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Iv - University of Salford Institutional Repository

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one to whom the message is addressed. His participation in the<br />

discourse is insignificant, almost imperceptible. The narrator-<br />

narratee relationship is uni-directional in the sense that it does not<br />

allow the narratee to interfere in the course <strong>of</strong> the narrative. The<br />

narrator employs various narratological devices such as flash back,<br />

digression, prediction, interpolation, and retrospect. He manipulates<br />

such rhetorical devices with exceptional skill and artistry to maintain<br />

suspense and captivate the narratee's interest and attention.<br />

Although there are two distinct characters in the story which the<br />

reader can, easily identify as narrator and narratee, addresser and<br />

addressee, there is yet a third character far more significant than the<br />

other two. The physical as well as the spiritual presence <strong>of</strong> the down<br />

tree makes itself felt throughout the story. Firm and high-towering it<br />

stands at the sepulchre <strong>of</strong> Wad Hamid with its massive shadow<br />

overwhelming the entire scene. The narrator, the narratee, and indeed<br />

every single person living in the village are mystified by the<br />

inexplicably mysterious power <strong>of</strong> the tree. Unlike any other tree, it<br />

rises in the midst <strong>of</strong> hard and solid rocks with the river twisting<br />

below it like a sacred snake. The down tree is the symbol <strong>of</strong> the past,<br />

the static status quo, complacency, peace <strong>of</strong> mind, and above all<br />

contentment "with what God sees fit to give us". (line 27 <strong>of</strong> the<br />

source text)<br />

161

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