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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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HISTORY AND BIOGRAPHY<br />

of delicate issues concerning Tiberius' 'exile' at Rhodes is venial enough, <strong>and</strong><br />

his panegyric of the emperor at 2.126 was an unavoidable obligation for a<br />

contemporary, though he may genuinely have believed what he says. Again,<br />

his treatment of Sejanus at 2.127—8, ostensibly very favourable, does not<br />

prove him one of Sejanus' adherents. Velleius completed his work at a time of<br />

tension <strong>and</strong> uncertainty, as his impassioned concluding prayer (2.131) reveals.<br />

Though staunchly loyal to Tiberius <strong>and</strong> perhaps the more inclined to praise<br />

him as his general popularity waned, he still foresees grave dangers. In the<br />

political situation of A.D. 30 he could be no more explicit. Such is a case for the<br />

defence, not devoid of force. But bias, however plausibly accounted for,<br />

prevents Velleius from judging recent history objectively. And, while panegyric<br />

as such at 2.126 is underst<strong>and</strong>able, the blessings which Tiberius allegedly<br />

effected pass all credence, the more so because much the same has been said<br />

about Augustus at 2.89.3—4. Augustus' last years were indeed troubled, but<br />

honesty, authority, <strong>and</strong> discipline had not vanished, only to be resuscitated<br />

instantaneously by Tiberius' accession. Revival of lost virtues was or was to<br />

become a commonplace: that is no excuse for a historian. Is Velleius then just<br />

a propag<strong>and</strong>ist for Tiberius? In the strictest sense (if Tiberius' prior approval<br />

is implied), no. Like other retired officers, he probably had the itch to write<br />

<strong>and</strong> could guess what would be acceptable. Thus he provides good evidence<br />

for various concepts <strong>and</strong> conventions nowadays comprehended under the<br />

unduly formal rubric 'ideology of the Principate'.<br />

Velleius is much indebted to Livy <strong>and</strong> Sallust, more to the former, though<br />

he sets great store by brevity (see, e.g., 1.16.1, 2.29.2, 2.124.1). But he achieves<br />

brevity by his h<strong>and</strong>ling of material rather than contracted expression or<br />

Sallustian abruptness. He elaborates certain topics, while omitting or summarily<br />

dismissing others, even matters of undeniable importance (e.g. 2.52.3). And,<br />

for all his anxiety about speed, he not only lingers but also digresses: at the<br />

end of Book 1 he actually conjoins two digressions, on colonies <strong>and</strong> literature.<br />

The latter digression (cf. 2.9), in a work so circumscribed, is rather remarkable.<br />

He says that he is irresistibly fascinated by the brief flowering of great talents,<br />

in Greece <strong>and</strong> Rome. No doubt he is, <strong>and</strong>, in finding space for such material,<br />

he displays a refreshingly catholic approach to the study of history. Indeed<br />

one may debate whether this is history at all as the ancients understood it.<br />

Velleius' writing is predictably artificial. He likes verbal point; he employs<br />

many patterns of word <strong>and</strong> phrase; he partially anticipates Seneca's ingenious<br />

antitheses <strong>and</strong> Tacitus' unfailing novelty. But he is often pleonastic <strong>and</strong> sometimes<br />

constructs long periods, after Livy's manner. Emotional <strong>and</strong> high-flown<br />

passages (e.g. 2.66.3—5) st<strong>and</strong> near to sections of colourless <strong>and</strong> skimpy narration.<br />

Velleius' style is not homogeneous.<br />

In writing outline history Velleius had respectable predecessors, such as<br />

640<br />

Cambridge Histories Online © Cambridge University Press, 2008

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