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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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SATIRE 4<br />

(In the second, one notes the figurative vulgarisms <strong>and</strong> the use of terminology<br />

from the Georgics to describe homosexual depilation.) The satire as a whole,<br />

however, is rather weak. The ridicule of the demagogue Alcibiades has little<br />

bearing on imperial Rome. The sequence of thought is sometimes confusing.<br />

For example, after comparing malicious talk to a battle (42f.), Persius .mentions<br />

someone with a secret wound. We assume it has been inflicted by a fellowcitizen,<br />

but in fact it is a moral defect which the man is concealing from his<br />

neighbours. Finally, some apparent links between the Greek/political background<br />

of the first half <strong>and</strong> the Roman/social background of the second prove<br />

illusory — or rather they connect things which don't belong together. Thus the<br />

sunbather is abused by a stranger for showing his posterior to the public (36).<br />

Clearly we are meant to condemn this foul attack, yet the insulting words recall<br />

what Socrates has previously said to Alcibiades: ' Your highest aim is to pamper<br />

your skin with sunshine' (i7f.) <strong>and</strong> 'stop wagging your tail at the admiring<br />

public' (i5f.)- These blemishes cannot be explained away.<br />

Satire 5<br />

After a discussion of style, in which tragedy (pompous, artificial, insincere) is<br />

contrasted with satire (plain, down-to-earth, genuine), Persius goes on to speak<br />

of his friendship with the Stoic Cornutus, who held that only the truly free<br />

man could live a virtuous life. > About sixty lines explore the distinction between<br />

legal <strong>and</strong> moral freedom, <strong>and</strong> then another sixty demonstrate that greed, sex,<br />

ambition, <strong>and</strong> superstition are all forms of slavery. In an ironical coda Pulfenius,<br />

a massive centurion, sweeps all this Greek nonsense away with a coarse<br />

guffaw.<br />

In this, the longest <strong>and</strong> most elaborate of the satires, several forms are<br />

employed, including dialogue, autobiographical narrative, monologue, diatribe<br />

(with hypothetical protests), <strong>and</strong> a dramatic scene based on Men<strong>and</strong>er's<br />

Eunuch. Of many excellent passages the following is perhaps the most lively:<br />

mane piger stertis. 'surge' inquit Auaritia, 'eia<br />

surge.' negas. instat. 'surge' inquit. 'non queo.' 'surge.'<br />

'et quid agam?' 'rogat! en saperdas aduehe Ponto,<br />

castoreum, stuppas, hebenum, tus, lubrica Coa.<br />

tolle recens primus piper et siticnte camelo.<br />

uerte aliquid; iura.' 'sed Iuppiter audiet.' 'eheu,<br />

baro, regustatum digito terebrare salinum<br />

contentus perages, si uiuere cum Ioue tendis.'<br />

It's daylight <strong>and</strong> you re lying snoring. '<strong>Get</strong> up' says Lady Greed,<br />

'Hey, get up!' You wont. She persists, 'Up/'<br />

1<br />

For the idea that * Only the wise man is free' see Cicero, Paradoxa Stoicorum 5 <strong>and</strong> Horace,<br />

Sat. 2.7.<br />

5O7<br />

Cambridge Histories Online © Cambridge University Press, 2008

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