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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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ORATORY AND EPISTOLOGRAPHY<br />

in 313 to congratulate Constantine on his victory over Maxentius (No. 9).<br />

Some of these anonymous speeches are probably by Eumenius, the author of<br />

No. 4, but proof is impossible. There is great similarity in style <strong>and</strong> arrangement<br />

between all the speeches. All of them strike a note of almost absurd adulation.<br />

Everything their hero does is superhuman, his very faults are turned into<br />

virtues. The splendour of the emperor's outward appearance is vividly described.<br />

His meanest achievements are compared with the greatest exploits in<br />

myth or history, to the detriment of the latter. All the devices of the trained<br />

rhetorician are made use of to enhance the speaker's message, the content of<br />

which is as much emotional as factual. The language is in general classical <strong>and</strong><br />

Ciceronian, without any of the archaism of Apuleius or the swollen verdosity<br />

of contemporary legal enactments. The speakers had evidently learnt the art of<br />

rhetoric from such classicizing manuals as those listed on pp. 7 5 5—6. Only Claudius<br />

Mamertinus, in his speech to Julian, makes frequent use of poetic words. The<br />

speeches are a mine of information for the historian of the period, but of<br />

information which must be critically examined; the speakers were not on oath.<br />

The collection is also an interesting document of the classicizing culture of the<br />

Gaulish upper classes, parallel to that provided for a somewhat later period by<br />

Ausonius. Both are marked by a curious unwillingness to look long <strong>and</strong> seriously<br />

at the real world. This very remoteness from everyday circumstances<br />

was itself one of the factors which enabled Claudian to replace the prose<br />

panegyric by the verse panegyric, which offered greater scope for imagery,<br />

adornment <strong>and</strong> suggestiveness (cf. p. 707).<br />

Quintus Aurelius Symmachus, known also as Eusebius, belonged to one of<br />

the most distinguished senatorial families of Rome. His father L. Aurelius<br />

Avianius Symmachus, his father-in-law Memmius Vitrasius Orfitus Honorius,<br />

<strong>and</strong> probably his maternal gr<strong>and</strong>father, had all held the office of Prefect of the<br />

City, the normal culmination of a senatorial career at this period. The family<br />

owned vast estates in Africa, Numidia, Sicily <strong>and</strong> southern Italy. Symmachus<br />

was born c. 345, studied rhetoric at Rome under a teacher from Bordeaux,<br />

perhaps Tiberius Victor Minervius who is mentioned in Ausonius' poem on<br />

the professors of Bordeaux. We do not know when he held the quaestorship<br />

<strong>and</strong> praetorship, the duties of which were by now limited to giving lavish<br />

games. In 365 he was probably corrector (governor) of Bruttium, then spent<br />

a short time at Valentinian's court in Gaul. In 373—4 he was Proconsul of<br />

Africa for eight months. In 384—5 he was Prefect of the City. In 391, as a result<br />

of special circumstances, he was appointed one of the consuls of the year, a<br />

dignity at this time more often held by generals or court officials than by<br />

senators. Twice he took the side of a usurping emperor, first of Maximus in<br />

383 then of Eugenius in 392—4. On both occasions he succeeded in ingratiating<br />

himself with Theodosius after the defeat <strong>and</strong> death of the usurper. His position<br />

758<br />

Cambridge Histories Online © Cambridge University Press, 2008

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