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ZBORNIK - Matica srpska

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hubris and koros lead a great man to his downfall. In the Greek situation<br />

miasma always leads to purification. The total situation is<br />

certainly not pessimistic as has been supposed by scholars for long<br />

time. After the eclipse must come the full phase. Living through miasma<br />

brings purity. Orestes was freed of his pollution and the<br />

trilogy we see ends in great reconciliation. So does the sacrifice of<br />

Janamejaya. An enactment of the pollution phase, a ritual mimesis<br />

of the suffering, results in katharsis. Therefore, the annual public<br />

festival has tragedy as a part of the total ritual. The katharsis that<br />

Aristotle talks about is not for only the individual spectator but the<br />

city as a whole. For the purpose of “ritual promoting or magically<br />

seeking salvation an element of death and sorrow was isolated, placed<br />

centrally and submitted for all time to reflection and contemplation".<br />

Katharsis, then, is also not merely getting rid of the impurity.<br />

It is more than a therapeutic restoration; It is a new inflow of<br />

vitality. It ends in serene well-wishing and in an awareness that the<br />

impurity is gone. This feeling is evident in the last play of the only<br />

trilogy that is known to us today, Orestia. The note on which the<br />

single plays end is different. The bulk of tragedies that have survived<br />

and that have come to determine our idea of tragedy are of that<br />

kind. It is the note of agony and continuing horror, the feeling that<br />

miasma is retained and still not removed. But it should be remembered<br />

that this note should not determine our overall view of tragedy<br />

and its function (ergon). The trilogies and the appended satyr<br />

plays form the total cycle of miasma and katharsis, they represent a<br />

complete structure of this high and noble form of drama which<br />

touched not upon lowly (phaule) subject, but the grave theme of<br />

man's eclipse and renewal.<br />

Ancestor-Worship and Burial Customs<br />

There is no society in history, which has not believed in a continuation<br />

of existence after death. Some form of the self, the nature<br />

of which is described variously, is believed to exist, the idea of total<br />

extinction has had little popularity. The funeral rites, therefore, have<br />

been rites of passage which prepare the dead for a journey to its<br />

new destination. The variety of these rites is due to variety of the<br />

beliefs about the nature of the new home. This home has been<br />

mostly envisaged as a permanent one, except in India where the<br />

idea of reincarnation gained stability in post-Vedic times, whereas<br />

in Greece, belief in reincarnation had a very transitory currency<br />

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