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Iv - University of Salford Institutional Repository

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emember a friend <strong>of</strong> my son's", the narrator continues, "a fellow-<br />

student at school, whom my son invited to stay with us a year ago at<br />

this time <strong>of</strong> year. His people come from the town. He stayed one night<br />

with us and got up the next day, feverish, with a running nose and<br />

swollen face: he swore he wouldn't spend another night with us".<br />

(lines 9-12 <strong>of</strong> the ST) The same meaning is carried through the<br />

'preacher' episode (lines 37-61 <strong>of</strong> the ST); the 'agricultural scheme'<br />

episode (lines 71-83); and the 'stopping place for the steamer' episode<br />

(lines 149-181). Furthermore, the recurrence <strong>of</strong> the narrator's<br />

statement: "Tomorrow you will depart from our village, <strong>of</strong> this I am<br />

sure, and you will be right to do so." is a clear indication that life<br />

in the village was totally unbearable, intolerable and practically<br />

impossible for any outsider. Any outsider, on a tourist or a casual<br />

visit to the village, should depart as soon as possible if he wanted to<br />

save his skin. The narrator's admonition is strong, unequivocal, and<br />

emphatic. No one could put up with the monotony, stagnation,<br />

immobility and the poverty-stricken life <strong>of</strong> the village, to which<br />

peasants have grown accustomed.<br />

The power which the doum tree has over every single soul in the<br />

village is reinforced through a series <strong>of</strong> extended meanings. The doum<br />

tree is "like some mythical eagle spreading its wings over the village<br />

and every one in it". (lines 70-71) "It is l<strong>of</strong>ty, proud and haughty as<br />

though - as though it were some ancient idol". (lines 88-89) "No one<br />

remembers how the doum tree came to grow in a patch <strong>of</strong> rocky ground by<br />

the river, standing above it like a sentinel". (lines 257-258) The<br />

167

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