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POETRY<br />

of date, <strong>and</strong> it is clear that the letters are not arranged in chronological order.<br />

Books 2-7 were probably published in 477, Book 8 in 479, Book 9 in 482.<br />

Apart from these indications each letter has to be dated by internal evidence.<br />

Sidonius' style, both in verse <strong>and</strong> in prose, is inflated <strong>and</strong> precious, full of<br />

word-plays, complex figures of speech, mythological <strong>and</strong> historical allusions,<br />

to which is added biblical imagery in the letters written after his assumption<br />

of the bishopric. He is a man of considerable learning, though he not infrequently<br />

gets things wrong. For him, as for the other aristocrats who compose<br />

his world, literary culture is the outward <strong>and</strong> living sign of his Romanity, which<br />

he sees threatened by a tidal wave of barbarism. Yet like other members of his<br />

class he is ready to come to terms with the new rulers in the hope of retaining<br />

somediing of his economic <strong>and</strong> social position. He praises one of his friends<br />

for his perfect knowledge of Gothic. His entry into the church was the only<br />

way out of his dilemma. As a bishop he was the defender of a culture in which<br />

the Goths too, Arians though they were, could share. And he was able to<br />

continue the role of paternalistic leadership which his family had exercised in<br />

his province for generations. His prestige <strong>and</strong> influence in Romania <strong>and</strong> Gothia<br />

alike were immense. Today he is of interest primarily as a priceless historical<br />

source. Few would read Sidonius for his literary merit. Yet behind his often<br />

absurd preciosity lies a real talent for description <strong>and</strong> narrative. His descriptions<br />

of the Visigoths (Epist. 1.2, poem 23, Epist. 5.12, 6.6, 33, 8.9), the Burgundians<br />

(poem 12), the Franks (poem ^.2^7^; Epist. 4.20), the Saxons (Epist. 86)<br />

<strong>and</strong> the Huns (poem 2.243ft".) show sharp observation which goes beyond die<br />

commonplaces of the genre. His account of the 'satire' of Aries (Epist.i.11),<br />

of the trial of Arv<strong>and</strong>us (Epist. 1.7), of the adventures of the reader Amantius<br />

(Epist.7.2) show him a superb raconteur.<br />

For all his limitations — <strong>and</strong> he scarcely seems to have noticed Romans<br />

who did not belong to his own class - Sidonius is an attractive character <strong>and</strong><br />

on occasion an attractive writer. We know that he lived through the decline<br />

<strong>and</strong> fall of the western Roman empire. This was knowledge denied to him.<br />

But he tried to keep his head in difficult circumstances, <strong>and</strong> in a large measure<br />

succeeded.<br />

Ausonius' gr<strong>and</strong>son Paulinus of Pella had to face the same problems as<br />

Sidonius, but with inferior resources both personal <strong>and</strong> material. Born at<br />

Pella in Macedonia during the praetorian prefecture of his father Hesperius,<br />

he was soon brought to Bordeaux where his education, in both Greek <strong>and</strong><br />

Latin, was supervised by Ausonius. For a number of years he lived the idle<br />

life of a selfish aristocrat, a Sidonius without Sidonius' cultural interests. In<br />

396 he married, without much enthusiasm, a rich heiress. This life of ease was<br />

interrupted by the Gothic invasion of 406, when Bordeaux was sacked <strong>and</strong><br />

Paulinus lost much property. He left Bordeaux for the more defensible Bazas,<br />

721<br />

Cambridge Histories Online © Cambridge University Press, 2008

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