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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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INTRODUCTORY<br />

regions as the military situation dem<strong>and</strong>ed. This arrangement institutionalized<br />

the accession to power of a new class from the frontier provinces which did<br />

not entirely share Italian traditions <strong>and</strong> ideals.<br />

Constantine, after a series of confrontations with co-emperors <strong>and</strong> rivals,<br />

ab<strong>and</strong>oned the system of collegiate power <strong>and</strong> ruled from 324 to 337 as sole<br />

emperor. He completed the work of reorganization of Diocletian, re-established<br />

the currency on a firm basis, founded a new second capital city at Byzantium<br />

on the Bosphorus, <strong>and</strong> began to draw into the circle of power once again,<br />

although only to a limited degree, the Italian senatorial class. He also sought<br />

support from a group in Roman society which hitherto had been unconcerned<br />

with or actually excluded from power. The Christian religion was first tolerated<br />

<strong>and</strong> later preferred <strong>and</strong> patronized by Constantine, who sought in it a source<br />

of legitimation of his own authority. The church, though still comprising<br />

only a minority of the subjects of the empire, gained rapidly in prestige,<br />

influence <strong>and</strong> wealth. Bishops formed a part of Constantine's court entourage.<br />

The urban upper classes began to embrace the new religion in greater numbers<br />

<strong>and</strong> to bring with them into the Christian milieu many of the attitudes <strong>and</strong><br />

values of traditional classical culture.<br />

By Constantine's death stability had been restored in the military, administrative<br />

<strong>and</strong> economic spheres. Literature <strong>and</strong> art began to find patrons once<br />

again, <strong>and</strong> the pen began to replace the sword as an instrument of persuasion.<br />

The last two thirds of the fourth century were not without civil wars <strong>and</strong><br />

disturbances. But on the whole they were an age of steady government <strong>and</strong> of<br />

relative prosperity. Literature flourished more fruitfully than it had since the<br />

days of the Antonines. But it was a literature changed both in form <strong>and</strong> in<br />

content. Some genres were no longer practised. There was no epic poetry,<br />

no drama, no forensic or political oratory. Odiers, as will be seen, extended<br />

their range. As the Christians increased in numbers <strong>and</strong> influence, overtly<br />

Christian writing formed an ever larger part of Latin literature. This falls into<br />

several categories. Writing by Christians on classical or at any rate not specifically<br />

Christian themes will be treated in the following pages in exactly the<br />

same way as pagan writings. Works written by Christians on Christian topics<br />

for Christian readers will generally not be discussed. This category comprises<br />

dogmatic <strong>and</strong> homiletic writing, works dealing with ecclesiastical organization<br />

<strong>and</strong> discipline, sectarian polemic, pastoral treatises, <strong>and</strong> the like. There remains<br />

a considerable body of literature on Christian topics addressed expressly to<br />

non-Christians <strong>and</strong> of Christian works couched in more or less strictly classical<br />

form, <strong>and</strong> hence likely to be read <strong>and</strong> appreciated by the classically educated.<br />

This literature will be discussed briefly in the light of its place in classical<br />

literary tradition, but there will be no systematic treatment of its place in the<br />

development of Christian thought in the Latin west. Needless to say, none of<br />

685<br />

Cambridge Histories Online © Cambridge University Press, 2008

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