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ZBORNIK - Matica srpska

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es, and demands something more from his philosophical hero.<br />

Even if the core of Socrates' reply not to do politics remains unaltered<br />

during the teacher's of Plato lifetime, Vlastos cannot rest upon<br />

it and feel satisfied with the Socratic silence and its offspring: moral<br />

defect. Therefore, the moral blank in Socrates is still obvious in<br />

Vlastos' point of view as follows.<br />

Given the Socratic attributes, especially the moral ones, principally<br />

apparent in the historical Socrates of the early Platonic dialogues,<br />

whom Vlastos saw exclusively as a moral philosopher, not<br />

as the ontologist or the epistemologist of the later dialogues, it seems<br />

that the Greek philosopher of the 20 th century is eager to create one<br />

more Socratic portrait, more politically-centred, fulfilling the idea<br />

and the requirement of practising justice in the best possible way.<br />

The reason for stressing such an idea, which is a quality, a virtue, is<br />

not only his personal demands from Socrates — which, since not<br />

applied during the occasions of Syracuse and Mytilene, contain disappointment<br />

in Vlastos' viewpoint and thus create the Socratic moral<br />

blank —, but the lines that close the death-scene in the Phaedo:<br />

“Such, Echecrates, was the end of our companion — a man we<br />

might say, who of all those we came to know was the best and, in<br />

any case, the wisest and the most just". 8 Undoubtedly, what caused<br />

the problem and paved the way for the emergence of this moral<br />

blank, is the word “most". Vlastos does not examine whether Socrates<br />

was just or not. He questions whether he was the most just person<br />

among so many who, we know from the Platonic dialogues at<br />

least, weren't more just than Socrates. He questions “the punch-<br />

-word in the epitaph: ‘and most just' " (Vlastos' italics). 9<br />

In the Phaedo, a maturer work of Plato, 10 not an early one (just<br />

as Crito, Laches, Protagoras, Apology, Gorgias), we witness the<br />

Platonic portrait of Socrates, on which, regarding the three virtues<br />

most honoured among the Greeks, courage, sophrosyne and piety,<br />

the Athenian philosopher's character appears “flawless, granite-solid".<br />

11 Therefore, so far as the Platonic “most just" conviction is<br />

concerned, “Plato feels so sure that on this score too the record is<br />

perfect that he has Socrates say he will face divine judgement in the<br />

nether world confident that he 'had never wronged anyone, man or<br />

god' ". 12 The equivalent of such a humanly possible perfection as<br />

8 G. Vlastos, ibid., p. 127.<br />

9 Ibid.<br />

10 Probably of the second period following a tripartite division of his works:<br />

1) early dialogues, 397—387 B.C., 2) maturer works: 386—367 B.C. and 3) 367—<br />

347 B.C.<br />

11 G. Vlastos, ibid., p. 127<br />

12 Ibid., pp. 127—128. Regarding Socrates passage see Plato, Gorgias, 522d.<br />

98

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