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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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SPEECHES<br />

Exordia, in Cicero's opinion, should be moderate <strong>and</strong> ingratiating in tone,<br />

spacious <strong>and</strong> periodic in style, but pointed with apophthegms designed to commend<br />

yourself or discredit your adversary (Orat. 125). He conformed to this<br />

doctrine unless he had reason to do otherwise, as in the most famous case of all<br />

when, no doubt in order to startle the Senate into a sense of crisis, he began:<br />

Quousque t<strong>and</strong>em abutere, Catilina, patientiam nostram? 'How much longer,<br />

Catiline, are you going to abuse our patience?' Generally the impassioned<br />

climaxes would be more effective after a temperate opening.<br />

A considerable portion of the speeches naturally consists in narrative. If<br />

Cicero had written history ('a particularly oratorical genre', as he called it), his<br />

style would no doubt have largely displayed the 'milky richness' that was<br />

attributed to Livy. But in court the first essential was clarity: the jury must<br />

grasp <strong>and</strong> remember the facts as represented. Hence in the story of Sopater of<br />

Halyciae in Verrines 2.68—75, extending to about 875 words, the average length<br />

of a sentence is only fourteen words. Narratives must also be unadorned, almost<br />

colloquial: they must give 'a most clever imitation of simplicity', in the words<br />

of Quintilian, who especially admired the account of Clodius' murder in the<br />

Pro Milone, perhaps the most perfect of Cicero's speeches: *' Milo, after attending<br />

the senate on that day until the end of the sitting, went home, changed his<br />

shoes <strong>and</strong> his clothes, hung around a little while his wife got ready, the way<br />

wives do, <strong>and</strong> then set out at an hour when Clodius, if he had really wanted to<br />

get back to Rome that day, could already have been there. . .'<br />

The Second Actio of the Verrines, in five books, was designed from the start<br />

to be read. Cicero must have been aware that, while he must refer to all possible<br />

crimes of Verres, there was a certain sameness about them that would pall. By<br />

the fifth book he was therefore particularly concerned to be readable. Verres had<br />

been Governor of Sicily from 73 to 70, his tenure prolonged because the serious<br />

slave revolt of Spartacus broke out on the mainl<strong>and</strong> in 73, <strong>and</strong> Sicily, as the<br />

scene of previous revolts, was considered precarious. In fact it did not spread to<br />

the isl<strong>and</strong>, <strong>and</strong> Cicero had to anticipate that this would be credited by his<br />

opponents to the Governor's military efficiency. He marshalled all his powers of<br />

telling detail <strong>and</strong> innuendo in a devastating account that presages Tacitus<br />

(1—101). Even a summary may give some impression.<br />

Hortensius, he says (3), would no doubt compare Verres with his predecessor Manius<br />

Aquilius, who had put down the slave rising in Sicily in 101. 'When he was impeached<br />

for extortion, Aquilius' counsel had dramatically secured his acquittal by tearing open<br />

his tunic before the jury <strong>and</strong> the Roman people to show the honourable scars he bore<br />

on the front of his body. (This is a time-fuse whose detonation comes only at 32: 'Are<br />

you going to ask Verres to st<strong>and</strong> up, bare his breast, <strong>and</strong> show the Roman people his<br />

scars — the records of women's lascivious love-bites?') Aquilius' measures had secured<br />

1 Inst. 4.2.57—9; Mil. »8.<br />

Cambridge Histories Online © Cambridge University Press, 2008

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