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Iv - University of Salford Institutional Repository

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to touch the chord <strong>of</strong> human sensibility in order to be able to get his<br />

message across to his audience. Again, the mutual interplay <strong>of</strong><br />

stylistic and rhetorical devices helps to heighten the moral effect <strong>of</strong><br />

a liturgical discourse.<br />

A legal discourse, on the other hand, employs a variety <strong>of</strong> legal<br />

terminology. Like political and liturgical discourses, it draws upon<br />

stylistic and rhetorical mechanisms to activate the argument in favour<br />

or against the case in question. Political, legal and/or exegetical<br />

discourses share one specific characteristic, that is, priority is<br />

given to content rather than form.<br />

Katharina Reiss (1976, pp12-21) makes her division <strong>of</strong> texts on the<br />

basis <strong>of</strong> the source text, assuming that the target text will be<br />

closely related or nearly identical to the source text. She claims<br />

that all texts are intended to inform, express, or persuade. An<br />

informative texts (eg. a text-book or an instructions booklet)<br />

instructs. An expressive text (eg. billes-lettres or creative<br />

writing) affects. An operative text (a political speech or an<br />

advertisement) persuades.<br />

Casagrande (1954), in his analysis <strong>of</strong> the four 'ends' <strong>of</strong><br />

translation, introduces four different types: pragmatic, aesthetic-<br />

poetic, ethnographic, and linguistic. Pragmatic translation is<br />

concerned with the translation <strong>of</strong> the source message with an interest<br />

in accuracy <strong>of</strong> the information meant to be conveyed in the target<br />

84

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