06.05.2013 Views

Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

Kenney_and_Clausen B.M.W.(eds.) - Get a Free Blog

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

BOOKS AND READERS IN THE ROMAN WORLD<br />

5. THE 'FATA LIBELLORUM*<br />

"What has been well described as ' the casual <strong>and</strong> fluid nature of publication in<br />

the ancient world' 1 is just as characteristic of what happened to books after<br />

publication. The paucity of our evidence for the activities of the book trade<br />

must not be pressed to the point of denying that it played some part in keeping<br />

literature alive. But it is inherent in the nature of the manuscript book itself that<br />

the propagation of texts in antiquity must have been very largely an affair of<br />

private enterprise. The fate of any individual book - in basic terms, its physical<br />

survival — depended on a number of factors, among -which, -with a few outst<strong>and</strong>ing<br />

exceptions, systematic scholarly <strong>and</strong> critical activity played a remarkably<br />

small part. Changes of public taste, coupled with the gradual narrowing of<br />

the educational focus mentioned above, had considerable effects on survival,<br />

but sheer hazard must probably be accounted the most potent force at work.<br />

That Gallus died under a cloud did not necessarily entail that his -works must<br />

have perished with him, 2 any more than the Ars amatoria perished -with Ovid.<br />

It seems reasonable to believe that Quintilian would not have recommended<br />

Gallus to the budding orator a century later if his poems -were not still available;<br />

but his inclusion in the catalogue of best books does not prove that Quintilian<br />

himself had ever set eyes on a copy of his Amores. The disappearance of the<br />

first (five-book) edition of Ovid's Amores is not to be ascribed to 'respect for<br />

his wishes on the part of those responsible for the transmission' 3 so much as<br />

(from the poet's point of view) good luck. Nobody -was 'responsible' for anything<br />

once the book -was published. Nor will it do to explain Cicero's failure to<br />

suppress the first edition of the Academica by the suggestion that in his day<br />

things were less well organized than in Ovid's. 4 In that sense they were never<br />

at any time' organized'.<br />

The main, <strong>and</strong> perhaps the only, element of stability in the process of transmission<br />

<strong>and</strong> conservation of literature -was that contributed by the public<br />

libraries; though here too intelligent guess-work must form the basis of discussion.<br />

There never existed at Rome any real parallel to the huge royal collections<br />

of Pergamum <strong>and</strong> Alex<strong>and</strong>ria, still less to the scholarly <strong>and</strong> critical activity<br />

associated -with the Museum. From the second century B.C. Greek books began<br />

to enter Italy in quantity as part of the spoils of war; the transition from looting<br />

to collection may be observed in the figure of L. Licinius Lucullus (Plut.<br />

Lucull. 42). These private collections offered a valuable resource to the scholar,<br />

of which -we find Cicero <strong>and</strong> Cato availing themselves. 5 As a national Latin<br />

literature grew, it too was collected. Under the Empire it became the normal<br />

1 2<br />

Reynolds-Wilson (1974) 23.<br />

As suggested by Biichner (1961) 340.<br />

3<br />

Biichner (1961) 326. * Btichner ibid.<br />

s<br />

Cic. Fin. 3.7—8, Att. 4.10.1, 4.14.1; cf. Plut. loc. cit.<br />

Cambridge Histories Online © Cambridge University Press, 2008

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!