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THE NEW DIRECTION IN POETRY | KOCI vr|6s, &TTSI x^Aov suvacre CTOV TC
THE MARRIAGE OF PELEUS AND THETIS ideal past and the present, void of innocence and miserable. This emotional perspective recurs in the poems to or about Lesbia, in 8,11,58, 68.67—76,72,76. Miser Catulle, desinas ineptire, et quod uides perisse perditum ducas. fulsere quondam candidi tibi soles. . . (8.1—3) Poor Catullus, stop playing the fool, and what you see is lost, consider lost. Bright suns once shone upon you. . . fulsere uere candidi tibi soles. nunc iam ilia non uolt. . . (8.8—9) Bright suns truly shone upon you. Now she no longer wants it. . . In the luminous, mythical world Catullus envisions, the felicity of Peleus must be pure and undisturbed: talia praefantes quondam felicia Pelei carmina diuino cecinerunt pectore Parcae. (381—3) With such glad and solemn song the Parcae sang for Peleus once from their divining hearts. Now earth is imbrued with crime and guilt, horrible desecrations of kinship, faith, love. A reference to Hesiod (Works and Days 177—201) will not suffice to explain the powerful, dark conclusion of this poem. r Few poets can have felt so painfully the pollution and remorse of time. Peliaco quondam: at the beginning quondam is traditional, at the end it is personal as well. The poem is both. 3. 'CATVLLI VERONENSIS LIBER.' 2 Cui dono lepidum nouum libellum arida modo pumice expolitum? Cornell, tibi; namque tu solebas meas esse aliquid putare nugas iam turn, cum ausus es unus Italorum omne aeuum tribus explicare cartis doctis, Iuppiter, et laboriosis. quare habe tibi quidquid hoc libelli, qualecumque quod, o patrona uirgo, plus uno maneat perenne saeclo. To whom shall I give this pretty new booh, just polished with dry pumice-stone? Cornelius, to you; for you thought my trifles worth something even then, when you 1 As Wilamowitz understood (1924) 11 J04: 'In der Seele des Dichters nicht in seiner Handbibliothek ist die Antwort zu suchen.' 2 This section appeared originally in Class. Philology 71 (1976), and is reprinted in a somewhat revised form by kind permission of the University of Chicago Press. 193 Cambridge Histories Online © Cambridge University Press, 2008
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THE CAMBRIDGE HISTORY OF CLASSICAL
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THE CAMBRIDGE HISTORY OF CLASSICAL
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CONTENTS List of plates P°g e xii
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CONTENTS 11 Cicero and the relation
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CONTENTS PART V! EARLY PRINCIPATE 2
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CONTENTS 41 Minor figures 770 by RO
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PREFACE The Cambridge History of Cl
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Anth. Lat. ANRW Bardon BT Bude Burs
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OCT Para via PIR PL PLF PLM PLRE PM
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READERS AND CRITICS Cambridge Histo
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BOOKS AND READERS IN THE ROMAN WORL
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EDUCATION The same dependence, and
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EDUCATION Such were the characteris
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AUTHOR AND PUBLIC his work on a sma
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AUTHOR AND PUBLIC was of humble or
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AUTHOR AND PUBLIC remained relative
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BOOKS AND PUBLICATION Greek papyri
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BOOKS AND PUBLICATION In antiquity
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BOOKS AND PUBLICATION "We are on sl
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Page 43 and 44:
THE 'FATA LIBELLORUM' conditions
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THE 'FATA LIBELLORUM' to look. Even
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SCHOLARSHIP AND CRITICISM panion vo
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THE SENSE OF 'LIBER' two books, as
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2 LITERARY CRITICISM Literary criti
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THE 'ACADEMICS' for we find him ass
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THE 'ACADEMICS' on the prominence o
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THE 'ACADEMICS' some distinguished
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THE 'ACADEMICS' descended to erotic
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THE 'ACADEMICS' before it three pre
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THE CRAFTSMEN ON THEIR CRAFTS to su
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THE CRAFTSMEN ON THEIR CRAFTS foren
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THE CRAFTSMEN ON THEIR CRAFTS to ju
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II EARLY REPUBLIC Cambridge Histori
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THE GENESIS OF POETRY IN ROME I. TH
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THE PRE-LITERARY BACKGROUND The lin
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THE PRE-LITERARY BACKGROUND This ar
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THE EARLIEST EPIC POETRY Despite a
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THE SCOPE AND CONTENTS OF THE ANNAL
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THE SCOPE AND CONTENTS OF THE ANNAL
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ENNIUS AND THE MUSES Virgil's time
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ENNIUS THE HELLENISTIC POET the Gra
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ENNIUS THE HELLENISTIC POET anapaes
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ENNIUS THE HELLENISTIC POET anachro
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ENNIUS THE HELLENISTIC POET This is
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ENNIUS THE HELLENISTIC POET wind-si
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5 DRAMA I. THE ORIGINS OF ROMAN DRA
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THE ORIGINS OF ROMAN DRAMA story in
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THE ORIGINS OF ROMAN DRAMA not only
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THE ORIGINS OF ROMAN DRAMA record t
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THE ORIGINS OF ROMAN DRAMA declaime
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THE ORIGINS OF ROMAN DRAMA Greek pr
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THE ORIGINS OF ROMAN DRAMA poets fr
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THE ORIGINS OF ROMAN DRAMA a well-d
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THE ORIGINS OF ROMAN DRAMA and who
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LIGHT DRAMA Plautus (i) The authent
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LIGHT DRAMA Carthaginian' = Karched
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LIGHT DRAMA (Alexis may have). Lycu
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LIGHT DRAMA fore cannot logically a
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LIGHT DRAMA style, and yet the vers
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LIGHT DRAMA Characterization is not
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LIGHT DRAMA exploits and strategy w
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LIGHT DRAMA City One is, through ex
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LIGHT DRAMA Ballio's entrance in Ps
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LIGHT DRAMA mentioned as outsiders,
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LIGHT DRAMA He lists several object
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LIGHT DRAMA Menander, but distorted
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LIGHT DRAMA ing, and because of the
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LIGHT DRAMA and even spectacular
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LIGHT DRAMA loaded sense which we f
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LIGHT DRAMA quae ibi aderant forte
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LIGHT DRAMA Terence had a difficult
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SERIOUS DRAMA The Argonautic saga a
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SERIOUS DRAMA narrow and unsystemat
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SERIOUS DRAMA related to the real-l
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SERIOUS DRAMA dramatists. Perhaps m
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SERIOUS DRAMA TRF 590, 591-3 = ROL
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THE RANGE OF OLD LATIN PROSE Cicero
Page 159 and 160: THE RANGE OF OLD LATIN PROSE Flamin
Page 161 and 162: TECHNICAL WRITING dimensions for th
Page 163 and 164: THE PEN IN POLITICS wider audience
Page 165 and 166: THE PEN IN POLITICS she is able to
Page 167 and 168: THE PEN IN POLITICS When Cato spoke
Page 169 and 170: HISTORY To be truly Roman was not a
Page 171 and 172: CATO ORATOR what a position our cou
Page 173 and 174: CATO ORATOR plebitas, duritudo (cf.
Page 175 and 176: THE MINOR WORKS OF ENNIUS Ennius ke
Page 177 and 178: THE MINOR WORKS OF ENNIUS associate
Page 179 and 180: SATURA BEFORE ENNIUS? remark are cu
Page 181 and 182: LUCILIUS ((30) 1013 M = ROL 1091).
Page 183 and 184: LUCILIUS si minu' delectat, quod or
Page 185 and 186: LUCILIUS should risk his own life t
Page 187 and 188: LUCILIUS cruel by asking a friend h
Page 189 and 190: LUCILIUS Greek words are very promi
Page 191 and 192: Ill LATE REPUBLIC Cambridge Histori
Page 193 and 194: 8 PREDECESSORS The short poems of C
Page 195 and 196: PREDECESSORS even to a twentieth-ce
Page 197 and 198: THE NEW POETS AND THEIR ANTECEDENTS
Page 207 and 208: THE MARRIAGE OF PELEUS AND THETIS k
Page 209: THE MARRIAGE OF PELEUS AND THETIS C
Page 213 and 214: 'CATULLI VERONENSIS LIBER' lines of
Page 215 and 216: 'CATULLI VERONENSIS LIBER' Catullus
Page 217 and 218: LESBIA, SIRMIO, CALVUS Lesbia. But
Page 219 and 220: LESBIA, SIRMIO, CALVUS Hadriae tabe
Page 221 and 222: LESBIA, SIRMIO, CALVUS o uenusta Si
Page 223 and 224: LESBIA, SIRMIO, CALVUS Licinius, ye
Page 225 and 226: 10 LUCRETIUS The De rerum natura of
Page 227 and 228: BACKGROUND references to Roman ritu
Page 229 and 230: BACKGROUND This verdict cannot be c
Page 231 and 232: BACKGROUND genuine excitement, the
Page 233 and 234: POET AND PHILOSOPHER these can be e
Page 235 and 236: LUCRETIUS 3. THE POEM Structure Lik
Page 237 and 238: THE POEM teaching. The prologues, f
Page 239 and 240: THE POEM from earlier parts of the
Page 241 and 242: THE POEM elsewhere in the work and
Page 243 and 244: THE POEM politics, law, and public
Page 245 and 246: THE POEM and which would at the sam
Page 247 and 248: THE POEM poetry in too cerebral a m
Page 249 and 250: CICERO'S ATTITUDE TO CULTURE gorean
Page 251 and 252: CICERO'S ATTITUDE TO CULTURE date i
Page 253 and 254: ORATORY AS CICERO FOUND IT trumped
Page 255 and 256: ORATORY IN CICERO AND HIS CONTEMPOR
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ORATORY IN CICERO AND HIS CONTEMPOR
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ORATORY IN CICERO AND HIS CONTEMPOR
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VERSE Lines of similar structure to
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LETTERS In letter no. 9, long enoug
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SPEECHES We may surmise however tha
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SPEECHES Exordia, in Cicero's opini
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SPEECHES He executed all the prison
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DIALOGUES AND TREATISES As his prim
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DIALOGUES AND TREATISES Yet the De
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DIALOGUES AND TREATISES Senate and
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DIALOGUES AND TREATISES his daughte
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DIALOGUES AND TREATISES dared to br
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LITERARY INFLUENCE IN ANTIQUITY fea
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SALLUST known as the 'Catiline'), p
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SALLUST over distinction between bo
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SALLUST recent history? An answer i
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SALLUST to seem good' is high prais
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SALLUST moves closer to biography.
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SALLUST Many asyndeta do not effect
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13 CAESAR C. Julius Caesar's surviv
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CAESAR Tigurini on the river Arar,
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CAESAR the Gallic Wars. Indeed it w
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VARRO to explain how, in a full lif
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VARRO found in Menippus, a third-ce
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CORNELIUS NEPOS Nepos' shallow lear
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PROSE AND MIME 3. THE LITERARY MIME
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IV THE AGE OF AUGUSTUS Cambridge Hi
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15 UNCERTAINTIES Cicero was murdere
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UNCERTAINTIES the decline of civili
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16 THEOCRITUS AND VIRGIL Theocritus
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THEOCRITUS AND VIRGIL The Idyll beg
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VIRGIL AND THEOCRITUS rusticana). O
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VIRGIL AND THEOCRITUS eleventh Idyl
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VIRGIL AND THEOCRITUS ness on the p
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THE BOOK OF ECLOGUES M. Pollio hims
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THE BOOK OF ECLOGUES lective beauty
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THREE ECLOGUES tion that it was wri
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THREE ECLOGUES — an allusion to C
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THREE ECLOGUES reader's, unschooled
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POLITICAL BACKGROUND The poem deals
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INTENTION AND NATURE OF THE POEM im
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STRUCTURE farmer's calendar. Passag
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STRUCTURE Troy. Caesar himself has
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STRUCTURE principle, which could th
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STRUCTURE ported by the logos and i
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18 THE AENElD I. THE AENEID AND ITS
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AUGUSTAN BACKGROUND story became we
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AUGUSTAN BACKGROUND ut cum carcerib
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AUGUSTAN BACKGROUND nothing other t
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LITERARY BACKGROUND and Hecuba', el
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LITERARY BACKGROUND euertere opum i
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COMPOSITION AND STRUCTURE technique
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THE CHIEF CHARACTERS forward and si
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THE CHIEF CHARACTERS his Trojans ha
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THE CHIEF CHARACTERS development of
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THE CHIEF CHARACTERS world the best
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THE CHIEF CHARACTERS But that was e
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THE CHIEF CHARACTERS aspects of Tur
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DESTINY AND RELIGION he could trans
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DESTINY AND RELIGION their individu
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STYLE AND METRE can on occasion use
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STYLE AND METRE more cannot be said
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STYLE AND METRE caesura to line end
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CONCLUSION Deiphobus; the deaths of
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A CRITIQUE OF THE TRADITIONAL STERE
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Page 395 and 396:
Page 397 and 398:
Page 399 and 400:
Page 401 and 402:
Page 403 and 404:
Page 405 and 406:
A CRITIQUE OF THE ACADEMIC DICHOTOM
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Page 411 and 412:
Page 413 and 414:
Page 415 and 416:
Page 417 and 418:
Page 419 and 420:
Page 421 and 422:
Page 423 and 424:
20 LOVE ELEGY I. GENERAL INTRODUCTI
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GENERAL INTRODUCTION transform Gree
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CHARACTERISTICS OF THE LOVE ELEGY (
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CORNELIUS CALLUS twenties. Of the f
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ALBIUS TIBULLUS mythological or oth
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SEXTUS PROPERTIUS taken from his ea
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PUBLIUS OVIDIUS NASO the countrysid
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OTHER ELEGISTS The Latin love elegy
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'FAME IS THE SPUR' The symbols are
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THE HEROIDES resultant action is en
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THE HEROIDES Dido threaten; the des
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THE HEROIDES Finally his impatience
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THE FASTI (Acontius and Cydippe), C
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THE METAMORPHOSES tragic (Cephalus
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THE METAMORPHOSES to new things'
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THE METAMORPHOSES by contrast, now
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THE METAMORPHOSES another catalogue
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THE METAMORPHOSES (13.i—398). Thi
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THE METAMORPHOSES maintained by the
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THE POEMS OF EXILE Ovid was not a p
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THE POEMS OF EXILE distinction is c
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THE POEMS OF EXILE ingenio tamen ip
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THE POEMS OF EXILE 10), or his pers
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THE POEMS OF EXILE The language and
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THE POEMS OF EXILE light the Tristi
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THE POEMS OF EXILE Ovid's was a muc
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ACHIEVEMENT AND CHARACTERISTICS in
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LIVY Historical activity had flouri
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LIVY a basis a narrative which he c
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LIVY of Abydus is told in terms of
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LIVY lights occurs when the Aequi t
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23 MINOR FIGURES I. POETRY The poet
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POETRY unlike the Copa and Moretum,
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POETRY survival, written according
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POETRY Messallae of 31 B.C. 1 A hig
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POETRY The elegiac, on the other ha
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POETRY Codrusque ille canit, quali
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POETRY saepe suas uolucres legit mi
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POETRY concerns the origins of astr
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POETRY utque per ingentis populus d
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POETRY Rome, it seems, never lost h
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POETRY while fr. i, T, ., ' Idaeos
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POETRY Pedo is more Virgilian. Usua
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POETRY another area of Latin litera
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PROSE apotheosis in a stiff, rather
Page 513 and 514:
V EARLY PRINCIPATE Cambridge Histor
Page 515 and 516:
24 CHALLENGE AND RESPONSE The first
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CHALLENGE AND RESPONSE home towns a
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CHALLENGE AND RESPONSE under August
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25 PERSIUS The satires of Persius a
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SATIRE 2 high-quality honour' (inco
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SATIRE 4 (In the second, one notes
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SATIRE 6 enlightened self-indulgenc
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26 THE YOUNGER SENECA I. INTRODUCTI
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THE STYLISTIC REVOLUTIONARY while i
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SENECAN PROSE You tell me {you say)
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SENECAN PROSE In either case, howev
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SENECAN PROSE Pensies — a paragra
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SENECAN TRAGEDY that the literate p
Page 541 and 542:
SENECAN TRAGEDY literature (modern
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SENECAN TRAGEDY reproduced for thei
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SENECAN TRAGEDY an Attendant; and t
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SENECAN TRAGEDY eclipse, or is the
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THE OCTAVIA in modern discussions,
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27 LUCAN Petronius' classicistic re
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LUCAN to warrant the hypothesis of
Page 555 and 556:
LUCAN declamation, epode — all st
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LUCAN The imminent rupture of all l
Page 559 and 560:
LUCAN Likewise, in the sphere of di
Page 561 and 562:
LUCAN As with poetic diction, so wi
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LUCAN No rural Pan dwelt there, no
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LUCAN desertion is premature; worse
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LUCAN at uagus Afer equos ut primum
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LUCAN The horses are stabbed, not s
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LUCAN Lucan now completes his demol
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LUCAN non Euri cessasse minas, non
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LUCAN proves right: he remains outs
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INTRODUCTORY It was only at the Ren
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INTRODUCTORY thoroughly vindicated.
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STATIUS fantasia on a curious plane
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STATIUS quality of his verse. To th
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STATIUS a propempticon, since it wi
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STATIUS ancient poets, with a unive
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STATIUS elements in the poems, but
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STATIUS no less many-sided are its
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STATIUS The epic ends on a note of
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STATIUS ing mania spreads to Argos
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STATIUS lengthy battle scenes (Book
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VALERIUS sense to Valerius' detrime
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VALERIUS object. By such a metamorp
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VALERIUS feeble and attenuated: obs
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VALERIUS you are astounded, I know
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VALERIUS instead a historic Weltbil
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SILIUS Pliny's words have survived
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SILIUS the recipient of a divine be
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SILIUS miniature. Silius' cura has
Page 615 and 616:
29 MARTIAL AND JUVENAL On the usual
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MARTIAL AND JUVENAL Faustinas' vill
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MARTIAL AND JUVENAL dictate to him:
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MARTIAL AND JUVENAL to laud the new
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MARTIAL AND JUVENAL imagination, an
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MARTIAL AND JUVENAL selection is ap
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MARTIAL AND JUVENAL never seen dire
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MARTIAL AND JUVENAL at his disposal
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MARTIAL AND JUVENAL the first of wh
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MARTIAL AND JUVENAL rifle the resou
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MARTIAL AND JUVENAL tives, Grecisms
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MARTIAL AND JUVENAL Now autumn With
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MARTIAL AND JUVENAL Likewise Juvena
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MARTIAL AND JUVENAL derision. Juven
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PHAEDRUS fables had appeared only i
Page 645 and 646:
CALPURNIUS SICULUS patron represent
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LAUS PISONIS favoured never feared
Page 649 and 650:
EPIGRAMS group of verses, on Claudi
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31 PROSE SATIRE I. APOCOLOCYNTOSIS
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PROSE SATIRE 2. PETRONIUS Petronius
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PETRONIUS arrestingly adapted, the
Page 657 and 658:
32 HISTORY AND BIOGRAPHY I. VELLEIU
Page 659 and 660:
VELLEIUS PATERCULUS Atticus (Cic. B
Page 661 and 662:
TACITUS compelled the attention of
Page 663 and 664:
TACITUS demonstrate his talents rat
Page 665 and 666:
TACITUS Tacitus begins his Historie
Page 667 and 668:
TACITUS weaving details or opinions
Page 669 and 670:
TACITUS writing. Tacitus' style is
Page 671 and 672:
TACITUS Verbal sharpness, concomita
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TACITUS sension and lust for power
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PLINY THE YOUNGER serious request f
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PLINY THE YOUNGER affected. By blen
Page 679 and 680:
HISTORY AND BIOGRAPHY 5. SUETONIUS
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SUETONIUS not so much because of it
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FLORUS as hero (see 2.14.4—6), th
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33 TECHNICAL WRITING 1. POMPONIUS M
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COLUMELLA sension as he is independ
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PLINY THE ELDER was both patriotic
Page 691 and 692:
FRONTINUS well have sought a very p
Page 693 and 694:
QUINTILIAN In the long technical se
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FRONTO on threadbare themes exude t
Page 697 and 698:
AULUS GELLIUS has benefited us grea
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VI LATER PRINCIPATE Cambridge Histo
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35 INTRODUCTORY The period to be st
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INTRODUCTORY regions as the militar
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INTRODUCTORY only in the Greek lang
Page 707 and 708:
INTRODUCTORY between Ambrose and Sy
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INTRODUCTORY significant way differ
Page 711 and 712:
POETRY characteristics. The first i
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POETRY It has been dated at various
Page 715 and 716:
POETRY of Man, but it is very doubt
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POETRY Trier to become tutor to Gra
Page 719 and 720:
POETRY In the words of a perceptive
Page 721 and 722:
POETRY The prey is hooked, and slan
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POETRY been challenged. They are br
Page 725 and 726:
POETRY centuries saw the flourishin
Page 727 and 728:
POETRY looked like; and of Stilicho
Page 729 and 730:
POETRY Posteritas, admitte fidem: m
Page 731 and 732:
POETRY which he did not wish to sur
Page 733 and 734:
POETRY is characteristic of the cla
Page 735 and 736:
POETRY while adopting the latter. T
Page 737 and 738:
POETRY which Valentinian and his fa
Page 739 and 740:
POETRY of date, and it is clear tha
Page 741 and 742:
37 BIOGRAPHY The form of imperial b
Page 743 and 744:
BIOGRAPHY wise unknown authorities
Page 745 and 746:
BIOGRAPHY concerned with anti-Chris
Page 747 and 748:
BIOGRAPHY Laomedon to the capture o
Page 749 and 750:
BIOGRAPHY hearted commitment to a s
Page 751 and 752:
HISTORY Not all Republican or early
Page 753 and 754:
HISTORY themselves to a readership
Page 755 and 756:
HISTORY long and discursive history
Page 757 and 758:
HISTORY mentators. But it also cont
Page 759 and 760:
HISTORY Julian's teacher and friend
Page 761 and 762:
HISTORY There survives in a medieva
Page 763 and 764:
HISTORY summary fashion, either by
Page 765 and 766:
HISTORY are unknown to us, but bear
Page 767 and 768:
HISTORY particular from Virgil. His
Page 769 and 770:
HISTORY of Nazianzus. Most of these
Page 771 and 772:
HISTORY All these points demanded c
Page 773 and 774:
39 ORATORY AND EPISTOLOGRAPHY The s
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ORATORY AND EPISTOLOGRAPHY and othe
Page 777 and 778:
ORATORY AND EPISTOLOGRAPHY as one o
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ORATORY AND EPISTOLOGRAPHY to Valen
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SCHOLARS works as Varro's Res rusti
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SCHOLARS platonist mystic worship o
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GRAMMARIANS read and write. In ever
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GRAMMARIANS is sound rather than or
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MINOR FIGURES rate rhetorical purpl
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MINOR FIGURES the courts during Dio
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APULEIUS (' On the commonwealth') a
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APULEIUS exhorting those readers to
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APULEIUS guard a corpse led to his
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APULEIUS The two main anecdotes in
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APULEIUS a traditionally dissolute
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APULEIUS attributable to an impulsi
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VII EPILOGUE Cambridge Histories On
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The primary aim of any literary his
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EPILOGUE Of the epic composed betwe
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EPILOGUE pastoral now exists side b
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EPILOGUE the Tuscidans and from the
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APPENDICES Cambridge Histories Onli
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APPENDIX OF AUTHORS AND WORKS ANDRO
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APPENDIX OF AUTHORS AND WORKS had i
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APPENDIX OF AUTHORS AND WORKS that
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APPENDIX OF AUTHORS AND WORKS disco
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APPENDIX OF AUTHORS AND WORKS M. Ta
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APPENDIX OF AUTHORS AND WORKS schol
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APPENDIX OF AUTHORS AND WORKS Moste
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APPENDIX OF AUTHORS AND WORKS CAECI
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APPENDIX OF AUTHORS AND WORKS Carth
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APPENDIX OF AUTHORS AND WORKS (5) P
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APPENDIX OF AUTHORS AND WORKS B. Ta
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APPENDIX OF AUTHORS AND WORKS expli
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APPENDIX OF AUTHORS AND WORKS editi
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APPENDIX OF AUTHORS AND WORKS I. Ma
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APPENDIX OF AUTHORS AND WORKS (190
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APPENDIX OF AUTHORS AND WORKS at Nu
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APPENDIX OF AUTHORS AND WORKS WORKS
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APPENDIX OF AUTHORS AND WORKS 73-10
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APPENDIX OF AUTHORS AND WORKS Heine
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APPENDIX OF AUTHORS AND WORKS A. S.
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APPENDIX OF AUTHORS AND WORKS durin
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APPENDIX OF AUTHORS AND WORKS M.H.
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APPENDIX OF AUTHORS AND WORKS (1) E
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APPENDIX OF AUTHORS AND WORKS Hagen
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APPENDIX OF AUTHORS AND WORKS possi
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APPENDIX OF AUTHORS AND WORKS Aenea
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APPENDIX OF AUTHORS AND WORKS Page
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APPENDIX OF AUTHORS AND WORKS TIBUL
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APPENDIX OF AUTHORS AND WORKS Baile
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APPENDIX OF AUTHORS AND WORKS M. Ha
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APPENDIX OF AUTHORS AND WORKS ' Beo
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APPENDIX OF AUTHORS AND WORKS Catal
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APPENDIX OF AUTHORS AND WORKS ancie
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APPENDIX OF AUTHORS AND WORKS BIBLI
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APPENDIX OF AUTHORS AND WORKS VITRU
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APPENDIX OF AUTHORS AND WORKS (Amst
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APPENDIX OF AUTHORS AND WORKS 13th
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APPENDIX OF AUTHORS AND WORKS favou
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APPENDIX OF AUTHORS AND WORKS (1970
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APPENDIX OF AUTHORS AND WORKS 290-3
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APPENDIX OF AUTHORS AND WORKS Guill
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APPENDIX OF AUTHORS AND WORKS Lustr
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APPENDIX OF AUTHORS AND WORKS ascri
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APPENDIX OF AUTHORS AND WORKS PETRO
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APPENDIX OF AUTHORS AND WORKS Velle
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APPENDIX OF AUTHORS AND WORKS TEXTS
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APPENDIX OF AUTHORS AND "WORKS 15 (
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APPENDIX OF AUTHORS AND WORKS SUETO
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APPENDIX OF AUTHORS AND WORKS STUDI
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APPENDIX OF AUTHORS AND WORKS COLUM
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APPENDIX OF AUTHORS AND WORKS Plini
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APPENDIX OF AUTHORS AND WORKS FRONT
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APPENDIX OF AUTHORS AND WORKS Bowde
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APPENDIX OF AUTHORS AND WORKS Honor
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APPENDIX OF AUTHORS AND WORKS (birt
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APPENDIX OF AUTHORS AND WORKS Cooke
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APPENDIX OF AUTHORS AND WORKS IUSTI
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APPENDIX OF AUTHORS AND WORKS Neuja
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APPENDIX OF AUTHORS AND WORKS P. Co
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APPENDIX OF AUTHORS AND WORKS DONAT
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APPENDIX OF AUTHORS AND WORKS de Gh
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METRICAL APPENDIX should be disrega
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METRICAL APPENDIX Trochaic septenar
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WORKS CITED IN THE TEXT (1967). Kor
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WORKS CITED IN THE TEXT Cichorius,
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WORKS CITED IN THE TEXT Fiske, G. C
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WORKS CITED IN THE TEXT Harder, R.
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WORKS CITED IN THE TEXT Knowles, M.
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WORKS CITED IN THE TEXT Mohrmann, C
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WORKS CITED IN THE TEXT Pighi, G. B
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WORKS CITED IN THE TEXT Seitz, K. (
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WORKS CITED IN THE TEXT Watson, A.
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I Rome, Museo Nazionale Romano. Fra
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III PQasr Ibrim L 1/2. Part of a pa
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