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The Conservative Reformation and Its Theology - Saint Mary ...

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the functions of "a Vicar-General of the Augustinian Order," with which<br />

he had been intrusted by Staupitz, (1516.) By this office he was fitted for<br />

that part which he took in giving form to the Church when it ere long<br />

began to renew its youth like the eagle's.<br />

<strong>The</strong> <strong>Reformation</strong> in its rise.<br />

We come now to the <strong>Reformation</strong> itself, (1517,) the warning flash,<br />

the storm, <strong>and</strong> the purified heaven that followed it. This period is embraced<br />

in sixteen principal pictures, with seven subsidiary ones on a smaller scale.<br />

<strong>The</strong> first of these grouped pictures presents four scenes. Below,<br />

Luther is refusing, as the Confessor of his people, to give them absolution,<br />

while they exultingly display their indulgences; in the centre, Luther nails<br />

to the door of the church-tower the immortal theses--on the left, Tetzel sells<br />

indulgences, <strong>and</strong> commits Luther's writing to the flames, <strong>and</strong> on the right,<br />

the Wittenberg students are h<strong>and</strong>ling his own anti-theses in the same<br />

unceremonious way. <strong>The</strong> smoke from both fires rises to a centre above the<br />

whole, <strong>and</strong>, like the wan image in a dream, the swan whose white wings<br />

were waving before Huss' dying eyes, is lifting herself unscathed from the<br />

flames. Now Luther bends before Cajetan, <strong>and</strong> then at night, "without shoe<br />

or stocking, spur or sword," flies on horseback through a portal of<br />

Augsburg. <strong>The</strong> picture that follows is one of great beauty, rich in portraits.<br />

It represents the dispute at Leipsic between Luther <strong>and</strong> Eck, (1519.) In the<br />

Hall of the Pleissenburg the two great chieftains face each other--the one<br />

bold, cogent, overwhelming--the other sly, full of lubricity, sophistical <strong>and</strong>,<br />

watchful; the one Hercules, the other the Hydra. By Luther's side sits<br />

Melanchthon, with the deep lines of thought upon his youthful face; at their<br />

feet, Carlstadt, with a book in each h<strong>and</strong>, with knit brows searches for<br />

something which his treacherous memory has not been able to retain. In<br />

the centre of the court, Duke George of Saxony listens earnestly to the<br />

dispute, till at Luther's words, that "some Articles even of Huss <strong>and</strong> the<br />

Bohemians accorded with the Gospel," he involuntarily exclaimed, "<strong>The</strong><br />

man is mad!" At his feet sits the court-fool, gazing with a puzzled <strong>and</strong><br />

earnest air at Dr. Eck,

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