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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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SATURA BEFORE ENNIUS?<br />

remark are current. The minority view, first proposed by W. Rennie (1922) 21<br />

is that he means 'but in satire we Romans 'win easily'; the older <strong>and</strong> alternative,<br />

that he means 'but satire is an exclusively Roman genre', has been reasserted in<br />

recent studies. 1 Rennie's basic point is that Qyintilian's discussion is not about<br />

origins but evaluations; on the other h<strong>and</strong>, it is argued, the passage of Horace<br />

cited above can be taken to support the other view; <strong>and</strong> there is the consideration<br />

that alone among the genres listed by Quintilian, satire does not have a Greek<br />

name. The grammarian Diomedes (GLK 1 485) defines satyra (sic) as carmen<br />

apud Romanos, nunc quidetn tnaledicum et ad carpenda hominum uitia Archaeae<br />

Comoediae charactere composition, quale scripserunt Lucilius et Horatiits et<br />

Persius; sed olim carmen quod ex uariis poematibus constabat satyra uocabatur,<br />

quale scripserunt Pacuuius et Ennius ' poetry with the Romans, now vituperative<br />

<strong>and</strong> composed with the timbre of Old Comedy, such as Lucilius, Horace <strong>and</strong><br />

Persius wrote; but once poetry which consisted of different (kinds of) poems<br />

was called satyra, such as Pacuvius <strong>and</strong> Ennius wrote'. Diomedes proce<strong>eds</strong> to<br />

list various suggested etymologies for the word, starting with the one "which he<br />

himself thought (certainly wrongly) the most probable: satyra autem dicta siue a<br />

Satyris, quod similiter in hoc carmine ridiculae res pudendaeque dicuntur, uelut<br />

quae a Satyrisproferuntur etfiunt 'satyra is so called either from Satyrs, because<br />

ridiculous <strong>and</strong> shameful things are likewise said in this poetry as are delivered<br />

<strong>and</strong> done by Satyrs. . .'. There lies behind diis an allusion to the satyr plays of<br />

Attic <strong>and</strong> Hellenistic drama such as Sophocles' Ichneutae. Among other serious<br />

objections to this evidently popular <strong>and</strong> widespread theory there are the points<br />

that in that case the name should be satyrica (n. pi.), not satura (-yra, -ira)<br />

(f. sing.); <strong>and</strong> that since there is no feminine nominal suffix -lira (-yra, -ira) in<br />

Latin, we must be dealing with the adjective satur in the feminine, with a noun<br />

left understood. That is indeed Diomedes' second suggestion, . . .siue satyra a<br />

lance quae referta uariis multisqueprimitiis in sacro apudpriscos dis inferebatur. . .<br />

'or satyra is named after a lanx (£.), dish, which filled with many different firstfruits<br />

was offered to the gods in a religious service in olden times'. This is<br />

generally agreed to be the right explanation. 2<br />

These passages have given rise to an enormous amount of speculation, <strong>and</strong> in<br />

particular to the theory that Ennius' saturae with their dramatic elements somehow<br />

represent a literary development of pre- or sub-literate dramatic performances<br />

by a cantor <strong>and</strong> tibicen, which, on die evidence of Livy, will have been<br />

called saturae; <strong>and</strong> support for diis has been found in the passages cited from<br />

Horace <strong>and</strong> Quintilian as interpreted by the majority, not without the aid of<br />

certain unhistorical prejudices of the late Romantic period about popular<br />

1 In particular van Rooy (1965) 117—23, followed by Coffey (1976) 3.<br />

1 For Diomedes' other suggestions, <strong>and</strong> modern elaborations, see van Rooy (1965) 1—27, Coffey<br />

(1976) 12—18, Waszink (1972) 103.<br />

161<br />

Cambridge Histories Online © Cambridge University Press, 2008

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