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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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A CRITIQUE OF THE ACADEMIC DICHOTOMY<br />

references to territorial expansion. The other passages are 2.9.18—24 <strong>and</strong><br />

3.5.1-4, neither of which is comparable in rhetorical gr<strong>and</strong>eur. But this rhetoric<br />

draws attention to a further point, viz. that the emphasis falls heavily on the<br />

proviso noted above: ' You may conquer every corner of the globe provided<br />

you check internal disunity <strong>and</strong> decay.' Those might be the 'words of a man who<br />

was passionately keen on the spread of Roman power, but they might not. If<br />

we turn to 3.5 we see that there Horace is less interested in the conquest of<br />

Britain <strong>and</strong> Parthia than in the character of Regulus; the first stanza is a kind<br />

of starting mechanism to get the poem under way. Instead of dwelling on the<br />

acquisition of new territory Horace more often speaks in terms of defence: the<br />

Medes must not be allowed to raid unpunished (1.2.51), t ^ le kings defeated by<br />

Caesar were once a menace (2.12.12), the Parthians are a threat to Latium<br />

(1.12.53). This does not mean that Augustus' foreign wars were always defensive;<br />

in fact there is a good case for believing that the Emperor's policy was<br />

one of continuous, though deliberate, expansion until the disaster of the<br />

Teutoburg forest in A.D. 9. 1 I am only pointing out that in the passages cited<br />

above Horace chose to present the campaigns in that light.<br />

Other passages again present quite a different view. Because he is in love<br />

(1.19) or inspired (1.26) Horace professes an airy indifference to frontier<br />

battles; <strong>and</strong> he urges Quinctius Hirpinus (2.11) <strong>and</strong> Maecenas (3-29) not to be<br />

obsessed with foreign affairs. But (at the risk of stressing the obvious) this<br />

does not mean that in the poet's total scheme of things such issues were<br />

unimportant. There is only one ode which is ostensibly anti-imperialist, <strong>and</strong><br />

that is 1.29 which jokingly remonstrates with Iccius for joining in the campaign<br />

against Arabia.<br />

In Odes 4, where the laureate is more in evidence, two ideas are developed<br />

from the earlier collection. The first is that the Romans have already achieved<br />

world domination. The germ of this is found in 3.8.17—24, but it becomes a<br />

feature of the later lyrics in Carm. Saec. 53-6, 4.14.41-52 <strong>and</strong> 4.15.21-4. The<br />

second, which is closely related, is that since Augustus is in charge of the<br />

empire, the men <strong>and</strong> women of Italy can go about their business in safety. This<br />

is foreshadowed in 3.14.14—16 <strong>and</strong> recurs with greater emphasis in 4.5.17—20<br />

<strong>and</strong> 25—8 <strong>and</strong> in 4.15.17—20.<br />

To sum up: with the victory at Actium chaos was pushed back to the borders<br />

of the empire, <strong>and</strong> this allowed Horace's private ethic (seen in the Satires <strong>and</strong><br />

Epodes <strong>and</strong> in many of the informal odes) to exp<strong>and</strong> into a Roman ethic. The<br />

state now assumed a position analogous to that held by the individual. Happiness<br />

still depended on inner peace, but this could now be seen to include peace<br />

within the empire. As the individual's well-being dem<strong>and</strong>ed a careful discipline<br />

of the emotions, so Rome's health depended on the control of destructive<br />

1 See Brunt (1963) 170—6.<br />

399<br />

Cambridge Histories Online © Cambridge University Press, 2008

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