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Cambridge Histories Online © Cambridge University Press, 2008
THE CAMBRIDGE HISTORY OF CLASSICAL LITERATURE II LATIN LITERATURE Edited by E. J. KENNEY Fellow of Peterhouse, Cambridge Advisory editor W. V. CLAUSEN Professor of Greek <strong>and</strong> Latin Harvard University CAMBRIDGE UNIVERSITY PRESS CAMBRIDGE LONDON NEW YORK NEW ROCHELLE MELBOURNE SYDNEY Cambridge Histories Online © Cambridge University Press, 2008
Page 1: THE CAMBRIDGE HISTORY OF CLASSICAL
Page 5 and 6: CONTENTS List of plates P°g e xii
Page 7 and 8: CONTENTS 11 Cicero and the relation
Page 9 and 10: CONTENTS PART V! EARLY PRINCIPATE 2
Page 11 and 12: CONTENTS 41 Minor figures 770 by RO
Page 13 and 14: PREFACE The Cambridge History of Cl
Page 15 and 16: Anth. Lat. ANRW Bardon BT Bude Burs
Page 17 and 18: OCT Para via PIR PL PLF PLM PLRE PM
Page 19 and 20: READERS AND CRITICS Cambridge Histo
Page 21 and 22: BOOKS AND READERS IN THE ROMAN WORL
Page 25 and 26: EDUCATION The same dependence, and
Page 27 and 28: EDUCATION Such were the characteris
Page 29 and 30: AUTHOR AND PUBLIC his work on a sma
Page 31 and 32: AUTHOR AND PUBLIC was of humble or
Page 33 and 34: AUTHOR AND PUBLIC remained relative
Page 35 and 36: BOOKS AND PUBLICATION Greek papyri
Page 37 and 38: BOOKS AND PUBLICATION In antiquity
Page 39 and 40: BOOKS AND PUBLICATION "We are on sl
Page 43 and 44: THE 'FATA LIBELLORUM' conditions
Page 45 and 46: THE 'FATA LIBELLORUM' to look. Even
Page 47 and 48: SCHOLARSHIP AND CRITICISM panion vo
Page 49 and 50: THE SENSE OF 'LIBER' two books, as
Page 51 and 52: 2 LITERARY CRITICISM Literary criti
Page 53 and 54:
THE 'ACADEMICS' for we find him ass
Page 55 and 56:
THE 'ACADEMICS' on the prominence o
Page 57 and 58:
THE 'ACADEMICS' some distinguished
Page 59 and 60:
THE 'ACADEMICS' descended to erotic
Page 61 and 62:
THE 'ACADEMICS' before it three pre
Page 63 and 64:
THE CRAFTSMEN ON THEIR CRAFTS to su
Page 65 and 66:
THE CRAFTSMEN ON THEIR CRAFTS foren
Page 67 and 68:
THE CRAFTSMEN ON THEIR CRAFTS to ju
Page 69 and 70:
II EARLY REPUBLIC Cambridge Histori
Page 71 and 72:
THE GENESIS OF POETRY IN ROME I. TH
Page 73 and 74:
THE PRE-LITERARY BACKGROUND The lin
Page 75 and 76:
THE PRE-LITERARY BACKGROUND This ar
Page 77 and 78:
THE EARLIEST EPIC POETRY Despite a
Page 79 and 80:
THE SCOPE AND CONTENTS OF THE ANNAL
Page 81 and 82:
THE SCOPE AND CONTENTS OF THE ANNAL
Page 83 and 84:
ENNIUS AND THE MUSES Virgil's time
Page 85 and 86:
ENNIUS THE HELLENISTIC POET the Gra
Page 87 and 88:
ENNIUS THE HELLENISTIC POET anapaes
Page 89 and 90:
ENNIUS THE HELLENISTIC POET anachro
Page 91 and 92:
ENNIUS THE HELLENISTIC POET This is
Page 93 and 94:
ENNIUS THE HELLENISTIC POET wind-si
Page 95 and 96:
5 DRAMA I. THE ORIGINS OF ROMAN DRA
Page 97 and 98:
THE ORIGINS OF ROMAN DRAMA story in
Page 99 and 100:
THE ORIGINS OF ROMAN DRAMA not only
Page 101 and 102:
THE ORIGINS OF ROMAN DRAMA record t
Page 103 and 104:
THE ORIGINS OF ROMAN DRAMA declaime
Page 105 and 106:
THE ORIGINS OF ROMAN DRAMA Greek pr
Page 107 and 108:
THE ORIGINS OF ROMAN DRAMA poets fr
Page 109 and 110:
THE ORIGINS OF ROMAN DRAMA a well-d
Page 111 and 112:
THE ORIGINS OF ROMAN DRAMA and who
Page 113 and 114:
LIGHT DRAMA Plautus (i) The authent
Page 115 and 116:
LIGHT DRAMA Carthaginian' = Karched
Page 117 and 118:
LIGHT DRAMA (Alexis may have). Lycu
Page 119 and 120:
LIGHT DRAMA fore cannot logically a
Page 121 and 122:
LIGHT DRAMA style, and yet the vers
Page 123 and 124:
LIGHT DRAMA Characterization is not
Page 125 and 126:
LIGHT DRAMA exploits and strategy w
Page 127 and 128:
LIGHT DRAMA City One is, through ex
Page 129 and 130:
LIGHT DRAMA Ballio's entrance in Ps
Page 131 and 132:
LIGHT DRAMA mentioned as outsiders,
Page 133 and 134:
LIGHT DRAMA He lists several object
Page 135 and 136:
LIGHT DRAMA Menander, but distorted
Page 137 and 138:
LIGHT DRAMA ing, and because of the
Page 139 and 140:
LIGHT DRAMA and even spectacular
Page 141 and 142:
LIGHT DRAMA loaded sense which we f
Page 143 and 144:
LIGHT DRAMA quae ibi aderant forte
Page 145 and 146:
LIGHT DRAMA Terence had a difficult
Page 147 and 148:
SERIOUS DRAMA The Argonautic saga a
Page 149 and 150:
SERIOUS DRAMA narrow and unsystemat
Page 151 and 152:
SERIOUS DRAMA related to the real-l
Page 153 and 154:
SERIOUS DRAMA dramatists. Perhaps m
Page 155 and 156:
SERIOUS DRAMA TRF 590, 591-3 = ROL
Page 157 and 158:
THE RANGE OF OLD LATIN PROSE Cicero
Page 159 and 160:
THE RANGE OF OLD LATIN PROSE Flamin
Page 161 and 162:
TECHNICAL WRITING dimensions for th
Page 163 and 164:
THE PEN IN POLITICS wider audience
Page 165 and 166:
THE PEN IN POLITICS she is able to
Page 167 and 168:
THE PEN IN POLITICS When Cato spoke
Page 169 and 170:
HISTORY To be truly Roman was not a
Page 171 and 172:
CATO ORATOR what a position our cou
Page 173 and 174:
CATO ORATOR plebitas, duritudo (cf.
Page 175 and 176:
THE MINOR WORKS OF ENNIUS Ennius ke
Page 177 and 178:
THE MINOR WORKS OF ENNIUS associate
Page 179 and 180:
SATURA BEFORE ENNIUS? remark are cu
Page 181 and 182:
LUCILIUS ((30) 1013 M = ROL 1091).
Page 183 and 184:
LUCILIUS si minu' delectat, quod or
Page 185 and 186:
LUCILIUS should risk his own life t
Page 187 and 188:
LUCILIUS cruel by asking a friend h
Page 189 and 190:
LUCILIUS Greek words are very promi
Page 191 and 192:
Ill LATE REPUBLIC Cambridge Histori
Page 193 and 194:
8 PREDECESSORS The short poems of C
Page 195 and 196:
PREDECESSORS even to a twentieth-ce
Page 197 and 198:
THE NEW POETS AND THEIR ANTECEDENTS
Page 199 and 200:
Page 201 and 202:
Page 203 and 204:
Page 205 and 206:
Page 207 and 208:
THE MARRIAGE OF PELEUS AND THETIS k
Page 209 and 210:
THE MARRIAGE OF PELEUS AND THETIS C
Page 211 and 212:
THE MARRIAGE OF PELEUS AND THETIS i
Page 213 and 214:
'CATULLI VERONENSIS LIBER' lines of
Page 215 and 216:
'CATULLI VERONENSIS LIBER' Catullus
Page 217 and 218:
LESBIA, SIRMIO, CALVUS Lesbia. But
Page 219 and 220:
LESBIA, SIRMIO, CALVUS Hadriae tabe
Page 221 and 222:
LESBIA, SIRMIO, CALVUS o uenusta Si
Page 223 and 224:
LESBIA, SIRMIO, CALVUS Licinius, ye
Page 225 and 226:
10 LUCRETIUS The De rerum natura of
Page 227 and 228:
BACKGROUND references to Roman ritu
Page 229 and 230:
BACKGROUND This verdict cannot be c
Page 231 and 232:
BACKGROUND genuine excitement, the
Page 233 and 234:
POET AND PHILOSOPHER these can be e
Page 235 and 236:
LUCRETIUS 3. THE POEM Structure Lik
Page 237 and 238:
THE POEM teaching. The prologues, f
Page 239 and 240:
THE POEM from earlier parts of the
Page 241 and 242:
THE POEM elsewhere in the work and
Page 243 and 244:
THE POEM politics, law, and public
Page 245 and 246:
THE POEM and which would at the sam
Page 247 and 248:
THE POEM poetry in too cerebral a m
Page 249 and 250:
CICERO'S ATTITUDE TO CULTURE gorean
Page 251 and 252:
CICERO'S ATTITUDE TO CULTURE date i
Page 253 and 254:
ORATORY AS CICERO FOUND IT trumped
Page 255 and 256:
ORATORY IN CICERO AND HIS CONTEMPOR
Page 257 and 258:
Page 259 and 260:
Page 261 and 262:
Page 263 and 264:
Page 265 and 266:
VERSE Lines of similar structure to
Page 267 and 268:
LETTERS In letter no. 9, long enoug
Page 269 and 270:
SPEECHES We may surmise however tha
Page 271 and 272:
SPEECHES Exordia, in Cicero's opini
Page 273 and 274:
SPEECHES He executed all the prison
Page 275 and 276:
DIALOGUES AND TREATISES As his prim
Page 277 and 278:
DIALOGUES AND TREATISES Yet the De
Page 279 and 280:
DIALOGUES AND TREATISES Senate and
Page 281 and 282:
DIALOGUES AND TREATISES his daughte
Page 283 and 284:
DIALOGUES AND TREATISES dared to br
Page 285 and 286:
LITERARY INFLUENCE IN ANTIQUITY fea
Page 287 and 288:
SALLUST known as the 'Catiline'), p
Page 289 and 290:
SALLUST over distinction between bo
Page 291 and 292:
SALLUST recent history? An answer i
Page 293 and 294:
SALLUST to seem good' is high prais
Page 295 and 296:
SALLUST moves closer to biography.
Page 297 and 298:
SALLUST Many asyndeta do not effect
Page 299 and 300:
13 CAESAR C. Julius Caesar's surviv
Page 301 and 302:
CAESAR Tigurini on the river Arar,
Page 303 and 304:
CAESAR the Gallic Wars. Indeed it w
Page 305 and 306:
VARRO to explain how, in a full lif
Page 307 and 308:
VARRO found in Menippus, a third-ce
Page 309 and 310:
CORNELIUS NEPOS Nepos' shallow lear
Page 311 and 312:
PROSE AND MIME 3. THE LITERARY MIME
Page 313 and 314:
IV THE AGE OF AUGUSTUS Cambridge Hi
Page 315 and 316:
15 UNCERTAINTIES Cicero was murdere
Page 317 and 318:
UNCERTAINTIES the decline of civili
Page 319 and 320:
16 THEOCRITUS AND VIRGIL Theocritus
Page 321 and 322:
THEOCRITUS AND VIRGIL The Idyll beg
Page 323 and 324:
VIRGIL AND THEOCRITUS rusticana). O
Page 325 and 326:
VIRGIL AND THEOCRITUS eleventh Idyl
Page 327 and 328:
VIRGIL AND THEOCRITUS ness on the p
Page 329 and 330:
THE BOOK OF ECLOGUES M. Pollio hims
Page 331 and 332:
THE BOOK OF ECLOGUES lective beauty
Page 333 and 334:
THREE ECLOGUES tion that it was wri
Page 335 and 336:
THREE ECLOGUES — an allusion to C
Page 337 and 338:
THREE ECLOGUES reader's, unschooled
Page 339 and 340:
POLITICAL BACKGROUND The poem deals
Page 341 and 342:
INTENTION AND NATURE OF THE POEM im
Page 343 and 344:
STRUCTURE farmer's calendar. Passag
Page 345 and 346:
STRUCTURE Troy. Caesar himself has
Page 347 and 348:
STRUCTURE principle, which could th
Page 349 and 350:
STRUCTURE ported by the logos and i
Page 351 and 352:
18 THE AENElD I. THE AENEID AND ITS
Page 353 and 354:
AUGUSTAN BACKGROUND story became we
Page 355 and 356:
AUGUSTAN BACKGROUND ut cum carcerib
Page 357 and 358:
AUGUSTAN BACKGROUND nothing other t
Page 359 and 360:
LITERARY BACKGROUND and Hecuba', el
Page 361 and 362:
LITERARY BACKGROUND euertere opum i
Page 363 and 364:
COMPOSITION AND STRUCTURE technique
Page 365 and 366:
THE CHIEF CHARACTERS forward and si
Page 367 and 368:
THE CHIEF CHARACTERS his Trojans ha
Page 369 and 370:
THE CHIEF CHARACTERS development of
Page 371 and 372:
THE CHIEF CHARACTERS world the best
Page 373 and 374:
THE CHIEF CHARACTERS But that was e
Page 375 and 376:
THE CHIEF CHARACTERS aspects of Tur
Page 377 and 378:
DESTINY AND RELIGION he could trans
Page 379 and 380:
DESTINY AND RELIGION their individu
Page 381 and 382:
STYLE AND METRE can on occasion use
Page 383 and 384:
STYLE AND METRE more cannot be said
Page 385 and 386:
STYLE AND METRE caesura to line end
Page 387 and 388:
CONCLUSION Deiphobus; the deaths of
Page 389 and 390:
A CRITIQUE OF THE TRADITIONAL STERE
Page 391 and 392:
Page 393 and 394:
Page 395 and 396:
Page 397 and 398:
Page 399 and 400:
Page 401 and 402:
Page 403 and 404:
Page 405 and 406:
A CRITIQUE OF THE ACADEMIC DICHOTOM
Page 407 and 408:
Page 409 and 410:
Page 411 and 412:
Page 413 and 414:
Page 415 and 416:
Page 417 and 418:
Page 419 and 420:
Page 421 and 422:
Page 423 and 424:
20 LOVE ELEGY I. GENERAL INTRODUCTI
Page 425 and 426:
GENERAL INTRODUCTION transform Gree
Page 427 and 428:
CHARACTERISTICS OF THE LOVE ELEGY (
Page 429 and 430:
CORNELIUS CALLUS twenties. Of the f
Page 431 and 432:
ALBIUS TIBULLUS mythological or oth
Page 433 and 434:
SEXTUS PROPERTIUS taken from his ea
Page 435 and 436:
PUBLIUS OVIDIUS NASO the countrysid
Page 437 and 438:
OTHER ELEGISTS The Latin love elegy
Page 439 and 440:
'FAME IS THE SPUR' The symbols are
Page 441 and 442:
THE HEROIDES resultant action is en
Page 443 and 444:
THE HEROIDES Dido threaten; the des
Page 445 and 446:
THE HEROIDES Finally his impatience
Page 447 and 448:
THE FASTI (Acontius and Cydippe), C
Page 449 and 450:
THE METAMORPHOSES tragic (Cephalus
Page 451 and 452:
THE METAMORPHOSES to new things'
Page 453 and 454:
THE METAMORPHOSES by contrast, now
Page 455 and 456:
THE METAMORPHOSES another catalogue
Page 457 and 458:
THE METAMORPHOSES (13.i—398). Thi
Page 459 and 460:
THE METAMORPHOSES maintained by the
Page 461 and 462:
THE POEMS OF EXILE Ovid was not a p
Page 463 and 464:
THE POEMS OF EXILE distinction is c
Page 465 and 466:
THE POEMS OF EXILE ingenio tamen ip
Page 467 and 468:
THE POEMS OF EXILE 10), or his pers
Page 469 and 470:
THE POEMS OF EXILE The language and
Page 471 and 472:
THE POEMS OF EXILE light the Tristi
Page 473 and 474:
THE POEMS OF EXILE Ovid's was a muc
Page 475 and 476:
ACHIEVEMENT AND CHARACTERISTICS in
Page 477 and 478:
LIVY Historical activity had flouri
Page 479 and 480:
LIVY a basis a narrative which he c
Page 481 and 482:
LIVY of Abydus is told in terms of
Page 483 and 484:
LIVY lights occurs when the Aequi t
Page 485 and 486:
23 MINOR FIGURES I. POETRY The poet
Page 487 and 488:
POETRY unlike the Copa and Moretum,
Page 489 and 490:
POETRY survival, written according
Page 491 and 492:
POETRY Messallae of 31 B.C. 1 A hig
Page 493 and 494:
POETRY The elegiac, on the other ha
Page 495 and 496:
POETRY Codrusque ille canit, quali
Page 497 and 498:
POETRY saepe suas uolucres legit mi
Page 499 and 500:
POETRY concerns the origins of astr
Page 501 and 502:
POETRY utque per ingentis populus d
Page 503 and 504:
POETRY Rome, it seems, never lost h
Page 505 and 506:
POETRY while fr. i, T, ., ' Idaeos
Page 507 and 508:
POETRY Pedo is more Virgilian. Usua
Page 509 and 510:
POETRY another area of Latin litera
Page 511 and 512:
PROSE apotheosis in a stiff, rather
Page 513 and 514:
V EARLY PRINCIPATE Cambridge Histor
Page 515 and 516:
24 CHALLENGE AND RESPONSE The first
Page 517 and 518:
CHALLENGE AND RESPONSE home towns a
Page 519 and 520:
CHALLENGE AND RESPONSE under August
Page 521 and 522:
25 PERSIUS The satires of Persius a
Page 523 and 524:
SATIRE 2 high-quality honour' (inco
Page 525 and 526:
SATIRE 4 (In the second, one notes
Page 527 and 528:
SATIRE 6 enlightened self-indulgenc
Page 529 and 530:
26 THE YOUNGER SENECA I. INTRODUCTI
Page 531 and 532:
THE STYLISTIC REVOLUTIONARY while i
Page 533 and 534:
SENECAN PROSE You tell me {you say)
Page 535 and 536:
SENECAN PROSE In either case, howev
Page 537 and 538:
SENECAN PROSE Pensies — a paragra
Page 539 and 540:
SENECAN TRAGEDY that the literate p
Page 541 and 542:
SENECAN TRAGEDY literature (modern
Page 543 and 544:
SENECAN TRAGEDY reproduced for thei
Page 545 and 546:
SENECAN TRAGEDY an Attendant; and t
Page 547 and 548:
SENECAN TRAGEDY eclipse, or is the
Page 549 and 550:
THE OCTAVIA in modern discussions,
Page 551 and 552:
27 LUCAN Petronius' classicistic re
Page 553 and 554:
LUCAN to warrant the hypothesis of
Page 555 and 556:
LUCAN declamation, epode — all st
Page 557 and 558:
LUCAN The imminent rupture of all l
Page 559 and 560:
LUCAN Likewise, in the sphere of di
Page 561 and 562:
LUCAN As with poetic diction, so wi
Page 563 and 564:
LUCAN No rural Pan dwelt there, no
Page 565 and 566:
LUCAN desertion is premature; worse
Page 567 and 568:
LUCAN at uagus Afer equos ut primum
Page 569 and 570:
LUCAN The horses are stabbed, not s
Page 571 and 572:
LUCAN Lucan now completes his demol
Page 573 and 574:
LUCAN non Euri cessasse minas, non
Page 575 and 576:
LUCAN proves right: he remains outs
Page 577 and 578:
INTRODUCTORY It was only at the Ren
Page 579 and 580:
INTRODUCTORY thoroughly vindicated.
Page 581 and 582:
STATIUS fantasia on a curious plane
Page 583 and 584:
STATIUS quality of his verse. To th
Page 585 and 586:
STATIUS a propempticon, since it wi
Page 587 and 588:
STATIUS ancient poets, with a unive
Page 589 and 590:
STATIUS elements in the poems, but
Page 591 and 592:
STATIUS no less many-sided are its
Page 593 and 594:
STATIUS The epic ends on a note of
Page 595 and 596:
STATIUS ing mania spreads to Argos
Page 597 and 598:
STATIUS lengthy battle scenes (Book
Page 599 and 600:
VALERIUS sense to Valerius' detrime
Page 601 and 602:
VALERIUS object. By such a metamorp
Page 603 and 604:
VALERIUS feeble and attenuated: obs
Page 605 and 606:
VALERIUS you are astounded, I know
Page 607 and 608:
VALERIUS instead a historic Weltbil
Page 609 and 610:
SILIUS Pliny's words have survived
Page 611 and 612:
SILIUS the recipient of a divine be
Page 613 and 614:
SILIUS miniature. Silius' cura has
Page 615 and 616:
29 MARTIAL AND JUVENAL On the usual
Page 617 and 618:
MARTIAL AND JUVENAL Faustinas' vill
Page 619 and 620:
MARTIAL AND JUVENAL dictate to him:
Page 621 and 622:
MARTIAL AND JUVENAL to laud the new
Page 623 and 624:
MARTIAL AND JUVENAL imagination, an
Page 625 and 626:
MARTIAL AND JUVENAL selection is ap
Page 627 and 628:
MARTIAL AND JUVENAL never seen dire
Page 629 and 630:
MARTIAL AND JUVENAL at his disposal
Page 631 and 632:
MARTIAL AND JUVENAL the first of wh
Page 633 and 634:
MARTIAL AND JUVENAL rifle the resou
Page 635 and 636:
MARTIAL AND JUVENAL tives, Grecisms
Page 637 and 638:
MARTIAL AND JUVENAL Now autumn With
Page 639 and 640:
MARTIAL AND JUVENAL Likewise Juvena
Page 641 and 642:
MARTIAL AND JUVENAL derision. Juven
Page 643 and 644:
PHAEDRUS fables had appeared only i
Page 645 and 646:
CALPURNIUS SICULUS patron represent
Page 647 and 648:
LAUS PISONIS favoured never feared
Page 649 and 650:
EPIGRAMS group of verses, on Claudi
Page 651 and 652:
31 PROSE SATIRE I. APOCOLOCYNTOSIS
Page 653 and 654:
PROSE SATIRE 2. PETRONIUS Petronius
Page 655 and 656:
PETRONIUS arrestingly adapted, the
Page 657 and 658:
32 HISTORY AND BIOGRAPHY I. VELLEIU
Page 659 and 660:
VELLEIUS PATERCULUS Atticus (Cic. B
Page 661 and 662:
TACITUS compelled the attention of
Page 663 and 664:
TACITUS demonstrate his talents rat
Page 665 and 666:
TACITUS Tacitus begins his Historie
Page 667 and 668:
TACITUS weaving details or opinions
Page 669 and 670:
TACITUS writing. Tacitus' style is
Page 671 and 672:
TACITUS Verbal sharpness, concomita
Page 673 and 674:
TACITUS sension and lust for power
Page 675 and 676:
PLINY THE YOUNGER serious request f
Page 677 and 678:
PLINY THE YOUNGER affected. By blen
Page 679 and 680:
HISTORY AND BIOGRAPHY 5. SUETONIUS
Page 681 and 682:
SUETONIUS not so much because of it
Page 683 and 684:
FLORUS as hero (see 2.14.4—6), th
Page 685 and 686:
33 TECHNICAL WRITING 1. POMPONIUS M
Page 687 and 688:
COLUMELLA sension as he is independ
Page 689 and 690:
PLINY THE ELDER was both patriotic
Page 691 and 692:
FRONTINUS well have sought a very p
Page 693 and 694:
QUINTILIAN In the long technical se
Page 695 and 696:
FRONTO on threadbare themes exude t
Page 697 and 698:
AULUS GELLIUS has benefited us grea
Page 699 and 700:
VI LATER PRINCIPATE Cambridge Histo
Page 701 and 702:
35 INTRODUCTORY The period to be st
Page 703 and 704:
INTRODUCTORY regions as the militar
Page 705 and 706:
INTRODUCTORY only in the Greek lang
Page 707 and 708:
INTRODUCTORY between Ambrose and Sy
Page 709 and 710:
INTRODUCTORY significant way differ
Page 711 and 712:
POETRY characteristics. The first i
Page 713 and 714:
POETRY It has been dated at various
Page 715 and 716:
POETRY of Man, but it is very doubt
Page 717 and 718:
POETRY Trier to become tutor to Gra
Page 719 and 720:
POETRY In the words of a perceptive
Page 721 and 722:
POETRY The prey is hooked, and slan
Page 723 and 724:
POETRY been challenged. They are br
Page 725 and 726:
POETRY centuries saw the flourishin
Page 727 and 728:
POETRY looked like; and of Stilicho
Page 729 and 730:
POETRY Posteritas, admitte fidem: m
Page 731 and 732:
POETRY which he did not wish to sur
Page 733 and 734:
POETRY is characteristic of the cla
Page 735 and 736:
POETRY while adopting the latter. T
Page 737 and 738:
POETRY which Valentinian and his fa
Page 739 and 740:
POETRY of date, and it is clear tha
Page 741 and 742:
37 BIOGRAPHY The form of imperial b
Page 743 and 744:
BIOGRAPHY wise unknown authorities
Page 745 and 746:
BIOGRAPHY concerned with anti-Chris
Page 747 and 748:
BIOGRAPHY Laomedon to the capture o
Page 749 and 750:
BIOGRAPHY hearted commitment to a s
Page 751 and 752:
HISTORY Not all Republican or early
Page 753 and 754:
HISTORY themselves to a readership
Page 755 and 756:
HISTORY long and discursive history
Page 757 and 758:
HISTORY mentators. But it also cont
Page 759 and 760:
HISTORY Julian's teacher and friend
Page 761 and 762:
HISTORY There survives in a medieva
Page 763 and 764:
HISTORY summary fashion, either by
Page 765 and 766:
HISTORY are unknown to us, but bear
Page 767 and 768:
HISTORY particular from Virgil. His
Page 769 and 770:
HISTORY of Nazianzus. Most of these
Page 771 and 772:
HISTORY All these points demanded c
Page 773 and 774:
39 ORATORY AND EPISTOLOGRAPHY The s
Page 775 and 776:
ORATORY AND EPISTOLOGRAPHY and othe
Page 777 and 778:
ORATORY AND EPISTOLOGRAPHY as one o
Page 779 and 780:
ORATORY AND EPISTOLOGRAPHY to Valen
Page 781 and 782:
SCHOLARS works as Varro's Res rusti
Page 783 and 784:
SCHOLARS platonist mystic worship o
Page 785 and 786:
GRAMMARIANS read and write. In ever
Page 787 and 788:
GRAMMARIANS is sound rather than or
Page 789 and 790:
MINOR FIGURES rate rhetorical purpl
Page 791 and 792:
MINOR FIGURES the courts during Dio
Page 793 and 794:
APULEIUS (' On the commonwealth') a
Page 795 and 796:
APULEIUS exhorting those readers to
Page 797 and 798:
APULEIUS guard a corpse led to his
Page 799 and 800:
APULEIUS The two main anecdotes in
Page 801 and 802:
APULEIUS a traditionally dissolute
Page 803 and 804:
APULEIUS attributable to an impulsi
Page 805 and 806:
VII EPILOGUE Cambridge Histories On
Page 807 and 808:
The primary aim of any literary his
Page 809 and 810:
EPILOGUE Of the epic composed betwe
Page 811 and 812:
EPILOGUE pastoral now exists side b
Page 813 and 814:
EPILOGUE the Tuscidans and from the
Page 815 and 816:
APPENDICES Cambridge Histories Onli
Page 817 and 818:
APPENDIX OF AUTHORS AND WORKS ANDRO
Page 819 and 820:
APPENDIX OF AUTHORS AND WORKS had i
Page 821 and 822:
APPENDIX OF AUTHORS AND WORKS that
Page 823 and 824:
APPENDIX OF AUTHORS AND WORKS disco
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APPENDIX OF AUTHORS AND WORKS M. Ta
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