Kontakte – Das Jahrbuch der KIT-Fakultät für Architektur 2023
Im Oktober 2023 ist das neue Jahrbuch der Fakultät erschienen: 468 Seiten Features, Dokumentation und Data aus Lehre, Forschung und Fakultätsleben. In deutsch und englisch.
Im Oktober 2023 ist das neue Jahrbuch der Fakultät erschienen: 468 Seiten Features, Dokumentation und Data aus Lehre, Forschung und Fakultätsleben. In deutsch und englisch.
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Filling the Void:<br />
The Death and Life of<br />
the Great European High<br />
Street<br />
Filling the Void: The Death and Life of the Great<br />
European High Street explores performance-led<br />
design as an urgent opportunity to re-imagine<br />
the future of our high streets as diverse communal<br />
and social centres. Over the semester, students<br />
staged a series of installations along Kaiserstrasse<br />
to ask how we can fill the void at the<br />
heart of our towns and cities today. Consi<strong>der</strong>ing<br />
the city as a stage, the studio was organised into<br />
three Acts, each building upon one another:<br />
Act I (The Life and Death of Kaiserstraße)<br />
The students created a catalogue analysing the<br />
abandoned spaces along Kaiserstrasse, revealing<br />
the street itself to be a void.<br />
Act II (Filling the Void) Collage was used as<br />
a tool to create accidental moments. Participatory<br />
design projects engaged the community and<br />
tested spaces along Kaiserstrasse.<br />
Act III (The Finale and the Beginning)<br />
brought together members of the community over<br />
a day-long performance. A series of installations<br />
(Ghost Town, Synthes!zer, Unframe, Unadvertised,<br />
Sensory Garden, Patchworkshop) evolved<br />
over the course of the day to encourage different<br />
activities. The <strong>Architektur</strong>schaufenster have<br />
adopted these installations, providing an afterlife<br />
for the project.<br />
The semester was complimented by a series<br />
of seminars, workshops, guest lectures, and<br />
a trip to London.<br />
Students: Alba Arevalo Castro, Alexandra Rodriguez<br />
Guim, Aline Lang, Alvaro Pozo Perez, Anne<br />
Jensch, Carlos Gallego Costa, Clement Potier,<br />
Felix Booz, Freia Prager, Hannah Verena Krohmann,<br />
Joan Arnold, Katja Stefanie Hil<strong>der</strong>brandt,<br />
Mariia Emelina, Oliver Leitzbach, Saverio Haaß,<br />
Tim Reichert<br />
Prof.’in Madeleine Kessler<br />
Material Sponsor: FINSA<br />
Graphic Design: Adrijan Karavdic<br />
Structural Engineer: Prof.’in<br />
Dr. Rosemarie Wagner<br />
Guest Critics: Alejandro Haek,<br />
Dr. Alex Furunes, Andrea Thielemann,<br />
Andreas Mangold, Benjamin<br />
Krüger, Christian Weyell, Claus<br />
Temps, Dalia Hamati, Prof. Dr.<br />
Joaquín Medina Warmburg, Johanna<br />
Just, Miquel del Rio, Dr. Marija<br />
Maric, Mio Tsuneyama, Petra Marko,<br />
Prof. Simon Hartmann<br />
A Play furniture by the installation<br />
Synthes!zer is reassembled<br />
into an open stage, inviting passers-by<br />
to participate and activating<br />
the adjacent installations<br />
(Patchworkshop, Ghost Town and Sensory<br />
Garden) in new ways.<br />
B The final jury saw the students<br />
re-imagine an alternative future<br />
for Kaiserstrasse through a series<br />
of installations and performances<br />
that test the evolution of the high<br />
street and question the role of the<br />
architect in filling the void.<br />
C The students' projects were theatrically<br />
displayed as scrolls, inhabiting<br />
vacant shopfronts, and exploring<br />
public space as the stage<br />
on which the life of the city is<br />
played out. The installations evolved<br />
to inhabit vacant spaces along<br />
Kaiserstrasse, bringing together<br />
stakehol<strong>der</strong>s and the wi<strong>der</strong> community<br />
to contribute to the discourse<br />
and widen the conversation about<br />
the future of the high street.<br />
↪ 386–387<br />
Felix Booz, Clement Potier<br />
D Ghost town explores the nighttime<br />
economy of Kaiserstrasse and<br />
opportunities for projection,<br />
performance and art within the<br />
unruliness of the night.<br />
Alexandra Rodrigues Guim, Mariia<br />
Emelina, Freia Prager, Saverio<br />
Haass<br />
E Synthes!zer looks at how play<br />
can bring different generations of<br />
a community together and encourage<br />
accidental conversations, by creating<br />
a play structure which can be<br />
re-configured in multiple ways.<br />
384<br />
Kessler