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AUSSTELLUNG // EXHIBITION<br />

A slowly perpetuating camera revolves around its own electric-powered axis in the middle of a pedantically tidy middle-class living<br />

room. Nothing seems to disturb the sunny peacefulness of this ambience until the room slowly becomes populated with pets. At the pets'<br />

eye level, the camera follows the events with precise regularity, giving the beholder an unusual perspective amidst the increasing disorder.<br />

With stoic instinct, the four-legged creatures seize the humans' territory and gradually turn it into an absolute chaos. The living room,<br />

completely devoid of humans, becomes a revolving stage on which a showpiece on the species' behavioural patterns can be studied, sometimes<br />

appearing comical and sometimes absurd, especially when they seem so ›human‹.<br />

As in her earlier works, Corinna Schnitt also investigates the limits of artificiality and absurdity of the standard worlds of civilisation<br />

in this film, combining an almost academic meticulousness in her camera work with humorous details in the story. (Katja Albers)<br />

Corinna Schnitt, *1968 in Duisburg. She studied fine art and film at Offenbach University for Visual Communications and at<br />

Düsseldorf Academy of Arts. . C. Schnitt has received awards like scholarships of Casa Baldi, Rome, of the Chinati-Foundation, Marfa,<br />

Texas, of North-Rhine Westphalia or of Schloss Solitude, Stuttgart. She was awarded the HAP-Grieshaber Award; Bonn, the 3-sat Award<br />

at the Oberhausen Short Film Festival and the Prize of German Film Critics at <strong>EMAF</strong> Osnabrück. She lives and works in Berlin and<br />

Cologne.<br />

Solo Exhibitions<br />

2005 Galerie Olaf Stüber, Berlin (D); O.K, Zentrum für Gegenwartskunst, Linz (A); Fluctuating Images, Stuttgart (D);<br />

2004 Chinati Foundation, Marfa, Texas (USA); Galerie Fricke, Düsseldorf (D);<br />

2003 Galerie Olaf Stüber, Berlin (D); Kunstverein Bochum, Haus Kemnade (D);<br />

2002 Akademie Schloss Solitude, Stuttgart (D);<br />

2001 Künstlerhaus Bethanien, Berlin (D);<br />

1999 Kunstraum Düsseldorf (D);<br />

1999 Galerie in der Brotfabrik, Berlin (D).<br />

Group Exhibitions (selected)<br />

2006 ›40 Jahre Videokunst in Deutschland‹ ZKM Karlsruhe/ Kunsthalle Bremen/ K21-Kunstsammlung Düsseldorf/<br />

Museum für Bildende Künste, Leipzig/ Lenbachhaus, München (D); Hamburger Bahnhof, Berlin (D);<br />

2005 Galerie Rober Miller, New York (USA);<br />

2004 Kunstraum Baden (CH), Sweeney Art Gallery, Riverside, (USA); Museum Het Valkhof, Nijmegen, (NL); Kunsthalle<br />

Hamburg (D); Kunsthalle Exnergasse, Wien (A); Videochroniques, Marseille (F); ZKM Karlsruhe (D);<br />

2003 Wilhelm Lehmbruck Museum, Duisburg (D); Hamburger Bahnhof, Berlin (D)<br />

2002 Ujazdowski Castle, Warschau (PL); Naussauischer Kunstverein, Wiesbaden (D);<br />

2001 Kampnagel, Hamburg (D); NGBK, Berlin (D); ZKM Karlsruhe (D)<br />

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