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Iv - University of Salford Institutional Repository

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einforce this meaning. The participial adjective designating OMCC1<br />

occurs five times in initial position. Elsewhere it is implicit. Its<br />

recurrence emphasizes the skeletal meaning <strong>of</strong> the entire poem. Since<br />

the poet's beloved is forbidden to visit him in hospital, she would be<br />

forbidden to touch the white bed sheets, clasp his hands, bring him<br />

flowers or dolls, and/or read to him stories he would like to hear.<br />

The relationship between the obligatory meaning in the opening line <strong>of</strong><br />

the first stanza and the subsequent array <strong>of</strong> extended meanings is<br />

consequentially logical. The moral tension, which had piled up by the<br />

repetition <strong>of</strong> 'mamnO1 4is relaxed in the concluding two lines:<br />

"For, in the ward <strong>of</strong> patients disabled <strong>of</strong> heart,<br />

Love, longing they confiscate; no secret impart."<br />

There is no fixed rhyme scheme in the poem though some lines do rhyme<br />

with others. For example, the first three lines rhyme with the sixth,<br />

eighth and the tenth. The 'pigeons' and 'red rose' metaphors are<br />

allusions to peace and love which a dedicated poet should unceasingly<br />

promote among all mankind. Internal rhyme (3rd line), and onomatopoeia<br />

(2nd line) augment the emotive impact <strong>of</strong> the poem. The OMCCs 1&2 in<br />

the first and the last two lines <strong>of</strong> this stanza, the extended meaning<br />

in the rest <strong>of</strong> the stanza, and the accessory meaning implicit in the<br />

metaphorical use <strong>of</strong> language structures combine to form a semantic<br />

pr<strong>of</strong>ile <strong>of</strong> the stanza.<br />

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