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Plumilla Educativa 7.pdf - Universidad de Manizales

Plumilla Educativa 7.pdf - Universidad de Manizales

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Los procesos educativos y la emergencia <strong>de</strong>complejida<strong>de</strong>s caóticas y autoorganizadas pp. 18-36<strong>Plumilla</strong> <strong>Educativa</strong>Educational processes and the emergence ofcomplexity chaotic and self-organizedAbstractAs the educator and poet, the scientist is also a maker of innocent questions.Whatever your specialty, you know that theories and hypotheses<strong>de</strong>rived from it are nothing more than a lever with which he attempts tounravel various mysteries fascinating. He knows his “truths” are neveruniversal, but only a particular effort to explain <strong>de</strong>ep mysteries that neitherits methodological rigor and logical systematization are able to fathom. Thescientist knows that his “private truths” are just flashes of light before hisinnocent ignorance immeasurable. If, however, his ignorance was naive,he would be dazzled by these sparks, turning the theoretical principlesof science irrefutable truths, camouflaging the instrumental value theypossess.Educators, poets and scientists, in short, all the people we are brothers ininnocence, constantly threatened by the temptation of certainty, which isnone other than the temptation of innocence: that we know and believe thatthe answer is more important the question. In this context it is not easy tostay innocent, because the answer is the currency in the traditional schooland university system.It is common to associate a little less innocent than the idiocy and stupiditymore vulgar, but that’s not innocence or virginity <strong>de</strong>pends on theuse of reason. The innocence and naivety correspond to peculiar ways ofbeing and being with self, others and the world, rather than states, fixedor immutable.Keywords. Educator, doing, asking, context, relationships, uncertainty,won<strong>de</strong>r, to recreate, learning.El educando como hacedor<strong>de</strong> preguntas inocentesEl educando 3 en su proceso formativo<strong>de</strong>be huir <strong>de</strong> las certidumbres, abriéndosea lo posible, lo incierto, lo casual y lo contradictorio.Hay que estimularlo para que3 Si bien no me satisface, he optado por evitar escribiren masculino y femenino para no cansar allector con lo que, si bien no es repetición, pareceuna reiteración innecesaria al escribir “profesory profesora, alumno y alumna, educador y educadora.El uso <strong>de</strong> la arroba (@) -alumn@-, sibien, funcional y que acostumbro a usar en miscorreos electrónicos, por ejemplo, no me agradaestéticamente.habite en y con el misterio, simplementeporque la vida es así. La relación primariacon el misterio es <strong>de</strong> asombro expresadoa través <strong>de</strong> la pregunta.En este sentido, el educando es unhacedor <strong>de</strong> preguntas inocentes, ya quemás que repuestas tiene preguntas, infinidad<strong>de</strong> interrogantes. El poeta tambiénes un hacedor <strong>de</strong> preguntas, a partir <strong>de</strong> lacuales crea mundos diferentes, gracias almágico uso <strong>de</strong> la palabra; sin embargo, alpoeta siempre le faltan las palabras y tieneque inventarlas. Tampoco tiene certezas nicorduras que lo anclen en verda<strong>de</strong>s estériles;no teme contra<strong>de</strong>cirse porque sabeque el <strong>de</strong>venir <strong>de</strong> la vida es contradictorioe incierto; tampoco teme a la imaginación,<strong>Universidad</strong> <strong>de</strong> <strong>Manizales</strong> • 19

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