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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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ORATORY AND EPISTOLOGRAPHY<br />

of late antiquity, the Carmen de figuris 'Poem on figures of speech', treats the<br />

same subject matter in verse as an aid to memory. Three hexameters are given<br />

to each figure, generally one for definition <strong>and</strong> two for illustration. Many of the<br />

examples are drawn from classical Greek <strong>and</strong> Latin writers, adapted in form to<br />

the ne<strong>eds</strong> of metre.<br />

Other works on rhetoric are text-books covering the whole subject. They are<br />

impossible to date with certainty, as they never refer to contemporary events.<br />

Among such manuals are the Ars rhetorica of C. Julius Victor, which is based<br />

almost entirely on Quintilian, the Institutiones oratoriae 'Principles of oratory*<br />

of Sulpicius Victor, who claims to follow a certain Zeno (probably Zeno of<br />

Athens, whose manual of rhetoric in ten books does not survive), <strong>and</strong> the<br />

Artis rhetoricae libri III of C. Chirius Fortunatianus, arranged in the form of<br />

question <strong>and</strong> answer <strong>and</strong> drawing its doctrine from Quintilian <strong>and</strong> its illustrations<br />

from Cicero. The Praecepta artis rhetoricae ' Precepts of the art of rhetoric'<br />

of Julius Severianus, which claims to meet the ne<strong>eds</strong> of the practising advocate<br />

<strong>and</strong> which draws all its examples from Cicero, has been variously dated from<br />

the second to the fifth century. A fragment is preserved of Augustine's De<br />

rhetorica, which formed part of his h<strong>and</strong>book of the liberal arts (Halm 137—5 0-<br />

Augustine himself had lost most of this h<strong>and</strong>book by the time he came to write<br />

his Retractationes about 427.<br />

What is striking about all these works, apart from their lack of originality,<br />

is the almost total absence of any Greek influence. The theory of rhetoric<br />

had not stood still in the Greek world. Hermogenes, the erstwhile infant prodigy<br />

turned teacher, wrote at the end of the second century a series of text-books of<br />

rhetoric which because of their orderly arrangement <strong>and</strong> their clarity of expression<br />

became st<strong>and</strong>ard works, commented upon endlessly by Greek schoolmasters<br />

up to the fifteenth century. Following in the wake of Hermogenes,<br />

Men<strong>and</strong>er of Laodicea in Phrygia wrote in the third century a treatise on<br />

epideictic oratory, clear in exposition, copiously illustrated, <strong>and</strong> answering the<br />

ne<strong>eds</strong> of the age. (It survives in two versions, one of which may not be the work<br />

of Men<strong>and</strong>er himself.) In the fourth century Aphthonius of Antioch wrote<br />

a manual of graded preliminary exercises {Progymnasmatd) which partly<br />

replaced those of Hermogenes. And early in the fifth century Nicolaus of Myra<br />

in Lycia wrote a similar manual of Progymnasmata, which, like that of Aphthonius,<br />

was used <strong>and</strong> commented on by teachers in the Greek world throughout<br />

the Middle Ages. Of all this pedagogical literature, which introduced new<br />

distinctions <strong>and</strong> new methods of study, there is virtually no trace in the surviving<br />

Latin manuals of the fourth <strong>and</strong> fifth centuries. Quintilian is still their model,<br />

whether at first or second h<strong>and</strong>, <strong>and</strong> Cicero provides most of their illustrative<br />

material. They concentrate on deliberative <strong>and</strong> forensic oratory, for which<br />

there was little room in late antiquity, <strong>and</strong> have little to say about the panegyric<br />

756<br />

Cambridge Histories Online © Cambridge University Press, 2008

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