORIGINS OF ROMAN DRA
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THE ORIGINS OF ROMAN DRAMA story in
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THE ORIGINS OF ROMAN DRAMA not only
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THE ORIGINS OF ROMAN DRAMA record t
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THE ORIGINS OF ROMAN DRAMA declaime
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THE ORIGINS OF ROMAN DRAMA Greek pr
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THE ORIGINS OF ROMAN DRAMA poets fr
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THE ORIGINS OF ROMAN DRAMA a well-d
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THE ORIGINS OF ROMAN DRAMA and who
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LIGHT DRAMA Plautus (i) The authent
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LIGHT DRAMA Carthaginian' = Karched
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LIGHT DRAMA (Alexis may have). Lycu
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LIGHT DRAMA fore cannot logically a
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LIGHT DRAMA style, and yet the vers
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LIGHT DRAMA Characterization is not
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LIGHT DRAMA exploits and strategy w
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LIGHT DRAMA City One is, through ex
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LIGHT DRAMA Ballio's entrance in Ps
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LIGHT DRAMA mentioned as outsiders,
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LIGHT DRAMA He lists several object
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LIGHT DRAMA Menander, but distorted
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LIGHT DRAMA ing, and because of the
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LIGHT DRAMA and even spectacular
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LIGHT DRAMA loaded sense which we f
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LIGHT DRAMA quae ibi aderant forte
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LIGHT DRAMA Terence had a difficult
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SERIOUS DRAMA The Argonautic saga a
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SERIOUS DRAMA narrow and unsystemat
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SERIOUS DRAMA related to the real-l
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SERIOUS DRAMA dramatists. Perhaps m
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SERIOUS DRAMA TRF 590, 591-3 = ROL
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THE RANGE OF OLD LATIN PROSE Cicero
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THE RANGE OF OLD LATIN PROSE Flamin
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TECHNICAL WRITING dimensions for th
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THE PEN IN POLITICS wider audience
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THE PEN IN POLITICS she is able to
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THE PEN IN POLITICS When Cato spoke
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HISTORY To be truly Roman was not a
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CATO ORATOR what a position our cou
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CATO ORATOR plebitas, duritudo (cf.
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THE MINOR WORKS OF ENNIUS Ennius ke
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THE MINOR WORKS OF ENNIUS associate
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SATURA BEFORE ENNIUS? remark are cu
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LUCILIUS ((30) 1013 M = ROL 1091).
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LUCILIUS si minu' delectat, quod or
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LUCILIUS should risk his own life t
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LUCILIUS cruel by asking a friend h
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LUCILIUS Greek words are very promi
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Ill LATE REPUBLIC Cambridge Histori
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8 PREDECESSORS The short poems of C
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PREDECESSORS even to a twentieth-ce
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THE NEW POETS AND THEIR ANTECEDENTS
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THE MARRIAGE OF PELEUS AND THETIS k
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THE MARRIAGE OF PELEUS AND THETIS C
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THE MARRIAGE OF PELEUS AND THETIS i
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'CATULLI VERONENSIS LIBER' lines of
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'CATULLI VERONENSIS LIBER' Catullus
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LESBIA, SIRMIO, CALVUS Lesbia. But
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LESBIA, SIRMIO, CALVUS Hadriae tabe
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LESBIA, SIRMIO, CALVUS o uenusta Si
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LESBIA, SIRMIO, CALVUS Licinius, ye
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10 LUCRETIUS The De rerum natura of
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BACKGROUND references to Roman ritu
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BACKGROUND This verdict cannot be c
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BACKGROUND genuine excitement, the
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POET AND PHILOSOPHER these can be e
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LUCRETIUS 3. THE POEM Structure Lik
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THE POEM teaching. The prologues, f
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THE POEM from earlier parts of the
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THE POEM elsewhere in the work and
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THE POEM politics, law, and public
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THE POEM and which would at the sam
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THE POEM poetry in too cerebral a m
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CICERO'S ATTITUDE TO CULTURE gorean
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CICERO'S ATTITUDE TO CULTURE date i
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ORATORY AS CICERO FOUND IT trumped
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ORATORY IN CICERO AND HIS CONTEMPOR
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VERSE Lines of similar structure to
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LETTERS In letter no. 9, long enoug
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SPEECHES We may surmise however tha
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SPEECHES Exordia, in Cicero's opini
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SPEECHES He executed all the prison
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DIALOGUES AND TREATISES As his prim
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DIALOGUES AND TREATISES Yet the De
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DIALOGUES AND TREATISES Senate and
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DIALOGUES AND TREATISES his daughte
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DIALOGUES AND TREATISES dared to br
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LITERARY INFLUENCE IN ANTIQUITY fea
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SALLUST known as the 'Catiline'), p
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SALLUST over distinction between bo
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SALLUST recent history? An answer i
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SALLUST to seem good' is high prais
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SALLUST moves closer to biography.
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SALLUST Many asyndeta do not effect
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13 CAESAR C. Julius Caesar's surviv
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CAESAR Tigurini on the river Arar,
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CAESAR the Gallic Wars. Indeed it w
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VARRO to explain how, in a full lif
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VARRO found in Menippus, a third-ce
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CORNELIUS NEPOS Nepos' shallow lear
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PROSE AND MIME 3. THE LITERARY MIME
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IV THE AGE OF AUGUSTUS Cambridge Hi
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15 UNCERTAINTIES Cicero was murdere
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UNCERTAINTIES the decline of civili
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16 THEOCRITUS AND VIRGIL Theocritus
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THEOCRITUS AND VIRGIL The Idyll beg
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VIRGIL AND THEOCRITUS rusticana). O
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VIRGIL AND THEOCRITUS eleventh Idyl
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VIRGIL AND THEOCRITUS ness on the p
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THE BOOK OF ECLOGUES M. Pollio hims
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THE BOOK OF ECLOGUES lective beauty
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THREE ECLOGUES tion that it was wri
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THREE ECLOGUES — an allusion to C
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THREE ECLOGUES reader's, unschooled
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POLITICAL BACKGROUND The poem deals
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INTENTION AND NATURE OF THE POEM im
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STRUCTURE farmer's calendar. Passag
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STRUCTURE Troy. Caesar himself has
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STRUCTURE principle, which could th
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STRUCTURE ported by the logos and i
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18 THE AENElD I. THE AENEID AND ITS
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AUGUSTAN BACKGROUND story became we
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AUGUSTAN BACKGROUND ut cum carcerib
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AUGUSTAN BACKGROUND nothing other t
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LITERARY BACKGROUND and Hecuba', el
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LITERARY BACKGROUND euertere opum i
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COMPOSITION AND STRUCTURE technique
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THE CHIEF CHARACTERS forward and si
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THE CHIEF CHARACTERS his Trojans ha
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THE CHIEF CHARACTERS development of
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THE CHIEF CHARACTERS world the best
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THE CHIEF CHARACTERS But that was e
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THE CHIEF CHARACTERS aspects of Tur
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DESTINY AND RELIGION he could trans
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DESTINY AND RELIGION their individu
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STYLE AND METRE can on occasion use
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STYLE AND METRE more cannot be said
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STYLE AND METRE caesura to line end
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CONCLUSION Deiphobus; the deaths of
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A CRITIQUE OF THE TRADITIONAL STERE
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A CRITIQUE OF THE ACADEMIC DICHOTOM
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20 LOVE ELEGY I. GENERAL INTRODUCTI
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GENERAL INTRODUCTION transform Gree
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CHARACTERISTICS OF THE LOVE ELEGY (
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CORNELIUS CALLUS twenties. Of the f
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ALBIUS TIBULLUS mythological or oth
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SEXTUS PROPERTIUS taken from his ea
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PUBLIUS OVIDIUS NASO the countrysid
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OTHER ELEGISTS The Latin love elegy
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'FAME IS THE SPUR' The symbols are
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THE HEROIDES resultant action is en
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THE HEROIDES Dido threaten; the des
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THE HEROIDES Finally his impatience
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THE FASTI (Acontius and Cydippe), C
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THE METAMORPHOSES tragic (Cephalus
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THE METAMORPHOSES to new things'
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THE METAMORPHOSES by contrast, now
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THE METAMORPHOSES another catalogue
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THE METAMORPHOSES (13.i—398). Thi
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THE METAMORPHOSES maintained by the
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THE POEMS OF EXILE Ovid was not a p
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THE POEMS OF EXILE distinction is c
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THE POEMS OF EXILE ingenio tamen ip
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THE POEMS OF EXILE 10), or his pers
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THE POEMS OF EXILE The language and
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THE POEMS OF EXILE light the Tristi
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THE POEMS OF EXILE Ovid's was a muc
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ACHIEVEMENT AND CHARACTERISTICS in
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LIVY Historical activity had flouri
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LIVY a basis a narrative which he c
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LIVY of Abydus is told in terms of
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LIVY lights occurs when the Aequi t
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23 MINOR FIGURES I. POETRY The poet
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POETRY unlike the Copa and Moretum,
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POETRY survival, written according
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POETRY Messallae of 31 B.C. 1 A hig
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POETRY The elegiac, on the other ha
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POETRY Codrusque ille canit, quali
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POETRY saepe suas uolucres legit mi
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POETRY concerns the origins of astr
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POETRY utque per ingentis populus d
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POETRY Rome, it seems, never lost h
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POETRY while fr. i, T, ., ' Idaeos
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POETRY Pedo is more Virgilian. Usua
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POETRY another area of Latin litera
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PROSE apotheosis in a stiff, rather
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V EARLY PRINCIPATE Cambridge Histor
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24 CHALLENGE AND RESPONSE The first
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CHALLENGE AND RESPONSE home towns a
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CHALLENGE AND RESPONSE under August
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25 PERSIUS The satires of Persius a
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SATIRE 2 high-quality honour' (inco
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SATIRE 4 (In the second, one notes
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SATIRE 6 enlightened self-indulgenc
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26 THE YOUNGER SENECA I. INTRODUCTI
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THE STYLISTIC REVOLUTIONARY while i
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SENECAN PROSE You tell me {you say)
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SENECAN PROSE In either case, howev
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SENECAN PROSE Pensies — a paragra
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SENECAN TRAGEDY that the literate p
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SENECAN TRAGEDY literature (modern
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SENECAN TRAGEDY reproduced for thei
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SENECAN TRAGEDY an Attendant; and t
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SENECAN TRAGEDY eclipse, or is the
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THE OCTAVIA in modern discussions,
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27 LUCAN Petronius' classicistic re
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LUCAN to warrant the hypothesis of
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LUCAN declamation, epode — all st
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LUCAN The imminent rupture of all l
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LUCAN Likewise, in the sphere of di
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LUCAN As with poetic diction, so wi
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LUCAN No rural Pan dwelt there, no
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LUCAN desertion is premature; worse
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LUCAN at uagus Afer equos ut primum
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LUCAN The horses are stabbed, not s
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LUCAN Lucan now completes his demol
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LUCAN non Euri cessasse minas, non
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LUCAN proves right: he remains outs
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INTRODUCTORY It was only at the Ren
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INTRODUCTORY thoroughly vindicated.
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STATIUS fantasia on a curious plane
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STATIUS quality of his verse. To th
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STATIUS a propempticon, since it wi
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STATIUS ancient poets, with a unive
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STATIUS elements in the poems, but
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STATIUS no less many-sided are its
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STATIUS The epic ends on a note of
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STATIUS ing mania spreads to Argos
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STATIUS lengthy battle scenes (Book
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VALERIUS sense to Valerius' detrime
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VALERIUS object. By such a metamorp
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VALERIUS feeble and attenuated: obs
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VALERIUS you are astounded, I know
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VALERIUS instead a historic Weltbil
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SILIUS Pliny's words have survived
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SILIUS the recipient of a divine be
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SILIUS miniature. Silius' cura has
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29 MARTIAL AND JUVENAL On the usual
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MARTIAL AND JUVENAL Faustinas' vill
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MARTIAL AND JUVENAL dictate to him:
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MARTIAL AND JUVENAL to laud the new
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MARTIAL AND JUVENAL imagination, an
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MARTIAL AND JUVENAL selection is ap
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MARTIAL AND JUVENAL never seen dire
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MARTIAL AND JUVENAL at his disposal
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MARTIAL AND JUVENAL the first of wh
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MARTIAL AND JUVENAL rifle the resou
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MARTIAL AND JUVENAL tives, Grecisms
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MARTIAL AND JUVENAL Now autumn With
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MARTIAL AND JUVENAL Likewise Juvena
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MARTIAL AND JUVENAL derision. Juven
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PHAEDRUS fables had appeared only i
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CALPURNIUS SICULUS patron represent
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LAUS PISONIS favoured never feared
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EPIGRAMS group of verses, on Claudi
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31 PROSE SATIRE I. APOCOLOCYNTOSIS
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PROSE SATIRE 2. PETRONIUS Petronius
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PETRONIUS arrestingly adapted, the
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32 HISTORY AND BIOGRAPHY I. VELLEIU
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VELLEIUS PATERCULUS Atticus (Cic. B
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TACITUS compelled the attention of
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TACITUS demonstrate his talents rat
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TACITUS Tacitus begins his Historie
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TACITUS weaving details or opinions
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TACITUS writing. Tacitus' style is
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TACITUS Verbal sharpness, concomita
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TACITUS sension and lust for power
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PLINY THE YOUNGER serious request f
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PLINY THE YOUNGER affected. By blen
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HISTORY AND BIOGRAPHY 5. SUETONIUS
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SUETONIUS not so much because of it
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FLORUS as hero (see 2.14.4—6), th
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33 TECHNICAL WRITING 1. POMPONIUS M
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COLUMELLA sension as he is independ
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PLINY THE ELDER was both patriotic
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FRONTINUS well have sought a very p
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QUINTILIAN In the long technical se
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FRONTO on threadbare themes exude t
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AULUS GELLIUS has benefited us grea
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VI LATER PRINCIPATE Cambridge Histo
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35 INTRODUCTORY The period to be st
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INTRODUCTORY regions as the militar
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INTRODUCTORY only in the Greek lang
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INTRODUCTORY between Ambrose and Sy
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INTRODUCTORY significant way differ
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POETRY characteristics. The first i
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POETRY It has been dated at various
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POETRY of Man, but it is very doubt
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POETRY Trier to become tutor to Gra
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POETRY In the words of a perceptive
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POETRY The prey is hooked, and slan
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POETRY been challenged. They are br
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POETRY centuries saw the flourishin
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POETRY looked like; and of Stilicho
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POETRY Posteritas, admitte fidem: m
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POETRY which he did not wish to sur
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POETRY is characteristic of the cla
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POETRY while adopting the latter. T
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POETRY which Valentinian and his fa
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POETRY of date, and it is clear tha
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37 BIOGRAPHY The form of imperial b
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BIOGRAPHY wise unknown authorities
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BIOGRAPHY concerned with anti-Chris
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BIOGRAPHY Laomedon to the capture o
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BIOGRAPHY hearted commitment to a s
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HISTORY Not all Republican or early
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HISTORY themselves to a readership
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HISTORY long and discursive history
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HISTORY mentators. But it also cont
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HISTORY Julian's teacher and friend
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HISTORY There survives in a medieva
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HISTORY summary fashion, either by
Page 765 and 766:
HISTORY are unknown to us, but bear
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HISTORY particular from Virgil. His
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HISTORY of Nazianzus. Most of these
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HISTORY All these points demanded c
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39 ORATORY AND EPISTOLOGRAPHY The s
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ORATORY AND EPISTOLOGRAPHY and othe
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ORATORY AND EPISTOLOGRAPHY as one o
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ORATORY AND EPISTOLOGRAPHY to Valen
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SCHOLARS works as Varro's Res rusti
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SCHOLARS platonist mystic worship o
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GRAMMARIANS read and write. In ever
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GRAMMARIANS is sound rather than or
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MINOR FIGURES rate rhetorical purpl
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MINOR FIGURES the courts during Dio
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APULEIUS (' On the commonwealth') a
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APULEIUS exhorting those readers to
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APULEIUS guard a corpse led to his
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APULEIUS The two main anecdotes in
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APULEIUS a traditionally dissolute
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APULEIUS attributable to an impulsi
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VII EPILOGUE Cambridge Histories On
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The primary aim of any literary his
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EPILOGUE Of the epic composed betwe
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EPILOGUE pastoral now exists side b
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EPILOGUE the Tuscidans and from the
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APPENDICES Cambridge Histories Onli
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APPENDIX OF AUTHORS AND WORKS ANDRO
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APPENDIX OF AUTHORS AND WORKS had i
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APPENDIX OF AUTHORS AND WORKS that
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APPENDIX OF AUTHORS AND WORKS disco
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APPENDIX OF AUTHORS AND WORKS M. Ta
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APPENDIX OF AUTHORS AND WORKS schol
Page 829 and 830: APPENDIX OF AUTHORS AND WORKS Moste
Page 831 and 832: APPENDIX OF AUTHORS AND WORKS CAECI
Page 833 and 834: APPENDIX OF AUTHORS AND WORKS Carth
Page 835 and 836: APPENDIX OF AUTHORS AND WORKS (5) P
Page 837 and 838: APPENDIX OF AUTHORS AND WORKS B. Ta
Page 839 and 840: APPENDIX OF AUTHORS AND WORKS expli
Page 841 and 842: APPENDIX OF AUTHORS AND WORKS editi
Page 843 and 844: APPENDIX OF AUTHORS AND WORKS I. Ma
Page 845 and 846: APPENDIX OF AUTHORS AND WORKS (190
Page 847 and 848: APPENDIX OF AUTHORS AND WORKS at Nu
Page 849 and 850: APPENDIX OF AUTHORS AND WORKS WORKS
Page 851 and 852: APPENDIX OF AUTHORS AND WORKS 73-10
Page 853 and 854: APPENDIX OF AUTHORS AND WORKS Heine
Page 855 and 856: APPENDIX OF AUTHORS AND WORKS A. S.
Page 857 and 858: APPENDIX OF AUTHORS AND WORKS durin
Page 859 and 860: APPENDIX OF AUTHORS AND WORKS M.H.
Page 861 and 862: APPENDIX OF AUTHORS AND WORKS (1) E
Page 863 and 864: APPENDIX OF AUTHORS AND WORKS Hagen
Page 865 and 866: APPENDIX OF AUTHORS AND WORKS possi
Page 867 and 868: APPENDIX OF AUTHORS AND WORKS Aenea
Page 869 and 870: APPENDIX OF AUTHORS AND WORKS Page
Page 871 and 872: APPENDIX OF AUTHORS AND WORKS TIBUL
Page 873 and 874: APPENDIX OF AUTHORS AND WORKS Baile
Page 875 and 876: APPENDIX OF AUTHORS AND WORKS M. Ha
Page 877 and 878: APPENDIX OF AUTHORS AND WORKS ' Beo
Page 879: APPENDIX OF AUTHORS AND WORKS Catal
Page 883 and 884: APPENDIX OF AUTHORS AND WORKS BIBLI
Page 885 and 886: APPENDIX OF AUTHORS AND WORKS VITRU
Page 887 and 888: APPENDIX OF AUTHORS AND WORKS (Amst
Page 889 and 890: APPENDIX OF AUTHORS AND WORKS 13th
Page 893 and 894: APPENDIX OF AUTHORS AND WORKS favou
Page 895 and 896: APPENDIX OF AUTHORS AND WORKS (1970
Page 897 and 898: APPENDIX OF AUTHORS AND WORKS 290-3
Page 899 and 900: APPENDIX OF AUTHORS AND WORKS Guill
Page 901 and 902: APPENDIX OF AUTHORS AND WORKS Lustr
Page 905 and 906: APPENDIX OF AUTHORS AND WORKS ascri
Page 907 and 908: APPENDIX OF AUTHORS AND WORKS PETRO
Page 909 and 910: APPENDIX OF AUTHORS AND WORKS Velle
Page 911 and 912: APPENDIX OF AUTHORS AND WORKS TEXTS
Page 913 and 914: APPENDIX OF AUTHORS AND "WORKS 15 (
Page 915 and 916: APPENDIX OF AUTHORS AND WORKS SUETO
Page 917 and 918: APPENDIX OF AUTHORS AND WORKS STUDI
Page 919 and 920: APPENDIX OF AUTHORS AND WORKS COLUM
Page 921 and 922: APPENDIX OF AUTHORS AND WORKS Plini
Page 923 and 924: APPENDIX OF AUTHORS AND WORKS FRONT
Page 925 and 926: APPENDIX OF AUTHORS AND WORKS Bowde
Page 927 and 928: APPENDIX OF AUTHORS AND WORKS STUDI
Page 929 and 930: APPENDIX OF AUTHORS AND WORKS BIBLI
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APPENDIX OF AUTHORS AND WORKS Honor
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APPENDIX OF AUTHORS AND WORKS STUDI
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APPENDIX OF AUTHORS AND WORKS (birt
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APPENDIX OF AUTHORS AND WORKS Cooke
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APPENDIX OF AUTHORS AND WORKS IUSTI
Page 941 and 942:
APPENDIX OF AUTHORS AND WORKS WORKS
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APPENDIX OF AUTHORS AND WORKS STUDI
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APPENDIX OF AUTHORS AND WORKS Neuja
Page 947 and 948:
APPENDIX OF AUTHORS AND WORKS P. Co
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APPENDIX OF AUTHORS AND WORKS DONAT
Page 951 and 952:
APPENDIX OF AUTHORS AND WORKS BIBLI
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APPENDIX OF AUTHORS AND WORKS de Gh
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METRICAL APPENDIX should be disrega
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METRICAL APPENDIX Trochaic septenar
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WORKS CITED IN THE TEXT (1967). Kor
Page 961 and 962:
WORKS CITED IN THE TEXT Cichorius,
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WORKS CITED IN THE TEXT Fiske, G. C
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WORKS CITED IN THE TEXT Harder, R.
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WORKS CITED IN THE TEXT Knowles, M.
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WORKS CITED IN THE TEXT Mohrmann, C
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WORKS CITED IN THE TEXT Pighi, G. B
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WORKS CITED IN THE TEXT Seitz, K. (
Page 975 and 976:
WORKS CITED IN THE TEXT Watson, A.
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I Rome, Museo Nazionale Romano. Fra
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III PQasr Ibrim L 1/2. Part of a pa
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