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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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LUCAN<br />

<strong>and</strong> again:<br />

sternitur infelix Acron et calcibus atram<br />

tundit humum (Aen. 10.730—i)<br />

<strong>and</strong> felled poor Acron, who dying drummed with his heels<br />

On the darkening ground.<br />

Later, in the probably Neronian Latin Iliad—a useful compendium of epic<br />

devices — we find for example:<br />

concidit et terram moribundo uertice pulsat (II. Lat. yj6)<br />

he fell <strong>and</strong> dying struck the earth with his forehead. 1<br />

No streams of blood then, <strong>and</strong> no falling bodies: instead, a st<strong>and</strong>ing mass of<br />

corpses. There has been no battle in die usual sense of die word, not even an<br />

ordinary one-sided massacre: for Juba has been in the background, the Romans<br />

subjected in isolation to the relentless mechanics of internecine strife, a plight<br />

delineated through Lucan's alterations of die epic format. He wavers momentarily<br />

over Curio's deadi:<br />

non tulit adflictis animam producere rebus<br />

aut sperare fugam, ceciditque in strage suorum<br />

impiger ad letum (4.796-8)<br />

he would not stoop to survive defeat or hope for escape, but fell amid the corpses of<br />

his men, prompt to face death.<br />

As direct narrative takes over from the obliquities of the battle scene, one<br />

heroic deed is on the verge of rescue —but Lucan's negativity wins the day:<br />

et faros uirtute coacta 'brave in forced courage' (4.798). In the cynical coacta<br />

we return from normal epic to the world of civil war.<br />

In Book 5, during his account of Caesar's storm, Lucan's policy of negation<br />

recurs. Through die negation-antidiesis, <strong>and</strong> a few slight changes in tradition,<br />

he enlivens the prodigies of diepoetica tempestas, 2 converting them into images<br />

of nature's internal dissension — at die same time reversing the role of the hero.<br />

Nature no longer assails a helpless human victim: Caesar rides superior, as<br />

nature fears her own violence. The parallel widi the war is clear: Caesar the<br />

superman, cause of civil strife, measures his stature against the fury of the<br />

storm, <strong>and</strong> laughs at a world at variance with itself.<br />

Lucan's rehabilitation of disorder begins at line 597 with a concursus uentorum.<br />

if he had simply followed precedent, all four winds would have blown at once —<br />

<strong>and</strong> probably gone unnoticed. As it is, scientific theory is invoked to make us<br />

more aware of die breach in natural law.<br />

1<br />

Cf. Virg. Aen. 9.708, 488-9, 12.926, //. Lat. J70-1, 381; Miniconi (1957).<br />

2<br />

For background, parallels, <strong>and</strong> bibliography, see Morford's extensive treatment (1967), chapters<br />

in <strong>and</strong> iv.<br />

554<br />

Cambridge Histories Online © Cambridge University Press, 2008

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