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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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POETRY<br />

In the words of a perceptive French scholar, ' C'est un Chretien, pai'en d'imagination<br />

et epicureen de temperament.' 1 Ausonius' changing relations with<br />

his young friend <strong>and</strong> protege Paulinus of Nola will be discussed below<br />

(p. 717). Whatever lessons Ausonius the man may have learnt in the long <strong>and</strong><br />

varied course of his life, Ausonius the poet shows no signs of intellectual, moral<br />

or aesthetic development. A prodigious memory, a facile talent for versification,<br />

a cheerful <strong>and</strong> kindly optimism, <strong>and</strong> an avoidance of all that was serious<br />

or profound or disquieting mark him throughout his literary life. In a century<br />

which saw the frontiers of the empire breached by barbarians, its ruling classes<br />

converted to a new religion which made urgent personal dem<strong>and</strong>s on its<br />

adherents, its ancient capital replicated in the middle of the Greek world, Ausonius<br />

appears to have retained at 80 the outlook <strong>and</strong> values of his youth. He is a<br />

man who, in the words of Diirrenmatt, passes through life without actually<br />

experiencing it. But within his rather narrow limits his excellence is striking.<br />

He can express everyday thoughts <strong>and</strong> emotions clearly, elegantly <strong>and</strong> with<br />

infinite variety. Completely at home in the classical tradition, he is never<br />

overwhelmed by it. Though his poetry is filled with conscious or unconscious<br />

reminiscences of Virgil, Horace, Ovid, Lucan, Statius, it is his own poetic<br />

voice that we hear. In a few poems, particularly those on Bissula <strong>and</strong> the<br />

Mosella, he displays a talent for sympathetic observation <strong>and</strong> strikingly vivid<br />

description which suggest that had he looked less at his books <strong>and</strong> more at<br />

the world about him he might have been a better poet. An example of his<br />

occasional capacity to see <strong>and</strong> describe something new is the scene of boys<br />

fishing in the river (Mosella 240—82) where the classical allusions <strong>and</strong> the<br />

traditionally structured simile are not mere external ornamentation, but serve<br />

to give sharper focus to the poet's vision.<br />

lam uero, accessus faciles qua ripa ministrat, 240<br />

scrutatur toto populatrix turba profundo<br />

heu male defensos penetrali flumine pisces.<br />

hie medio procul amne trahens umentia Una<br />

nodosis decepta plagis examina uerrit;<br />

ast hie, tranquillo qua labitur agmine flumen,<br />

ducit corticeis fluitantia retia signis;<br />

ille autem scopulis deiectas pronus in undas<br />

inclinat lentae conuexa cacumina uirgae,<br />

inductos escis iadens letalibus hamos.<br />

quos ignara doli postquam uaga turba natantum 250<br />

rictibus inuasit patulaeque per intima fauces<br />

sera occultati senserunt uulnera ferri,<br />

dum trepidant, subit indicium crispoque tremori<br />

uibrantis saetae mutans consentit harundo;<br />

1<br />

Pichon (1906) 214.<br />

701<br />

Cambridge Histories Online © Cambridge University Press, 2008

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