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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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HISTORY AND BIOGRAPHY<br />

he has his plan, <strong>and</strong> adheres to it. Though his schematism was inimical alike<br />

to wide historical survey <strong>and</strong> gradual delineation of character, it suited him well<br />

enough, for he has but a fumbling grasp of history <strong>and</strong> psychology. He perceives,<br />

for example, that Tiberius' principate somehow changed for the worse,<br />

but offers no convincing explanation of this change. Indeed his picture of<br />

Tiberius is glaringly self-contradictory, unless we can stomach metamorphosis<br />

of a moderate, old-fashioned aristocrat into a perverted <strong>and</strong> sadistic tyrant.<br />

Here, as elsewhere, Suetonius' characterization anticipates the story of Jekyll<br />

<strong>and</strong> Hyde. "Witness the monumental crudity of his division of Caligula's<br />

actions (Cal. 22.1) into those attributable (a) to a prince, <strong>and</strong> (&) to a monster.<br />

But he is not always beside the mark. In his Julius he conveys something of<br />

Caesar's extraordinary magnetism, <strong>and</strong> in his Augustus illustrates the complexities<br />

of Augustus' personality. And he is adept at finding the revealing<br />

anecdotes which are so essential to biography. Yet rarely, if ever, does he<br />

complete his picture, <strong>and</strong>, by rigorous exclusion of material, however important,<br />

not immediately relevant to the individual with whom he is concerned, he<br />

usually leaves the background blank. Thus his approach was not properly<br />

adjusted to treatment of major historical characters, who must be set in a full<br />

context, diough arguably adequate for minor celebrities, such as poets <strong>and</strong><br />

orators. In what remains of the De viris illustribus we have some admirable<br />

miniatures, <strong>and</strong> here, on a tiny scale, he provides the necessary background,<br />

by sketching the development of grammar <strong>and</strong> rhetoric at Rome.<br />

Suetonius drew on many sources for his Vitae Caesarum, <strong>and</strong> had little<br />

compunction about copying them word for word. That he is generally uncritical<br />

is die more to be regretted since, when he chooses to investigate a<br />

problem, he can be sharp <strong>and</strong> judicious, as in his discussion of Caligula's<br />

birthplace (Cal. 8). In the first three lives he uses <strong>and</strong> cites much primary<br />

evidence, notably letters of Augustus. He had carefully scrutinized many of the<br />

original documents (see Aug. 87—8), presumably housed in the imperial<br />

archives <strong>and</strong> accessible to him while he held high rank in the secretariat. But,<br />

from his Tiberius onwards, the number of citations of such material decreases<br />

markedly, <strong>and</strong>, furthermore, the later lives are generally less detailed <strong>and</strong><br />

precise, in nomenclature <strong>and</strong> in reference to sources. The reason for this change<br />

is still debated. Probably, after his dismissal from public service in (perhaps)<br />

122, he could no longer freely consult the records he had previously exploited.<br />

It is harder to explain why he began to take fewer pains himself in the use of<br />

evidence available to anyone.<br />

Suetonius writes simply <strong>and</strong> straightforwardly. He is brief, but not pregnant<br />

or epigrammatic. He neither rounds his sentences into periods nor overloads<br />

them with appended clauses. Indeed, apart from some liking for variation, he<br />

seems largely indifferent to niceties of style. Yet his vocabulary is interesting,<br />

662<br />

Cambridge Histories Online © Cambridge University Press, 2008

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