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APPENDIX OF AUTHORS AND WORKS STUDIES: H. Lewy, 'A Latin hymn to the creator ascribed to Plato', H.Tk.R. 31 (1946) 243—88; E. R. Curtius, European literature and the Latin middle ages, tr, W. R. Trask (London 1953) 196—200. [LACTANTIUS], DE AVE PHOENICE TEXT: PLM ill 247-62; Anth. Lat. 731. IUVENCUS, GAIUS VETTIUS AQUILINUS LIFE AND WORKS Spanish priest, fl. under Constantine. Evangeliorum libri IV: hexameter narrative of the gospel story. Sources: Jerome, Chron. A.D. 328, De vir. ill. 84; Juvencus 4.805. BIBLIOGRAPHY TEXT: J. Huemer, CSEL xxiv (Vienna 1891). STUDIES: C. Wegman, 'Zu Iuvencus', Beitrage %ur Geschichte der christlichlateiniscken Poesie (Munich 1926) 21—8; U. Moricca, Studi di letteratura latino, cristiana II.2 (Turin 1928) 831/?.; H. H. Kievits, Ad Iuvenci evangeliorum librum primum cotnmentarius exegeticus (Groningen 1940); j. de Wit, Ad Iuvenci evangeliorum librum secundum commentarius exegeticus (Groningen 1947); N. Hannson, Textkritische \u Iuvencus, mit vollstandigem Index verborum (Lund 1950); R. Herzog, Die Bibelepik. der lateinischen Spdtantike I (Munich 1972) esp. 52-98. AVIENIUS, POSTUMIUS RUFIUS FESTUS 4th c. A.D. from Volsinii in Etruria. LIFE WORKS Descriptio orbis terrae: geography in hexameters based on Greek original by Dionysius Periegetes. Ora maritima: description in iambics of western and southern coasts of Europe (see 5iff.), written after Descriptio (Ora mar. 71); section on coast from Marseilles to Cadiz alone survives. Aratea, Phaenomena and Prognostica: expanded hexameter translations of Aratus. Sources: CIL vi 537 (= ILS 2944); IG m 635; inscription from Bulk Regia (PLREl 336); Jerome, In ep. ad Tit. 1.12; Serv. ad Aen. 10.272 and 388 (poem on Virgilian legends and iambic epitome of Livy, possibly by Avianus). 910 Cambridge Histories Online © Cambridge University Press, 2008
APPENDIX OF AUTHORS AND WORKS BIBLIOGRAPHY TEXTS AND COMMENTARIES: TEXTS: A. Holder (Innsbruck 18S7). Descriptio: P. van de Woestijne (Bruges 1961). COMMENTARIES: Ora maritima: A. Schulten (Barcelona-Berlin 1922); A. Berthelot (Paris 1934). STUDIES: J. F. Matthews, 'Continuity in a Roman family: the Festi of Volsinii", Historia 16 (1967) 484-509; A. Cameron, 'Macrobius, Avienus and Avianus', C.Q. n.s. 17 (1967) AUSONIUS, DECIMUS MAGNUS LIFE b. in Bordeaux A.D. 310. Taught there for thirty years, then summoned by Valentinian to be tutor to Gratian; joined them in campaigns in Germany 368-9. Praetorian Prefect in Gaul 378 and consul 379. On Gratian's murder in 383 retired to Bordeaux and d. 393/394. Sources: Auson. praef.; Symm. Epist. 1.13—43, 1.20, 22, 23; Auson. Grat. act. 2.11,8.40; Auson. Epist. 27.9off., 31. WORKS Following are likely dates of composition for those of A.'s works whose chronology can be established; few if any of them are certain. (Page refs. to Peiper's ed.) c. 335 : Epistula adpatrem de suscepto filio (p. 255). 367—371: Versus Paschales (p. 17). 368: Cento nuptialis (p. 206). 369: Bissula poems (p. 114). 370—371: Mosella (p. 118), Epist. 4, 6, 7 (p. 232). 374: Epist. 12 (p. 238). 378—379: Epicedion in patrem (p. 21), Precationes (p. 24). 379: Gratiarum actio (p. 353), Epist. 11 (p. 236), De herediolo (p. 16), Ordo urbiutn nobilium (? 1st ed.; p. 144). 380: Caesares (p. 183), Epist. 2 (p. 222). 379—383: Parentalia (p. 28), Epist. 23, 25, 26 (p. 268). 383: Technopaegnion (p. 155). 380-389: Commemoratio professorum Burdigalensium (p. 48). 388—390: Ordo urbium nobilium (p. 144). 389-390: Epitaphia (p. 72). 390: Ludus septem sapientium (p. 169). Arguments on dating of A.'s poems are most clearly set out in Pastorino's ed., intr. 70-105. Cf. PLREl 140-1. BIBLIOGRAPHY TEXTS AND COMMENTARIES: TEXTS: K. Schenkl (Berlin 1883); R. Peiper (BT, 1886); H. G. Evelyn White (Loeb, 1919); A. Pastorino (Turin 1971); S. Prete (BT, 1978). COMMENTARIES: Mosella: C. Hosius, 3rd ed. (Marburg 1926); W.John (Trier 1932); E. H. Blakeney (London 1933); A. Marsili (Turin 1957). TRANSLATION: J. Lindsay, Song of a falling world (London 1948) 70-82 (select poems). 911 Cambridge Histories Online © Cambridge University Press, 2008
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THE CAMBRIDGE HISTORY OF CLASSICAL
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THE CAMBRIDGE HISTORY OF CLASSICAL
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CONTENTS List of plates P°g e xii
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CONTENTS 11 Cicero and the relation
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CONTENTS PART V! EARLY PRINCIPATE 2
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CONTENTS 41 Minor figures 770 by RO
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PREFACE The Cambridge History of Cl
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Anth. Lat. ANRW Bardon BT Bude Burs
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OCT Para via PIR PL PLF PLM PLRE PM
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READERS AND CRITICS Cambridge Histo
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BOOKS AND READERS IN THE ROMAN WORL
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EDUCATION The same dependence, and
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EDUCATION Such were the characteris
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AUTHOR AND PUBLIC his work on a sma
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AUTHOR AND PUBLIC was of humble or
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AUTHOR AND PUBLIC remained relative
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BOOKS AND PUBLICATION Greek papyri
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BOOKS AND PUBLICATION In antiquity
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BOOKS AND PUBLICATION "We are on sl
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THE 'FATA LIBELLORUM' conditions
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THE 'FATA LIBELLORUM' to look. Even
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SCHOLARSHIP AND CRITICISM panion vo
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THE SENSE OF 'LIBER' two books, as
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2 LITERARY CRITICISM Literary criti
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THE 'ACADEMICS' for we find him ass
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THE 'ACADEMICS' on the prominence o
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THE 'ACADEMICS' some distinguished
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THE 'ACADEMICS' descended to erotic
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THE 'ACADEMICS' before it three pre
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THE CRAFTSMEN ON THEIR CRAFTS to su
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THE CRAFTSMEN ON THEIR CRAFTS foren
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THE CRAFTSMEN ON THEIR CRAFTS to ju
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II EARLY REPUBLIC Cambridge Histori
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THE GENESIS OF POETRY IN ROME I. TH
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THE PRE-LITERARY BACKGROUND The lin
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THE PRE-LITERARY BACKGROUND This ar
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THE EARLIEST EPIC POETRY Despite a
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THE SCOPE AND CONTENTS OF THE ANNAL
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THE SCOPE AND CONTENTS OF THE ANNAL
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ENNIUS AND THE MUSES Virgil's time
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ENNIUS THE HELLENISTIC POET the Gra
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ENNIUS THE HELLENISTIC POET anapaes
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ENNIUS THE HELLENISTIC POET anachro
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ENNIUS THE HELLENISTIC POET This is
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ENNIUS THE HELLENISTIC POET wind-si
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5 DRAMA I. THE ORIGINS OF ROMAN DRA
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THE ORIGINS OF ROMAN DRAMA story in
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THE ORIGINS OF ROMAN DRAMA not only
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THE ORIGINS OF ROMAN DRAMA record t
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THE ORIGINS OF ROMAN DRAMA declaime
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THE ORIGINS OF ROMAN DRAMA Greek pr
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THE ORIGINS OF ROMAN DRAMA poets fr
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THE ORIGINS OF ROMAN DRAMA a well-d
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THE ORIGINS OF ROMAN DRAMA and who
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LIGHT DRAMA Plautus (i) The authent
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LIGHT DRAMA Carthaginian' = Karched
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LIGHT DRAMA (Alexis may have). Lycu
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LIGHT DRAMA fore cannot logically a
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LIGHT DRAMA style, and yet the vers
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LIGHT DRAMA Characterization is not
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LIGHT DRAMA exploits and strategy w
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LIGHT DRAMA City One is, through ex
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LIGHT DRAMA Ballio's entrance in Ps
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LIGHT DRAMA mentioned as outsiders,
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LIGHT DRAMA He lists several object
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LIGHT DRAMA Menander, but distorted
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LIGHT DRAMA ing, and because of the
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LIGHT DRAMA and even spectacular
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LIGHT DRAMA loaded sense which we f
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LIGHT DRAMA quae ibi aderant forte
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LIGHT DRAMA Terence had a difficult
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SERIOUS DRAMA The Argonautic saga a
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SERIOUS DRAMA narrow and unsystemat
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SERIOUS DRAMA related to the real-l
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SERIOUS DRAMA dramatists. Perhaps m
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SERIOUS DRAMA TRF 590, 591-3 = ROL
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THE RANGE OF OLD LATIN PROSE Cicero
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THE RANGE OF OLD LATIN PROSE Flamin
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TECHNICAL WRITING dimensions for th
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THE PEN IN POLITICS wider audience
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THE PEN IN POLITICS she is able to
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THE PEN IN POLITICS When Cato spoke
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HISTORY To be truly Roman was not a
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CATO ORATOR what a position our cou
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CATO ORATOR plebitas, duritudo (cf.
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THE MINOR WORKS OF ENNIUS Ennius ke
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THE MINOR WORKS OF ENNIUS associate
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SATURA BEFORE ENNIUS? remark are cu
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LUCILIUS ((30) 1013 M = ROL 1091).
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LUCILIUS si minu' delectat, quod or
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LUCILIUS should risk his own life t
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LUCILIUS cruel by asking a friend h
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LUCILIUS Greek words are very promi
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Ill LATE REPUBLIC Cambridge Histori
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8 PREDECESSORS The short poems of C
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PREDECESSORS even to a twentieth-ce
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THE NEW POETS AND THEIR ANTECEDENTS
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THE MARRIAGE OF PELEUS AND THETIS k
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THE MARRIAGE OF PELEUS AND THETIS C
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THE MARRIAGE OF PELEUS AND THETIS i
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'CATULLI VERONENSIS LIBER' lines of
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'CATULLI VERONENSIS LIBER' Catullus
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LESBIA, SIRMIO, CALVUS Lesbia. But
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LESBIA, SIRMIO, CALVUS Hadriae tabe
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LESBIA, SIRMIO, CALVUS o uenusta Si
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LESBIA, SIRMIO, CALVUS Licinius, ye
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10 LUCRETIUS The De rerum natura of
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BACKGROUND references to Roman ritu
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BACKGROUND This verdict cannot be c
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BACKGROUND genuine excitement, the
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POET AND PHILOSOPHER these can be e
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LUCRETIUS 3. THE POEM Structure Lik
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THE POEM teaching. The prologues, f
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THE POEM from earlier parts of the
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THE POEM elsewhere in the work and
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THE POEM politics, law, and public
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THE POEM and which would at the sam
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THE POEM poetry in too cerebral a m
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CICERO'S ATTITUDE TO CULTURE gorean
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CICERO'S ATTITUDE TO CULTURE date i
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ORATORY AS CICERO FOUND IT trumped
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ORATORY IN CICERO AND HIS CONTEMPOR
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VERSE Lines of similar structure to
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LETTERS In letter no. 9, long enoug
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SPEECHES We may surmise however tha
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SPEECHES Exordia, in Cicero's opini
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SPEECHES He executed all the prison
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DIALOGUES AND TREATISES As his prim
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DIALOGUES AND TREATISES Yet the De
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DIALOGUES AND TREATISES Senate and
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DIALOGUES AND TREATISES his daughte
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DIALOGUES AND TREATISES dared to br
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LITERARY INFLUENCE IN ANTIQUITY fea
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SALLUST known as the 'Catiline'), p
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SALLUST over distinction between bo
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SALLUST recent history? An answer i
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SALLUST to seem good' is high prais
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SALLUST moves closer to biography.
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SALLUST Many asyndeta do not effect
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13 CAESAR C. Julius Caesar's surviv
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CAESAR Tigurini on the river Arar,
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CAESAR the Gallic Wars. Indeed it w
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VARRO to explain how, in a full lif
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VARRO found in Menippus, a third-ce
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CORNELIUS NEPOS Nepos' shallow lear
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PROSE AND MIME 3. THE LITERARY MIME
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IV THE AGE OF AUGUSTUS Cambridge Hi
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15 UNCERTAINTIES Cicero was murdere
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UNCERTAINTIES the decline of civili
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16 THEOCRITUS AND VIRGIL Theocritus
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THEOCRITUS AND VIRGIL The Idyll beg
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VIRGIL AND THEOCRITUS rusticana). O
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VIRGIL AND THEOCRITUS eleventh Idyl
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VIRGIL AND THEOCRITUS ness on the p
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THE BOOK OF ECLOGUES M. Pollio hims
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THE BOOK OF ECLOGUES lective beauty
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THREE ECLOGUES tion that it was wri
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THREE ECLOGUES — an allusion to C
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THREE ECLOGUES reader's, unschooled
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POLITICAL BACKGROUND The poem deals
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INTENTION AND NATURE OF THE POEM im
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STRUCTURE farmer's calendar. Passag
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STRUCTURE Troy. Caesar himself has
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STRUCTURE principle, which could th
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STRUCTURE ported by the logos and i
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18 THE AENElD I. THE AENEID AND ITS
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AUGUSTAN BACKGROUND story became we
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AUGUSTAN BACKGROUND ut cum carcerib
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AUGUSTAN BACKGROUND nothing other t
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LITERARY BACKGROUND and Hecuba', el
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LITERARY BACKGROUND euertere opum i
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COMPOSITION AND STRUCTURE technique
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THE CHIEF CHARACTERS forward and si
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THE CHIEF CHARACTERS his Trojans ha
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THE CHIEF CHARACTERS development of
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THE CHIEF CHARACTERS world the best
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THE CHIEF CHARACTERS But that was e
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THE CHIEF CHARACTERS aspects of Tur
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DESTINY AND RELIGION he could trans
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DESTINY AND RELIGION their individu
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STYLE AND METRE can on occasion use
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STYLE AND METRE more cannot be said
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STYLE AND METRE caesura to line end
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CONCLUSION Deiphobus; the deaths of
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A CRITIQUE OF THE TRADITIONAL STERE
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A CRITIQUE OF THE ACADEMIC DICHOTOM
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20 LOVE ELEGY I. GENERAL INTRODUCTI
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GENERAL INTRODUCTION transform Gree
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CHARACTERISTICS OF THE LOVE ELEGY (
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CORNELIUS CALLUS twenties. Of the f
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ALBIUS TIBULLUS mythological or oth
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SEXTUS PROPERTIUS taken from his ea
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PUBLIUS OVIDIUS NASO the countrysid
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OTHER ELEGISTS The Latin love elegy
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'FAME IS THE SPUR' The symbols are
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THE HEROIDES resultant action is en
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THE HEROIDES Dido threaten; the des
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THE HEROIDES Finally his impatience
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THE FASTI (Acontius and Cydippe), C
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THE METAMORPHOSES tragic (Cephalus
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THE METAMORPHOSES to new things'
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THE METAMORPHOSES by contrast, now
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THE METAMORPHOSES another catalogue
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THE METAMORPHOSES (13.i—398). Thi
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THE METAMORPHOSES maintained by the
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THE POEMS OF EXILE Ovid was not a p
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THE POEMS OF EXILE distinction is c
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THE POEMS OF EXILE ingenio tamen ip
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THE POEMS OF EXILE 10), or his pers
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THE POEMS OF EXILE The language and
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THE POEMS OF EXILE light the Tristi
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THE POEMS OF EXILE Ovid's was a muc
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ACHIEVEMENT AND CHARACTERISTICS in
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LIVY Historical activity had flouri
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LIVY a basis a narrative which he c
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LIVY of Abydus is told in terms of
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LIVY lights occurs when the Aequi t
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23 MINOR FIGURES I. POETRY The poet
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POETRY unlike the Copa and Moretum,
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POETRY survival, written according
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POETRY Messallae of 31 B.C. 1 A hig
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POETRY The elegiac, on the other ha
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POETRY Codrusque ille canit, quali
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POETRY saepe suas uolucres legit mi
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POETRY concerns the origins of astr
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POETRY utque per ingentis populus d
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POETRY Rome, it seems, never lost h
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POETRY while fr. i, T, ., ' Idaeos
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POETRY Pedo is more Virgilian. Usua
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POETRY another area of Latin litera
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PROSE apotheosis in a stiff, rather
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V EARLY PRINCIPATE Cambridge Histor
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24 CHALLENGE AND RESPONSE The first
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CHALLENGE AND RESPONSE home towns a
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CHALLENGE AND RESPONSE under August
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25 PERSIUS The satires of Persius a
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SATIRE 2 high-quality honour' (inco
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SATIRE 4 (In the second, one notes
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SATIRE 6 enlightened self-indulgenc
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26 THE YOUNGER SENECA I. INTRODUCTI
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THE STYLISTIC REVOLUTIONARY while i
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SENECAN PROSE You tell me {you say)
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SENECAN PROSE In either case, howev
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SENECAN PROSE Pensies — a paragra
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SENECAN TRAGEDY that the literate p
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SENECAN TRAGEDY literature (modern
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SENECAN TRAGEDY reproduced for thei
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SENECAN TRAGEDY an Attendant; and t
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SENECAN TRAGEDY eclipse, or is the
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THE OCTAVIA in modern discussions,
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27 LUCAN Petronius' classicistic re
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LUCAN to warrant the hypothesis of
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LUCAN declamation, epode — all st
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LUCAN The imminent rupture of all l
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LUCAN Likewise, in the sphere of di
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LUCAN As with poetic diction, so wi
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LUCAN No rural Pan dwelt there, no
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LUCAN desertion is premature; worse
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LUCAN at uagus Afer equos ut primum
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LUCAN The horses are stabbed, not s
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LUCAN Lucan now completes his demol
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LUCAN non Euri cessasse minas, non
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LUCAN proves right: he remains outs
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INTRODUCTORY It was only at the Ren
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INTRODUCTORY thoroughly vindicated.
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STATIUS fantasia on a curious plane
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STATIUS quality of his verse. To th
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STATIUS a propempticon, since it wi
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STATIUS ancient poets, with a unive
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STATIUS elements in the poems, but
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STATIUS no less many-sided are its
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STATIUS The epic ends on a note of
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STATIUS ing mania spreads to Argos
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STATIUS lengthy battle scenes (Book
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VALERIUS sense to Valerius' detrime
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VALERIUS object. By such a metamorp
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VALERIUS feeble and attenuated: obs
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VALERIUS you are astounded, I know
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VALERIUS instead a historic Weltbil
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SILIUS Pliny's words have survived
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SILIUS the recipient of a divine be
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SILIUS miniature. Silius' cura has
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29 MARTIAL AND JUVENAL On the usual
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MARTIAL AND JUVENAL Faustinas' vill
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MARTIAL AND JUVENAL dictate to him:
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MARTIAL AND JUVENAL to laud the new
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MARTIAL AND JUVENAL imagination, an
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MARTIAL AND JUVENAL selection is ap
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MARTIAL AND JUVENAL never seen dire
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MARTIAL AND JUVENAL at his disposal
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MARTIAL AND JUVENAL the first of wh
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MARTIAL AND JUVENAL rifle the resou
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MARTIAL AND JUVENAL tives, Grecisms
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MARTIAL AND JUVENAL Now autumn With
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MARTIAL AND JUVENAL Likewise Juvena
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MARTIAL AND JUVENAL derision. Juven
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PHAEDRUS fables had appeared only i
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CALPURNIUS SICULUS patron represent
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LAUS PISONIS favoured never feared
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EPIGRAMS group of verses, on Claudi
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31 PROSE SATIRE I. APOCOLOCYNTOSIS
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PROSE SATIRE 2. PETRONIUS Petronius
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PETRONIUS arrestingly adapted, the
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32 HISTORY AND BIOGRAPHY I. VELLEIU
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VELLEIUS PATERCULUS Atticus (Cic. B
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TACITUS compelled the attention of
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TACITUS demonstrate his talents rat
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TACITUS Tacitus begins his Historie
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TACITUS weaving details or opinions
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TACITUS writing. Tacitus' style is
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TACITUS Verbal sharpness, concomita
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TACITUS sension and lust for power
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PLINY THE YOUNGER serious request f
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PLINY THE YOUNGER affected. By blen
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HISTORY AND BIOGRAPHY 5. SUETONIUS
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SUETONIUS not so much because of it
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FLORUS as hero (see 2.14.4—6), th
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33 TECHNICAL WRITING 1. POMPONIUS M
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COLUMELLA sension as he is independ
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PLINY THE ELDER was both patriotic
Page 691 and 692:
FRONTINUS well have sought a very p
Page 693 and 694:
QUINTILIAN In the long technical se
Page 695 and 696:
FRONTO on threadbare themes exude t
Page 697 and 698:
AULUS GELLIUS has benefited us grea
Page 699 and 700:
VI LATER PRINCIPATE Cambridge Histo
Page 701 and 702:
35 INTRODUCTORY The period to be st
Page 703 and 704:
INTRODUCTORY regions as the militar
Page 705 and 706:
INTRODUCTORY only in the Greek lang
Page 707 and 708:
INTRODUCTORY between Ambrose and Sy
Page 709 and 710:
INTRODUCTORY significant way differ
Page 711 and 712:
POETRY characteristics. The first i
Page 713 and 714:
POETRY It has been dated at various
Page 715 and 716:
POETRY of Man, but it is very doubt
Page 717 and 718:
POETRY Trier to become tutor to Gra
Page 719 and 720:
POETRY In the words of a perceptive
Page 721 and 722:
POETRY The prey is hooked, and slan
Page 723 and 724:
POETRY been challenged. They are br
Page 725 and 726:
POETRY centuries saw the flourishin
Page 727 and 728:
POETRY looked like; and of Stilicho
Page 729 and 730:
POETRY Posteritas, admitte fidem: m
Page 731 and 732:
POETRY which he did not wish to sur
Page 733 and 734:
POETRY is characteristic of the cla
Page 735 and 736:
POETRY while adopting the latter. T
Page 737 and 738:
POETRY which Valentinian and his fa
Page 739 and 740:
POETRY of date, and it is clear tha
Page 741 and 742:
37 BIOGRAPHY The form of imperial b
Page 743 and 744:
BIOGRAPHY wise unknown authorities
Page 745 and 746:
BIOGRAPHY concerned with anti-Chris
Page 747 and 748:
BIOGRAPHY Laomedon to the capture o
Page 749 and 750:
BIOGRAPHY hearted commitment to a s
Page 751 and 752:
HISTORY Not all Republican or early
Page 753 and 754:
HISTORY themselves to a readership
Page 755 and 756:
HISTORY long and discursive history
Page 757 and 758:
HISTORY mentators. But it also cont
Page 759 and 760:
HISTORY Julian's teacher and friend
Page 761 and 762:
HISTORY There survives in a medieva
Page 763 and 764:
HISTORY summary fashion, either by
Page 765 and 766:
HISTORY are unknown to us, but bear
Page 767 and 768:
HISTORY particular from Virgil. His
Page 769 and 770:
HISTORY of Nazianzus. Most of these
Page 771 and 772:
HISTORY All these points demanded c
Page 773 and 774:
39 ORATORY AND EPISTOLOGRAPHY The s
Page 775 and 776:
ORATORY AND EPISTOLOGRAPHY and othe
Page 777 and 778:
ORATORY AND EPISTOLOGRAPHY as one o
Page 779 and 780:
ORATORY AND EPISTOLOGRAPHY to Valen
Page 781 and 782:
SCHOLARS works as Varro's Res rusti
Page 783 and 784:
SCHOLARS platonist mystic worship o
Page 785 and 786:
GRAMMARIANS read and write. In ever
Page 787 and 788:
GRAMMARIANS is sound rather than or
Page 789 and 790:
MINOR FIGURES rate rhetorical purpl
Page 791 and 792:
MINOR FIGURES the courts during Dio
Page 793 and 794:
APULEIUS (' On the commonwealth') a
Page 795 and 796:
APULEIUS exhorting those readers to
Page 797 and 798:
APULEIUS guard a corpse led to his
Page 799 and 800:
APULEIUS The two main anecdotes in
Page 801 and 802:
APULEIUS a traditionally dissolute
Page 803 and 804:
APULEIUS attributable to an impulsi
Page 805 and 806:
VII EPILOGUE Cambridge Histories On
Page 807 and 808:
The primary aim of any literary his
Page 809 and 810:
EPILOGUE Of the epic composed betwe
Page 811 and 812:
EPILOGUE pastoral now exists side b
Page 813 and 814:
EPILOGUE the Tuscidans and from the
Page 815 and 816:
APPENDICES Cambridge Histories Onli
Page 817 and 818:
APPENDIX OF AUTHORS AND WORKS ANDRO
Page 819 and 820:
APPENDIX OF AUTHORS AND WORKS had i
Page 821 and 822:
APPENDIX OF AUTHORS AND WORKS that
Page 823 and 824:
APPENDIX OF AUTHORS AND WORKS disco
Page 825 and 826:
APPENDIX OF AUTHORS AND WORKS M. Ta
Page 827 and 828:
APPENDIX OF AUTHORS AND WORKS schol
Page 829 and 830:
APPENDIX OF AUTHORS AND WORKS Moste
Page 831 and 832:
APPENDIX OF AUTHORS AND WORKS CAECI
Page 833 and 834:
APPENDIX OF AUTHORS AND WORKS Carth
Page 835 and 836:
APPENDIX OF AUTHORS AND WORKS (5) P
Page 837 and 838:
APPENDIX OF AUTHORS AND WORKS B. Ta
Page 839 and 840:
APPENDIX OF AUTHORS AND WORKS expli
Page 841 and 842:
APPENDIX OF AUTHORS AND WORKS editi
Page 843 and 844:
APPENDIX OF AUTHORS AND WORKS I. Ma
Page 845 and 846:
APPENDIX OF AUTHORS AND WORKS (190
Page 847 and 848:
APPENDIX OF AUTHORS AND WORKS at Nu
Page 849 and 850:
APPENDIX OF AUTHORS AND WORKS WORKS
Page 851 and 852:
APPENDIX OF AUTHORS AND WORKS 73-10
Page 853 and 854:
APPENDIX OF AUTHORS AND WORKS Heine
Page 855 and 856:
APPENDIX OF AUTHORS AND WORKS A. S.
Page 857 and 858:
APPENDIX OF AUTHORS AND WORKS durin
Page 859 and 860:
APPENDIX OF AUTHORS AND WORKS M.H.
Page 861 and 862:
APPENDIX OF AUTHORS AND WORKS (1) E
Page 863 and 864:
APPENDIX OF AUTHORS AND WORKS Hagen
Page 865 and 866:
APPENDIX OF AUTHORS AND WORKS possi
Page 867 and 868:
APPENDIX OF AUTHORS AND WORKS Aenea
Page 869 and 870:
APPENDIX OF AUTHORS AND WORKS Page
Page 871 and 872:
APPENDIX OF AUTHORS AND WORKS TIBUL
Page 873 and 874:
APPENDIX OF AUTHORS AND WORKS Baile
Page 875 and 876:
APPENDIX OF AUTHORS AND WORKS M. Ha
Page 877 and 878: APPENDIX OF AUTHORS AND WORKS ' Beo
Page 879 and 880: APPENDIX OF AUTHORS AND WORKS Catal
Page 881 and 882: APPENDIX OF AUTHORS AND WORKS ancie
Page 883 and 884: APPENDIX OF AUTHORS AND WORKS BIBLI
Page 885 and 886: APPENDIX OF AUTHORS AND WORKS VITRU
Page 887 and 888: APPENDIX OF AUTHORS AND WORKS (Amst
Page 889 and 890: APPENDIX OF AUTHORS AND WORKS 13th
Page 891 and 892: APPENDIX OF AUTHORS AND WORKS WORKS
Page 893 and 894: APPENDIX OF AUTHORS AND WORKS favou
Page 895 and 896: APPENDIX OF AUTHORS AND WORKS (1970
Page 897 and 898: APPENDIX OF AUTHORS AND WORKS 290-3
Page 899 and 900: APPENDIX OF AUTHORS AND WORKS Guill
Page 901 and 902: APPENDIX OF AUTHORS AND WORKS Lustr
Page 905 and 906: APPENDIX OF AUTHORS AND WORKS ascri
Page 907 and 908: APPENDIX OF AUTHORS AND WORKS PETRO
Page 909 and 910: APPENDIX OF AUTHORS AND WORKS Velle
Page 911 and 912: APPENDIX OF AUTHORS AND WORKS TEXTS
Page 913 and 914: APPENDIX OF AUTHORS AND "WORKS 15 (
Page 915 and 916: APPENDIX OF AUTHORS AND WORKS SUETO
Page 917 and 918: APPENDIX OF AUTHORS AND WORKS STUDI
Page 919 and 920: APPENDIX OF AUTHORS AND WORKS COLUM
Page 921 and 922: APPENDIX OF AUTHORS AND WORKS Plini
Page 923 and 924: APPENDIX OF AUTHORS AND WORKS FRONT
Page 925 and 926: APPENDIX OF AUTHORS AND WORKS Bowde
Page 927: APPENDIX OF AUTHORS AND WORKS STUDI
Page 931 and 932: APPENDIX OF AUTHORS AND WORKS Honor
Page 935 and 936: APPENDIX OF AUTHORS AND WORKS (birt
Page 937 and 938: APPENDIX OF AUTHORS AND WORKS Cooke
Page 939 and 940: APPENDIX OF AUTHORS AND WORKS IUSTI
Page 945 and 946: APPENDIX OF AUTHORS AND WORKS Neuja
Page 947 and 948: APPENDIX OF AUTHORS AND WORKS P. Co
Page 949 and 950: APPENDIX OF AUTHORS AND WORKS DONAT
Page 951 and 952: APPENDIX OF AUTHORS AND WORKS BIBLI
Page 953 and 954: APPENDIX OF AUTHORS AND WORKS de Gh
Page 955 and 956: METRICAL APPENDIX should be disrega
Page 957 and 958: METRICAL APPENDIX Trochaic septenar
Page 959 and 960: WORKS CITED IN THE TEXT (1967). Kor
Page 961 and 962: WORKS CITED IN THE TEXT Cichorius,
Page 963 and 964: WORKS CITED IN THE TEXT Fiske, G. C
Page 965 and 966: WORKS CITED IN THE TEXT Harder, R.
Page 967 and 968: WORKS CITED IN THE TEXT Knowles, M.
Page 969 and 970: WORKS CITED IN THE TEXT Mohrmann, C
Page 971 and 972: WORKS CITED IN THE TEXT Pighi, G. B
Page 973 and 974: WORKS CITED IN THE TEXT Seitz, K. (
Page 975 and 976: WORKS CITED IN THE TEXT Watson, A.
Page 977 and 978: I Rome, Museo Nazionale Romano. Fra
Page 979 and 980:
III PQasr Ibrim L 1/2. Part of a pa
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