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Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

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ALBIUS TIBULLUS<br />

mythological or otherwise, he is very well read, especially in Alex<strong>and</strong>rian<br />

authors. 1 Of course he knows Virgil <strong>and</strong> Horace, <strong>and</strong> his Book 2 may already<br />

reflect Propertius' Books 1 <strong>and</strong> 2. He has a charming sense of humour (not the<br />

biting kind which is Propertius' speciality), <strong>and</strong> the glimpses of real life which<br />

he gives us are welcome: the farmer's tipsy return, on his cart, with wife <strong>and</strong><br />

children, after a country festival (1.10.51— 2); the old gr<strong>and</strong>father playing with<br />

the baby (2.6.93—4); the invitation to the god Apollo to attend Messallinus'<br />

inauguration in his best attire (2.5.7—10).<br />

Often, it seems as though he lets his mind, his imagination, w<strong>and</strong>er from<br />

theme to theme; thus 1.1 begins with the praise of the simple but secure life<br />

of a poor farmer (11. 1—44), continues with the theme of happy love (45—58),<br />

followed by a vision of the poet's death <strong>and</strong> funeral (59—68), recalls the enjoyment<br />

of life <strong>and</strong> love (69—74) <strong>and</strong> ends with the contrast of war <strong>and</strong> peace,<br />

wealth <strong>and</strong> poverty (75—8). There is a unity of mood <strong>and</strong> feeling; <strong>and</strong> the last<br />

two sections clearly echo the first two, but in a more concentrated form.<br />

Scholars have attempted to transpose couplets <strong>and</strong> whole passages, especially at<br />

the beginning of Book 1, to establish a more 'logical' order; but none of these<br />

transpositions is convincing, <strong>and</strong> careful interpretation usually reveals the<br />

poet's intention <strong>and</strong> his art.<br />

5. SEXTUS PROPERTIUS<br />

Propertius is, perhaps, the most difficult of the Roman elegiac poets, but also<br />

the one who appeals most to the modern taste. His tempestuous love affair<br />

with a woman he calls Cynthia (her real name was Hostia) fills most of the<br />

four books of elegies he wrote. The affair itself seems to have lasted five years<br />

(3.25.30) but whether a period of separation (3.16.9) was counted or not, is<br />

unknown. We may assume that the earliest poems of Book 1 were written in<br />

29 B.C., <strong>and</strong> Book 3 with its emphatic farewell to Cynthia (3.24 <strong>and</strong> 25) was<br />

probably published in or shortly after 23 B.C. This would allow us to fit the five<br />

(or six) years conveniently between 29 <strong>and</strong> 23, but fact <strong>and</strong> fiction are so closely<br />

intertwined that no straight answer can be given. It should be said, however,<br />

that 3.20 tells of a new liaison with an unknown woman whom Propertius<br />

may have married; this elegy gives us no further information about Cynthia.<br />

In Book 1 we meet some of the poet's friends in Rome: Tullus, a wealthy<br />

young man about to embark on a political career, the poets Ponticus <strong>and</strong><br />

Bassus. He does not mention Ovid, though we know from Tristia 4.10.45—8<br />

that they were all friends, sodales, <strong>and</strong> that Propertius used to read his love<br />

poems to Ovid. These might be some of the elegies now included in Book 2;<br />

Ovid was probably too young to have heard those of Book 1.<br />

1 Bulloch (1973) 85ff.<br />

413<br />

Cambridge Histories Online © Cambridge University Press, 2008

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