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Iv - University of Salford Institutional Repository

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If we contend, as Halliday expectedly does, that the text is<br />

basically a semantic unit, it follows that a componential analysis <strong>of</strong><br />

the text, must be administered from a semantic perspective. The<br />

phonological, lexical, and syntactic structures should be analytically<br />

studied as being functionally contributive to the explication <strong>of</strong> the<br />

text's semantic significance. In this context, Halliday brings in yet<br />

another notion, that is, the text is both "a woduct and a process".<br />

(ibid, p10) A text is a product in the sense that it is an output, a<br />

palpable manifestation <strong>of</strong> a mental image that can be studied and<br />

recorded, having a certain construction that can be represented in<br />

systematic terms. It is a process in the sense that it is a continuous<br />

movement through the network <strong>of</strong> meaning potential which involves a lot<br />

<strong>of</strong> choice - and decision-making. Halliday does not only view the text<br />

as a basically semantic unit, but also as an instance <strong>of</strong> social<br />

interaction. In its social-semiotic perspective, a text is an object<br />

<strong>of</strong> social exchange <strong>of</strong> meanings. Halliday merges semiotics with both<br />

sociology and linguistics. In this perspective, the texp is a sign<br />

representation <strong>of</strong> a sociocultural event embedded in a context <strong>of</strong><br />

situation. By context <strong>of</strong> situation, I mean the semio-socio-cultural<br />

environment in which the text unfolds. Text and context are so<br />

intimately related that neither concept can be comprehended in the<br />

absence <strong>of</strong> the other.<br />

Let us recall once again, for the sake <strong>of</strong> comparative analysis, the<br />

concept <strong>of</strong> 'sentencehood' as opposed to that <strong>of</strong> 'texthood'. Several<br />

attempts were made, and are still made, to set fast and sharp<br />

50

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