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LIVY attention to the language of speeches and to employ more generally a vocabulary that was appropriate to the genre of historical writing, as Coelius Antipater and Sallust had sophisticated it. Such a vocabulary was bound, from the nature of the subject matter, to contain its fair share of archaic or unusual words. Livy was criticized stylistically by a contemporary for his ' Patatunitas' (Paduanness: Quint. Inst. 1.5.56, 8.1.3). The point of the criticism eludes us, but perhaps it did concern his use of such wide-ranging vocabulary in his speeches. Certainly no other Roman historian was so inventive. 466 Cambridge Histories Online © Cambridge University Press, 2008
23 MINOR FIGURES I. POETRY The poetic output of Augustan times was prolific. Sadly, however, we have lost the works of several important figures — Varius, Aemilius Macer, Valgius Rufus, Domitius Marsus. Our evidence for them is poor, their fragments scanty or lacking. Nonetheless we can see that the genres were well subscribed, and of some we have considerable remains. In didactic, we have the works of Grattius and Manilius; for the minor Alexandrian forms, we can point to the Appendix Vergiliana. Horace, especially in his hexameter works, tells us a certain amount about the literary scene — about Fundanius, Titius and Iullus Antonius for instance — and Virgil's Eclogues help to reconstruct the literary atmosphere of the triumviral period, when the work of Calvus and Cinna was still in vogue, and new poets like Varius and Pollio were emerging. For later times, when the flush of enthusiasm for experiment had died away, leaving openings for reversion, or else a pale and standardized reflection of the poetics of Callimachus, our evidence is the poetry of Ovid's exile, which often gives us little more than names, but at least serves to show that verse was not in short supply at Rome. Several writers attempted more than one literary form; but in what follows, the attempt has been made as far as possible to group authors according to genre. First of all, the Appendix Vergiliana and other minor forms are discussed, especially epigram and elegy; then didactic, mythological epic and tragedy, other drama, and finally historical epic. First then, the minor poems attributed to Virgil, the so-called Appendix Vergiliana. Donatus, probably drawing on Suetonius, attributed a £>irae, Servius and Charisius, a Copa: but we have to wait until the ninth century before we hear of a More turn. All three works (four in fact; the Dirae, a series of curses, is succeeded at line 103 by an independent love lament, the Lydia) look like productions of the Augustan age: none of them pretends to be by Virgil. A realistic vignette of country life, the Moretum, like most of the poems in the collection, is an example of later Roman Alexandrianism. Its subject allies it to compositions such as Callimachus* Hecale, where the poet recounted Theseus' humble entertainment in the house of an old woman; Ovid's Philemon 467 Cambridge Histories Online © Cambridge University Press, 2008
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THE CAMBRIDGE HISTORY OF CLASSICAL
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THE CAMBRIDGE HISTORY OF CLASSICAL
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CONTENTS List of plates P°g e xii
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CONTENTS 11 Cicero and the relation
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CONTENTS PART V! EARLY PRINCIPATE 2
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CONTENTS 41 Minor figures 770 by RO
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PREFACE The Cambridge History of Cl
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Anth. Lat. ANRW Bardon BT Bude Burs
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OCT Para via PIR PL PLF PLM PLRE PM
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READERS AND CRITICS Cambridge Histo
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BOOKS AND READERS IN THE ROMAN WORL
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EDUCATION The same dependence, and
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EDUCATION Such were the characteris
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AUTHOR AND PUBLIC his work on a sma
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AUTHOR AND PUBLIC was of humble or
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AUTHOR AND PUBLIC remained relative
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BOOKS AND PUBLICATION Greek papyri
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BOOKS AND PUBLICATION In antiquity
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BOOKS AND PUBLICATION "We are on sl
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Page 43 and 44:
THE 'FATA LIBELLORUM' conditions
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THE 'FATA LIBELLORUM' to look. Even
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SCHOLARSHIP AND CRITICISM panion vo
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THE SENSE OF 'LIBER' two books, as
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2 LITERARY CRITICISM Literary criti
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THE 'ACADEMICS' for we find him ass
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THE 'ACADEMICS' on the prominence o
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THE 'ACADEMICS' some distinguished
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THE 'ACADEMICS' descended to erotic
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THE 'ACADEMICS' before it three pre
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THE CRAFTSMEN ON THEIR CRAFTS to su
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THE CRAFTSMEN ON THEIR CRAFTS foren
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THE CRAFTSMEN ON THEIR CRAFTS to ju
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II EARLY REPUBLIC Cambridge Histori
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THE GENESIS OF POETRY IN ROME I. TH
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THE PRE-LITERARY BACKGROUND The lin
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THE PRE-LITERARY BACKGROUND This ar
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THE EARLIEST EPIC POETRY Despite a
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THE SCOPE AND CONTENTS OF THE ANNAL
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THE SCOPE AND CONTENTS OF THE ANNAL
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ENNIUS AND THE MUSES Virgil's time
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ENNIUS THE HELLENISTIC POET the Gra
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ENNIUS THE HELLENISTIC POET anapaes
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ENNIUS THE HELLENISTIC POET anachro
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ENNIUS THE HELLENISTIC POET This is
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ENNIUS THE HELLENISTIC POET wind-si
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5 DRAMA I. THE ORIGINS OF ROMAN DRA
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THE ORIGINS OF ROMAN DRAMA story in
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THE ORIGINS OF ROMAN DRAMA not only
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THE ORIGINS OF ROMAN DRAMA record t
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THE ORIGINS OF ROMAN DRAMA declaime
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THE ORIGINS OF ROMAN DRAMA Greek pr
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THE ORIGINS OF ROMAN DRAMA poets fr
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THE ORIGINS OF ROMAN DRAMA a well-d
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THE ORIGINS OF ROMAN DRAMA and who
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LIGHT DRAMA Plautus (i) The authent
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LIGHT DRAMA Carthaginian' = Karched
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LIGHT DRAMA (Alexis may have). Lycu
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LIGHT DRAMA fore cannot logically a
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LIGHT DRAMA style, and yet the vers
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LIGHT DRAMA Characterization is not
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LIGHT DRAMA exploits and strategy w
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LIGHT DRAMA City One is, through ex
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LIGHT DRAMA Ballio's entrance in Ps
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LIGHT DRAMA mentioned as outsiders,
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LIGHT DRAMA He lists several object
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LIGHT DRAMA Menander, but distorted
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LIGHT DRAMA ing, and because of the
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LIGHT DRAMA and even spectacular
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LIGHT DRAMA loaded sense which we f
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LIGHT DRAMA quae ibi aderant forte
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LIGHT DRAMA Terence had a difficult
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SERIOUS DRAMA The Argonautic saga a
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SERIOUS DRAMA narrow and unsystemat
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SERIOUS DRAMA related to the real-l
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SERIOUS DRAMA dramatists. Perhaps m
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SERIOUS DRAMA TRF 590, 591-3 = ROL
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THE RANGE OF OLD LATIN PROSE Cicero
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THE RANGE OF OLD LATIN PROSE Flamin
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TECHNICAL WRITING dimensions for th
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THE PEN IN POLITICS wider audience
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THE PEN IN POLITICS she is able to
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THE PEN IN POLITICS When Cato spoke
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HISTORY To be truly Roman was not a
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CATO ORATOR what a position our cou
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CATO ORATOR plebitas, duritudo (cf.
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THE MINOR WORKS OF ENNIUS Ennius ke
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THE MINOR WORKS OF ENNIUS associate
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SATURA BEFORE ENNIUS? remark are cu
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LUCILIUS ((30) 1013 M = ROL 1091).
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LUCILIUS si minu' delectat, quod or
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LUCILIUS should risk his own life t
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LUCILIUS cruel by asking a friend h
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LUCILIUS Greek words are very promi
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Ill LATE REPUBLIC Cambridge Histori
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8 PREDECESSORS The short poems of C
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PREDECESSORS even to a twentieth-ce
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THE NEW POETS AND THEIR ANTECEDENTS
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Page 205 and 206:
Page 207 and 208:
THE MARRIAGE OF PELEUS AND THETIS k
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THE MARRIAGE OF PELEUS AND THETIS C
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THE MARRIAGE OF PELEUS AND THETIS i
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'CATULLI VERONENSIS LIBER' lines of
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'CATULLI VERONENSIS LIBER' Catullus
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LESBIA, SIRMIO, CALVUS Lesbia. But
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LESBIA, SIRMIO, CALVUS Hadriae tabe
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LESBIA, SIRMIO, CALVUS o uenusta Si
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LESBIA, SIRMIO, CALVUS Licinius, ye
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10 LUCRETIUS The De rerum natura of
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BACKGROUND references to Roman ritu
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BACKGROUND This verdict cannot be c
Page 231 and 232:
BACKGROUND genuine excitement, the
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POET AND PHILOSOPHER these can be e
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LUCRETIUS 3. THE POEM Structure Lik
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THE POEM teaching. The prologues, f
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THE POEM from earlier parts of the
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THE POEM elsewhere in the work and
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THE POEM politics, law, and public
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THE POEM and which would at the sam
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THE POEM poetry in too cerebral a m
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CICERO'S ATTITUDE TO CULTURE gorean
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CICERO'S ATTITUDE TO CULTURE date i
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ORATORY AS CICERO FOUND IT trumped
Page 255 and 256:
ORATORY IN CICERO AND HIS CONTEMPOR
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Page 259 and 260:
Page 261 and 262:
Page 263 and 264:
Page 265 and 266:
VERSE Lines of similar structure to
Page 267 and 268:
LETTERS In letter no. 9, long enoug
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SPEECHES We may surmise however tha
Page 271 and 272:
SPEECHES Exordia, in Cicero's opini
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SPEECHES He executed all the prison
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DIALOGUES AND TREATISES As his prim
Page 277 and 278:
DIALOGUES AND TREATISES Yet the De
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DIALOGUES AND TREATISES Senate and
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DIALOGUES AND TREATISES his daughte
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DIALOGUES AND TREATISES dared to br
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LITERARY INFLUENCE IN ANTIQUITY fea
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SALLUST known as the 'Catiline'), p
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SALLUST over distinction between bo
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SALLUST recent history? An answer i
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SALLUST to seem good' is high prais
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SALLUST moves closer to biography.
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SALLUST Many asyndeta do not effect
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13 CAESAR C. Julius Caesar's surviv
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CAESAR Tigurini on the river Arar,
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CAESAR the Gallic Wars. Indeed it w
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VARRO to explain how, in a full lif
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VARRO found in Menippus, a third-ce
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CORNELIUS NEPOS Nepos' shallow lear
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PROSE AND MIME 3. THE LITERARY MIME
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IV THE AGE OF AUGUSTUS Cambridge Hi
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15 UNCERTAINTIES Cicero was murdere
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UNCERTAINTIES the decline of civili
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16 THEOCRITUS AND VIRGIL Theocritus
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THEOCRITUS AND VIRGIL The Idyll beg
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VIRGIL AND THEOCRITUS rusticana). O
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VIRGIL AND THEOCRITUS eleventh Idyl
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VIRGIL AND THEOCRITUS ness on the p
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THE BOOK OF ECLOGUES M. Pollio hims
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THE BOOK OF ECLOGUES lective beauty
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THREE ECLOGUES tion that it was wri
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THREE ECLOGUES — an allusion to C
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THREE ECLOGUES reader's, unschooled
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POLITICAL BACKGROUND The poem deals
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INTENTION AND NATURE OF THE POEM im
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STRUCTURE farmer's calendar. Passag
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STRUCTURE Troy. Caesar himself has
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STRUCTURE principle, which could th
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STRUCTURE ported by the logos and i
Page 351 and 352:
18 THE AENElD I. THE AENEID AND ITS
Page 353 and 354:
AUGUSTAN BACKGROUND story became we
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AUGUSTAN BACKGROUND ut cum carcerib
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AUGUSTAN BACKGROUND nothing other t
Page 359 and 360:
LITERARY BACKGROUND and Hecuba', el
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LITERARY BACKGROUND euertere opum i
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COMPOSITION AND STRUCTURE technique
Page 365 and 366:
THE CHIEF CHARACTERS forward and si
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THE CHIEF CHARACTERS his Trojans ha
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THE CHIEF CHARACTERS development of
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THE CHIEF CHARACTERS world the best
Page 373 and 374:
THE CHIEF CHARACTERS But that was e
Page 375 and 376:
THE CHIEF CHARACTERS aspects of Tur
Page 377 and 378:
DESTINY AND RELIGION he could trans
Page 379 and 380:
DESTINY AND RELIGION their individu
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STYLE AND METRE can on occasion use
Page 383 and 384:
STYLE AND METRE more cannot be said
Page 385 and 386:
STYLE AND METRE caesura to line end
Page 387 and 388:
CONCLUSION Deiphobus; the deaths of
Page 389 and 390:
A CRITIQUE OF THE TRADITIONAL STERE
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Page 397 and 398:
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Page 401 and 402:
Page 403 and 404:
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A CRITIQUE OF THE ACADEMIC DICHOTOM
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20 LOVE ELEGY I. GENERAL INTRODUCTI
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GENERAL INTRODUCTION transform Gree
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CHARACTERISTICS OF THE LOVE ELEGY (
Page 429 and 430:
CORNELIUS CALLUS twenties. Of the f
Page 431 and 432:
ALBIUS TIBULLUS mythological or oth
Page 433 and 434: SEXTUS PROPERTIUS taken from his ea
Page 435 and 436: PUBLIUS OVIDIUS NASO the countrysid
Page 437 and 438: OTHER ELEGISTS The Latin love elegy
Page 439 and 440: 'FAME IS THE SPUR' The symbols are
Page 441 and 442: THE HEROIDES resultant action is en
Page 443 and 444: THE HEROIDES Dido threaten; the des
Page 445 and 446: THE HEROIDES Finally his impatience
Page 447 and 448: THE FASTI (Acontius and Cydippe), C
Page 449 and 450: THE METAMORPHOSES tragic (Cephalus
Page 451 and 452: THE METAMORPHOSES to new things'
Page 453 and 454: THE METAMORPHOSES by contrast, now
Page 455 and 456: THE METAMORPHOSES another catalogue
Page 457 and 458: THE METAMORPHOSES (13.i—398). Thi
Page 459 and 460: THE METAMORPHOSES maintained by the
Page 461 and 462: THE POEMS OF EXILE Ovid was not a p
Page 463 and 464: THE POEMS OF EXILE distinction is c
Page 465 and 466: THE POEMS OF EXILE ingenio tamen ip
Page 467 and 468: THE POEMS OF EXILE 10), or his pers
Page 469 and 470: THE POEMS OF EXILE The language and
Page 471 and 472: THE POEMS OF EXILE light the Tristi
Page 473 and 474: THE POEMS OF EXILE Ovid's was a muc
Page 475 and 476: ACHIEVEMENT AND CHARACTERISTICS in
Page 477 and 478: LIVY Historical activity had flouri
Page 479 and 480: LIVY a basis a narrative which he c
Page 481 and 482: LIVY of Abydus is told in terms of
Page 483: LIVY lights occurs when the Aequi t
Page 487 and 488: POETRY unlike the Copa and Moretum,
Page 489 and 490: POETRY survival, written according
Page 491 and 492: POETRY Messallae of 31 B.C. 1 A hig
Page 493 and 494: POETRY The elegiac, on the other ha
Page 495 and 496: POETRY Codrusque ille canit, quali
Page 497 and 498: POETRY saepe suas uolucres legit mi
Page 499 and 500: POETRY concerns the origins of astr
Page 501 and 502: POETRY utque per ingentis populus d
Page 503 and 504: POETRY Rome, it seems, never lost h
Page 505 and 506: POETRY while fr. i, T, ., ' Idaeos
Page 507 and 508: POETRY Pedo is more Virgilian. Usua
Page 509 and 510: POETRY another area of Latin litera
Page 511 and 512: PROSE apotheosis in a stiff, rather
Page 513 and 514: V EARLY PRINCIPATE Cambridge Histor
Page 515 and 516: 24 CHALLENGE AND RESPONSE The first
Page 517 and 518: CHALLENGE AND RESPONSE home towns a
Page 519 and 520: CHALLENGE AND RESPONSE under August
Page 521 and 522: 25 PERSIUS The satires of Persius a
Page 523 and 524: SATIRE 2 high-quality honour' (inco
Page 525 and 526: SATIRE 4 (In the second, one notes
Page 527 and 528: SATIRE 6 enlightened self-indulgenc
Page 529 and 530: 26 THE YOUNGER SENECA I. INTRODUCTI
Page 531 and 532: THE STYLISTIC REVOLUTIONARY while i
Page 533 and 534: SENECAN PROSE You tell me {you say)
Page 535 and 536:
SENECAN PROSE In either case, howev
Page 537 and 538:
SENECAN PROSE Pensies — a paragra
Page 539 and 540:
SENECAN TRAGEDY that the literate p
Page 541 and 542:
SENECAN TRAGEDY literature (modern
Page 543 and 544:
SENECAN TRAGEDY reproduced for thei
Page 545 and 546:
SENECAN TRAGEDY an Attendant; and t
Page 547 and 548:
SENECAN TRAGEDY eclipse, or is the
Page 549 and 550:
THE OCTAVIA in modern discussions,
Page 551 and 552:
27 LUCAN Petronius' classicistic re
Page 553 and 554:
LUCAN to warrant the hypothesis of
Page 555 and 556:
LUCAN declamation, epode — all st
Page 557 and 558:
LUCAN The imminent rupture of all l
Page 559 and 560:
LUCAN Likewise, in the sphere of di
Page 561 and 562:
LUCAN As with poetic diction, so wi
Page 563 and 564:
LUCAN No rural Pan dwelt there, no
Page 565 and 566:
LUCAN desertion is premature; worse
Page 567 and 568:
LUCAN at uagus Afer equos ut primum
Page 569 and 570:
LUCAN The horses are stabbed, not s
Page 571 and 572:
LUCAN Lucan now completes his demol
Page 573 and 574:
LUCAN non Euri cessasse minas, non
Page 575 and 576:
LUCAN proves right: he remains outs
Page 577 and 578:
INTRODUCTORY It was only at the Ren
Page 579 and 580:
INTRODUCTORY thoroughly vindicated.
Page 581 and 582:
STATIUS fantasia on a curious plane
Page 583 and 584:
STATIUS quality of his verse. To th
Page 585 and 586:
STATIUS a propempticon, since it wi
Page 587 and 588:
STATIUS ancient poets, with a unive
Page 589 and 590:
STATIUS elements in the poems, but
Page 591 and 592:
STATIUS no less many-sided are its
Page 593 and 594:
STATIUS The epic ends on a note of
Page 595 and 596:
STATIUS ing mania spreads to Argos
Page 597 and 598:
STATIUS lengthy battle scenes (Book
Page 599 and 600:
VALERIUS sense to Valerius' detrime
Page 601 and 602:
VALERIUS object. By such a metamorp
Page 603 and 604:
VALERIUS feeble and attenuated: obs
Page 605 and 606:
VALERIUS you are astounded, I know
Page 607 and 608:
VALERIUS instead a historic Weltbil
Page 609 and 610:
SILIUS Pliny's words have survived
Page 611 and 612:
SILIUS the recipient of a divine be
Page 613 and 614:
SILIUS miniature. Silius' cura has
Page 615 and 616:
29 MARTIAL AND JUVENAL On the usual
Page 617 and 618:
MARTIAL AND JUVENAL Faustinas' vill
Page 619 and 620:
MARTIAL AND JUVENAL dictate to him:
Page 621 and 622:
MARTIAL AND JUVENAL to laud the new
Page 623 and 624:
MARTIAL AND JUVENAL imagination, an
Page 625 and 626:
MARTIAL AND JUVENAL selection is ap
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MARTIAL AND JUVENAL never seen dire
Page 629 and 630:
MARTIAL AND JUVENAL at his disposal
Page 631 and 632:
MARTIAL AND JUVENAL the first of wh
Page 633 and 634:
MARTIAL AND JUVENAL rifle the resou
Page 635 and 636:
MARTIAL AND JUVENAL tives, Grecisms
Page 637 and 638:
MARTIAL AND JUVENAL Now autumn With
Page 639 and 640:
MARTIAL AND JUVENAL Likewise Juvena
Page 641 and 642:
MARTIAL AND JUVENAL derision. Juven
Page 643 and 644:
PHAEDRUS fables had appeared only i
Page 645 and 646:
CALPURNIUS SICULUS patron represent
Page 647 and 648:
LAUS PISONIS favoured never feared
Page 649 and 650:
EPIGRAMS group of verses, on Claudi
Page 651 and 652:
31 PROSE SATIRE I. APOCOLOCYNTOSIS
Page 653 and 654:
PROSE SATIRE 2. PETRONIUS Petronius
Page 655 and 656:
PETRONIUS arrestingly adapted, the
Page 657 and 658:
32 HISTORY AND BIOGRAPHY I. VELLEIU
Page 659 and 660:
VELLEIUS PATERCULUS Atticus (Cic. B
Page 661 and 662:
TACITUS compelled the attention of
Page 663 and 664:
TACITUS demonstrate his talents rat
Page 665 and 666:
TACITUS Tacitus begins his Historie
Page 667 and 668:
TACITUS weaving details or opinions
Page 669 and 670:
TACITUS writing. Tacitus' style is
Page 671 and 672:
TACITUS Verbal sharpness, concomita
Page 673 and 674:
TACITUS sension and lust for power
Page 675 and 676:
PLINY THE YOUNGER serious request f
Page 677 and 678:
PLINY THE YOUNGER affected. By blen
Page 679 and 680:
HISTORY AND BIOGRAPHY 5. SUETONIUS
Page 681 and 682:
SUETONIUS not so much because of it
Page 683 and 684:
FLORUS as hero (see 2.14.4—6), th
Page 685 and 686:
33 TECHNICAL WRITING 1. POMPONIUS M
Page 687 and 688:
COLUMELLA sension as he is independ
Page 689 and 690:
PLINY THE ELDER was both patriotic
Page 691 and 692:
FRONTINUS well have sought a very p
Page 693 and 694:
QUINTILIAN In the long technical se
Page 695 and 696:
FRONTO on threadbare themes exude t
Page 697 and 698:
AULUS GELLIUS has benefited us grea
Page 699 and 700:
VI LATER PRINCIPATE Cambridge Histo
Page 701 and 702:
35 INTRODUCTORY The period to be st
Page 703 and 704:
INTRODUCTORY regions as the militar
Page 705 and 706:
INTRODUCTORY only in the Greek lang
Page 707 and 708:
INTRODUCTORY between Ambrose and Sy
Page 709 and 710:
INTRODUCTORY significant way differ
Page 711 and 712:
POETRY characteristics. The first i
Page 713 and 714:
POETRY It has been dated at various
Page 715 and 716:
POETRY of Man, but it is very doubt
Page 717 and 718:
POETRY Trier to become tutor to Gra
Page 719 and 720:
POETRY In the words of a perceptive
Page 721 and 722:
POETRY The prey is hooked, and slan
Page 723 and 724:
POETRY been challenged. They are br
Page 725 and 726:
POETRY centuries saw the flourishin
Page 727 and 728:
POETRY looked like; and of Stilicho
Page 729 and 730:
POETRY Posteritas, admitte fidem: m
Page 731 and 732:
POETRY which he did not wish to sur
Page 733 and 734:
POETRY is characteristic of the cla
Page 735 and 736:
POETRY while adopting the latter. T
Page 737 and 738:
POETRY which Valentinian and his fa
Page 739 and 740:
POETRY of date, and it is clear tha
Page 741 and 742:
37 BIOGRAPHY The form of imperial b
Page 743 and 744:
BIOGRAPHY wise unknown authorities
Page 745 and 746:
BIOGRAPHY concerned with anti-Chris
Page 747 and 748:
BIOGRAPHY Laomedon to the capture o
Page 749 and 750:
BIOGRAPHY hearted commitment to a s
Page 751 and 752:
HISTORY Not all Republican or early
Page 753 and 754:
HISTORY themselves to a readership
Page 755 and 756:
HISTORY long and discursive history
Page 757 and 758:
HISTORY mentators. But it also cont
Page 759 and 760:
HISTORY Julian's teacher and friend
Page 761 and 762:
HISTORY There survives in a medieva
Page 763 and 764:
HISTORY summary fashion, either by
Page 765 and 766:
HISTORY are unknown to us, but bear
Page 767 and 768:
HISTORY particular from Virgil. His
Page 769 and 770:
HISTORY of Nazianzus. Most of these
Page 771 and 772:
HISTORY All these points demanded c
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39 ORATORY AND EPISTOLOGRAPHY The s
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ORATORY AND EPISTOLOGRAPHY and othe
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ORATORY AND EPISTOLOGRAPHY as one o
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ORATORY AND EPISTOLOGRAPHY to Valen
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SCHOLARS works as Varro's Res rusti
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SCHOLARS platonist mystic worship o
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GRAMMARIANS read and write. In ever
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GRAMMARIANS is sound rather than or
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MINOR FIGURES rate rhetorical purpl
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MINOR FIGURES the courts during Dio
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APULEIUS (' On the commonwealth') a
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APULEIUS exhorting those readers to
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APULEIUS guard a corpse led to his
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APULEIUS The two main anecdotes in
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APULEIUS a traditionally dissolute
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APULEIUS attributable to an impulsi
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VII EPILOGUE Cambridge Histories On
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The primary aim of any literary his
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EPILOGUE Of the epic composed betwe
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EPILOGUE pastoral now exists side b
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EPILOGUE the Tuscidans and from the
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APPENDICES Cambridge Histories Onli
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APPENDIX OF AUTHORS AND WORKS ANDRO
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APPENDIX OF AUTHORS AND WORKS had i
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APPENDIX OF AUTHORS AND WORKS that
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APPENDIX OF AUTHORS AND WORKS disco
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APPENDIX OF AUTHORS AND WORKS M. Ta
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APPENDIX OF AUTHORS AND WORKS schol
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APPENDIX OF AUTHORS AND WORKS Moste
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APPENDIX OF AUTHORS AND WORKS CAECI
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APPENDIX OF AUTHORS AND WORKS Carth
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APPENDIX OF AUTHORS AND WORKS (5) P
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APPENDIX OF AUTHORS AND WORKS B. Ta
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APPENDIX OF AUTHORS AND WORKS expli
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APPENDIX OF AUTHORS AND WORKS editi
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APPENDIX OF AUTHORS AND WORKS I. Ma
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APPENDIX OF AUTHORS AND WORKS (190
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APPENDIX OF AUTHORS AND WORKS at Nu
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APPENDIX OF AUTHORS AND WORKS WORKS
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APPENDIX OF AUTHORS AND WORKS 73-10
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APPENDIX OF AUTHORS AND WORKS Heine
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APPENDIX OF AUTHORS AND WORKS A. S.
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APPENDIX OF AUTHORS AND WORKS durin
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APPENDIX OF AUTHORS AND WORKS M.H.
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APPENDIX OF AUTHORS AND WORKS (1) E
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APPENDIX OF AUTHORS AND WORKS Hagen
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APPENDIX OF AUTHORS AND WORKS possi
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APPENDIX OF AUTHORS AND WORKS Aenea
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APPENDIX OF AUTHORS AND WORKS Page
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APPENDIX OF AUTHORS AND WORKS TIBUL
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APPENDIX OF AUTHORS AND WORKS Baile
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APPENDIX OF AUTHORS AND WORKS M. Ha
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APPENDIX OF AUTHORS AND WORKS ' Beo
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APPENDIX OF AUTHORS AND WORKS Catal
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APPENDIX OF AUTHORS AND WORKS ancie
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APPENDIX OF AUTHORS AND WORKS BIBLI
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APPENDIX OF AUTHORS AND WORKS VITRU
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APPENDIX OF AUTHORS AND WORKS (Amst
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APPENDIX OF AUTHORS AND WORKS 13th
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APPENDIX OF AUTHORS AND WORKS favou
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APPENDIX OF AUTHORS AND WORKS (1970
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APPENDIX OF AUTHORS AND WORKS 290-3
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APPENDIX OF AUTHORS AND WORKS Guill
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APPENDIX OF AUTHORS AND WORKS Lustr
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APPENDIX OF AUTHORS AND WORKS ascri
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APPENDIX OF AUTHORS AND WORKS PETRO
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APPENDIX OF AUTHORS AND WORKS Velle
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APPENDIX OF AUTHORS AND WORKS TEXTS
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APPENDIX OF AUTHORS AND "WORKS 15 (
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APPENDIX OF AUTHORS AND WORKS SUETO
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APPENDIX OF AUTHORS AND WORKS STUDI
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APPENDIX OF AUTHORS AND WORKS COLUM
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APPENDIX OF AUTHORS AND WORKS Plini
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APPENDIX OF AUTHORS AND WORKS FRONT
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APPENDIX OF AUTHORS AND WORKS Bowde
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APPENDIX OF AUTHORS AND WORKS Honor
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APPENDIX OF AUTHORS AND WORKS (birt
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APPENDIX OF AUTHORS AND WORKS Cooke
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APPENDIX OF AUTHORS AND WORKS IUSTI
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APPENDIX OF AUTHORS AND WORKS Neuja
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APPENDIX OF AUTHORS AND WORKS P. Co
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APPENDIX OF AUTHORS AND WORKS DONAT
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Page 953 and 954:
APPENDIX OF AUTHORS AND WORKS de Gh
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METRICAL APPENDIX should be disrega
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METRICAL APPENDIX Trochaic septenar
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WORKS CITED IN THE TEXT (1967). Kor
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WORKS CITED IN THE TEXT Cichorius,
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WORKS CITED IN THE TEXT Fiske, G. C
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WORKS CITED IN THE TEXT Harder, R.
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WORKS CITED IN THE TEXT Knowles, M.
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WORKS CITED IN THE TEXT Mohrmann, C
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WORKS CITED IN THE TEXT Pighi, G. B
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WORKS CITED IN THE TEXT Seitz, K. (
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WORKS CITED IN THE TEXT Watson, A.
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I Rome, Museo Nazionale Romano. Fra
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III PQasr Ibrim L 1/2. Part of a pa
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