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Dissertation - World Federation of Music Therapy

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As you will see there are many common features between this personal journey <strong>of</strong> a<br />

man who describes himself as an “exceptional cancer patient” (referring to B. Siegel’s<br />

distinction) and the experiences <strong>of</strong> six women presented in this study. Rasmussen<br />

used several complementary therapies (acupuncture, diet, massage and healing) but<br />

not music therapy. I agree with Rasmussen when he writes that it may not be so<br />

important exactly what complementary therapy a cancer patient may choose – the<br />

important factor is to take responsibility for one’s own process, including the choice<br />

<strong>of</strong> complementary therapies that may suit the patient as a unique person confronted<br />

with a life-threatening disease. The six women in this study chose music therapy<br />

(among other modalities). The purpose <strong>of</strong> this study is not to argue that music therapy<br />

is superior to other therapeutic modalities, but to show how the six women used the<br />

BMGIM therapy to address issues <strong>of</strong> great personal importance: anxiety, depression,<br />

and quality <strong>of</strong> life. All six experienced a change in their life perspective, in many<br />

ways similar to the development <strong>of</strong> new “life values” described by Rasmussen. A<br />

Danish proverb describes a very important premise for change: “The will to change is<br />

evoked when the security <strong>of</strong> old pains is no longer enough”. This theme goes through<br />

the study as a red line.<br />

Overview <strong>of</strong> the thesis<br />

This Ph.D. research was originally planned as a combination <strong>of</strong> a smaller, original<br />

study – BMGIM with cancer survivors – and related, selected publications in peer<br />

reviewed articles and published books. During the writing process I increasingly felt<br />

that it was necessary to integrate the earlier publications, as well as new essays and<br />

book chapters written in relation to the study, in order to make the text more coherent<br />

and fluent. The decision <strong>of</strong> doing this has made the dissertation more comprehensive<br />

than planned, but I hope it will make it easier to read.<br />

After a short chapter 1 introducing the background <strong>of</strong> the study, chapters 2 and 3<br />

provide an overview <strong>of</strong> the literature. Chapter 2 introduces the specific literature on<br />

music therapy and BMGIM in oncology, while chapter 3 is a broader introduction to<br />

and discussion <strong>of</strong> literature on meaning in music, with specific focus on the role <strong>of</strong><br />

2

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