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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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INTRODUCTORY<br />

thoroughly vindicated. All ancient poets were bound by the principle of<br />

imitatio. This implied not merely respect for the past but a desire to reach new<br />

<strong>and</strong> individual st<strong>and</strong>ards of excellence. Statius -was rarely, if ever, subservient<br />

to those whom he would have named with pride as his models. Valerius also<br />

took pains to create his own interpretation of the Argonautic myth, reassigning<br />

to Jason a heroic status which the cynical Apollonius had eroded. Even Silius,<br />

the most patently dependent of the three, did not hesitate to modify the events<br />

of the Punic War to illuminate a wider philosophical perspective.<br />

2. STATIUS<br />

Family, friends <strong>and</strong> patrons; the Silvae<br />

Statius may, then, be acquitted of plagiarism. He was a professional poet not<br />

a wealthy dilettante. He records, in a long epicedium (formal lament) for his<br />

father, that his family was financially straitened, stressing that his ancestors were<br />

freeborn <strong>and</strong> not without some distinction (Silv. 5.3.109—10, 115—17). The<br />

schoolmaster's son had, all the same, to make his way in the world by his own<br />

ingenuity. Prominent Neapolitans sent their sons to the elder Papinius for<br />

instruction in literature <strong>and</strong> other arts (Silv. 5.3.1466°., i7

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