biblioteca di studi di filologia moderna – 10 - Firenze University Press
biblioteca di studi di filologia moderna – 10 - Firenze University Press
biblioteca di studi di filologia moderna – 10 - Firenze University Press
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
230<br />
Cartacea<br />
arianna antonielli<br />
Bibliografia<br />
abrams meyer Howard (gen. ed.), The Norton Anthology of English Literature, vol.<br />
2, 6° ed., W.W. norton, new York 1993.<br />
altieri charles, Canons and Consequences: Reflections on the Ethical Force of Imaginative<br />
Ideals, northwestern uP, evanston 1990.<br />
antonielli arianna, Shaping the New English Literature? An Interview with Web-<br />
Author C. Kilian, OA Publisher F. Pinter, and Academic Web-Reader C.M. Bajetta,<br />
«textus», 22, 2009, pp. 407-426.<br />
bajetta carlo maria, The Age of Calculators: strumenti internet per lo stu<strong>di</strong>o della<br />
letteratura inglese, «Vita e Pensiero», lXXXiV, 4, 2001, pp. 372-400.<br />
—, The Authority of E<strong>di</strong>ting: Thoughts on the Function(s) of Textual Criticism,<br />
«textus», 2, 2006, pp. 305-322.<br />
barthes roland, La mort de l’auteur, «manteia», vol. 5, 1968, pp. 12-17.<br />
—, S/Z, É<strong>di</strong>tions du seuil, collection «tel Quel», Paris 1970.<br />
—, Histoire ou littérature?, in Sur Racine, seuil, coll. «Pierre vives», Paris 1976,<br />
pp. 145-167.<br />
baym nina (ed.), The Norton Anthology of American Literature, norton, new<br />
York 2003.<br />
behrendt stephen c., Anthologizing British Women Poets of the Romantic Period:<br />
The Scene Today, «critical matrix», 9, 1, 1995, pp. 95-<strong>10</strong>6.<br />
benedetti carla, L’ombra lunga dell’autore. Indagine su una figura cancellata, feltrinelli,<br />
milano 1999.<br />
bene<strong>di</strong>ct barbara, Making the Modern Reader: Cultural Me<strong>di</strong>ation in Early Modern<br />
Literary Anthologies, Princeton uP, Princeton 1996.<br />
benjamin Walter, Il narratore. Considerazioni sull’opera <strong>di</strong> Nicola Leskov, in id.,<br />
Angelus novus, a cura <strong>di</strong> r. solmi, einau<strong>di</strong>, torino 1960, pp. 235-260.<br />
bloom Harold, trilling lionel (eds.), Romantic Poetry and Prose, oxford uP,<br />
new York 1973.<br />
bloom Harold, The Western Canon. The Books and Schools of the Ages, Harcourt<br />
brace, new York 1994.<br />
brand stewart, The Me<strong>di</strong>a Lab: Inventing the Future at MIT, Penguin, new York<br />
1987.<br />
bryant John, The Fluid Text: A Theory of Revision and E<strong>di</strong>ting for Book and Screen,<br />
university of michigan <strong>Press</strong>, ann arbor 2002.<br />
—, Witness and Access: The Uses of the Fluid Text, «textual cultures: texts, contexts,<br />
interpretation», 2, 1, 2007, pp. 16-42.<br />
ca<strong>di</strong>oli alberto, Il critico navigante. Saggio sull’ipertesto e la critica letteraria, marietti,<br />
genova 1998.<br />
campbell Thomas (ed.), Specimens of the British Poets; With Biographical and<br />
Critical Notices, and An Essay on English Poetry, John murray, london 1819.<br />
carbone Paola, Il portolano dell’anglista, mimesis, milano 1999.<br />
catal<strong>di</strong> Pietro, La poesia, il canone, il mercato. Riflessioni sulla letteratura classica<br />
e la letteratura leggera, in u.m. olivieri (a cura <strong>di</strong>), Un canone per il terzo millennio,<br />
bruno mondadori, milano 2001, pp. 137-153.