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ZBORNIK - Matica srpska

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New Testament for qualifying Jesus-Christ as the “beloved son" (cf.<br />

Luc 20:13) — and t2 pneymatikÀ. Particularly interesting for us is<br />

that last word which Leisegang used as a basis for his own analysis<br />

of prophecy. In his book Pneuma Hagion (p. 114 ss.) we find him<br />

commenting in depth a crucial text on that subject, St Paul's First<br />

Epistle to the Corinthians 14:1—3:<br />

Text 4: Di3kete t§n ÈgÀphn, zhlo‡te dÇ t2 pneymatikÀ,<br />

m©llon dÇ æna prochteÿhte. ã g2r lal%n gl3ssØ oœk Ènur3poij<br />

laleì Èll2 ue~, oœdeÆj g2r Èkoÿei, pneÿmati dÇ laleì<br />

myst0riaÞ ã dÇ prochteÿwn Ènur3poij laleì oøkodom§n kaÆ<br />

parÀklhsin kaÆ paramyuåan. (Follow after charity (der Liebe) and<br />

desire spiritual gifts (den Geistesgaben), but rather that ye may prophesy<br />

(dass ihr weissagen möget). For he that speaketh in an unknown<br />

tongue (mit Zungen redet) speaketh not unto men, but unto<br />

God: for no man understandeth him; howbeit in the spirit he speaketh<br />

mysteries (sondern durch einen Geist redet er Geheimnisse). But he<br />

that prophesieth (Wer aber weisagt) speaketh unto men to edification<br />

(zur Erbauung), and exhortation (Tröstung), and comfort (Ermahnung)).<br />

In this text, Paul distinguishes between two languages: one is<br />

incomprehensible between men and only suitable between God and<br />

men: it is Pneuma or Spirit itself; the other is understandable between<br />

men and is called: prophecy. Though these two languages are<br />

different, both can be uttered by the prophet himself. He is, among<br />

men, the only one to be fully inspired by the Spirit or Pneuma and<br />

to be able to transmit such a pneuma to other men.<br />

The prophet's role according to St. Paul is somehow the role<br />

Anica invests the poet with in her own writings. But poetry is nothing<br />

without metrics, as she explains in texts about Pindar or Njegoš.<br />

Metrics is the proper poetical expression of divinity in the sense<br />

it reveals and uncovers its hidden order. That's a thought she<br />

shares with other great figures of Third Humanism like Karl Kerényi<br />

who writes: “Jene so melodisch gewordene Urform ist die wortreiche<br />

Umschreibung von unaussprechlichen Geheimnissen". 6 The<br />

context of that statement is a study by Kerényi on the importance of<br />

Mystic in Hölderlin's Hyperion. Regarding Hölderlin, let me recall<br />

here that he appears to be the ideal figure of Third Humanism praised<br />

by most of its authors. Anica Saviã-Rebac, for instance, refers<br />

to him very often in her writings. Hölderlin devoted several studies<br />

to Metrics. In a letter written by Bettina von Arnim to her friend<br />

6 K. Kerényi, “Hölderlins Mysterien", in F. Hölderlin, Hyperion, Woemerveer,<br />

1941, p. 237.<br />

235

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