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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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HISTORY AND BIOGRAPHY<br />

5. SUETONIUS<br />

Suetonius published many works, scholarly rather than literary, though this<br />

distinction was no more clear-cut in his time than it is now. For some years<br />

at least he was a member of the emperor's secretariat. And, while closely<br />

acquainted with the schools of grammar <strong>and</strong> rhetoric, he was probably never a<br />

professional teacher. We have here a talented <strong>and</strong> versatile man of letters,<br />

comparable with Varro, though hardly his equal. Doubtless Suetonius' writings<br />

required much anxious parturition (cf. Plin. Epist. 5.10): the two which<br />

survive, De vita Caesarum, 'On the life of the Caesars' <strong>and</strong> (fragmentarily)<br />

De viris illustribus, 'On eminent men", are evidently based on diverse <strong>and</strong><br />

extensive reading.<br />

Following an approach to biography used by some of the Alex<strong>and</strong>rian<br />

scholars, Suetonius treats his subjects very schematically, according to divisions<br />

<strong>and</strong> categories such as antecedents, birth, career, achievements, morals, appearance,<br />

<strong>and</strong> death, but with some variations according to the particular<br />

subject matter. This form of biography was perhaps originally employed for<br />

literary figures, <strong>and</strong> thence transferred, not by Suetonius alone (cf. Nep.<br />

Epam. 1.4), to persons distinguished in public life. He could, however, have<br />

chosen another form, well represented in Greek by his near contemporary<br />

Plutarch, <strong>and</strong> going back at least to the early Peripatetic school. Plutarch<br />

views <strong>and</strong> assesses his subjects' lives coherently <strong>and</strong> chronologically: he prefers<br />

narration, with occasional moralizing, to analysis <strong>and</strong> tabulation. And plainly<br />

Plutarch's approach is, unlike Suetonius', closely akin to that of the historians.<br />

But there is more in Suetonius' method than misguided application of Alex<strong>and</strong>rian<br />

pedantry. Roman funeral speeches <strong>and</strong> epitaphs were traditionally<br />

centred on the deceased's honours, de<strong>eds</strong>, <strong>and</strong> prowess: they did not characterize<br />

him in the round. The Res gestae of Augustus helps to explain Suetonius'<br />

attitudes <strong>and</strong> choice of material. He, for instance, like Augustus, records<br />

offices held, donatives, <strong>and</strong> buildings. The Alex<strong>and</strong>rians gave him a framework:<br />

he easily brought within it matters of established Roman interest. He was<br />

perhaps the first to recognize that the Caesars should be treated as a special<br />

class. Supreme power <strong>and</strong> the way of life it engendered set them apart. Here<br />

lies his best claim to originality. 1<br />

Some critics assert that, for all his categorizing, Suetonius pays serious<br />

regard to chronology. That, to an extent, is true. In passages where he outlines<br />

parts of a man's career he naturally tends to follow temporal sequence. And,<br />

when his material is specially curious <strong>and</strong> inviting, he may set it out consecutively<br />

<strong>and</strong> with abundant detail, as in his account of the last days of Nero<br />

{Nero 40.4-49.4), perhaps the best thing he ever wrote. In general, however,<br />

' I owe this view of Suetonius* originality to Professor <strong>Kenney</strong>.<br />

661<br />

Cambridge Histories Online © Cambridge University Press, 2008

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