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hypothesis that creative individuals should be conscientious; however, the latter author<br />

identified a strong interface between conscientiousness and creativity only when the<br />

research participants assessed themselves. Whereas accoding to St. Wolfradt, J. E. Pretz<br />

(2001), conscientiousness / integrity is weakly interfaced with creativity. We assert that<br />

very important personality traits – conscientiousness / integrity and agreeableness - are not<br />

distinctive traits of a creative personality. Particularly creative individuals can understand<br />

moral norms differently than others, they do not always have a high level of agreeableness<br />

and and are helpful to others.<br />

When investigating the interfaces between neuroticism and creativity we have identified<br />

that this trait is negatively interfaced with intuition and is positively interfaced with<br />

flexibility, inversiveness and childishness. When analyzing the results of a negative interface<br />

between neuroticism and the creativity component - intuition, we found out that, in our<br />

opinion, neuroticism inhibits creativity. Some authors emphasize this factor as well. J.<br />

Pacevičius (2005) admits that when the level of neuroticism is higher an individual<br />

experiences negative emotions during his activities and the fear to stray from norms and<br />

rules. The latter has a negative impact on a creative process and activity results. According<br />

to the findings of other researchers, individuals with a higher level of neuroticism are less<br />

motivated to act, to take decisions, to involve themselves into activities and make solutions<br />

(Wang et al, 2006), which undoubtedly are creativity aspects. Other authors (Grakauskaitė-<br />

Karkockienė, 2013; Wolfradt, Pretz, 2001) did not identify statistically significant interfaces<br />

between creativity and neuroticism. In summary, it should be admitted that our research<br />

has supplemented the results obtained by other authors.<br />

Conclusions<br />

1. When comparing the estimates of personality traits by means of equation, it was found<br />

out that the estimates of openness to experience in males was significantly higher in<br />

terms of statistics than in females, whereas other estimates of trait sub scales<br />

(neuroticism, extraversion, agreeableness and conscientiousness/integrity) did not differ<br />

significantly in males and females.<br />

2. When comparing the estimates of personality traits according to the year of study, it was<br />

found out that the estimates of senior students (the third and the fourth year) were<br />

significantly higher in terms of statistics in the sub scales of extraversion and openness to<br />

experience, compared to the estimates of junior students (the first and the second year);<br />

in the latter groups agreeableness and conscientiousness/integrity were expressed at a<br />

significantly higher level. Furthermore, it was found out that students who aligned their<br />

studies with work were more extroverted and open to experience compared to those<br />

who did not work while studying.<br />

3. When comparing the estimates of creativity of males and females it was found out that<br />

the estimates of all males, research participants, were statistically higher than of females<br />

in the sub scales of seeking innovation, flexibility, originality and criticism and in the total<br />

creativity sub scale.<br />

4. It was identified that the estimates of the fourth year students in the sub scales of<br />

intuition, seeking innovation and flexibility were significantly higher in term of statistics<br />

compared to the first - third year students. No statistically significant differences were<br />

identified when comparing the estimates of the first year students with the second and<br />

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