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Dissertation - World Federation of Music Therapy

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This pr<strong>of</strong>ile – or map <strong>of</strong> the’inner morphology’ <strong>of</strong> the Brahms movement – is based<br />

on the following analytic procedures:<br />

• Phenomenological description <strong>of</strong> the movement (Table 8.1)<br />

• Analysis <strong>of</strong> the musical form (auditory and visually, consulting the score) 56<br />

• Mood Analysis (using Hevner’s ”Mood Wheel”) 57<br />

• Analysis <strong>of</strong> the image potential. 58<br />

Furthermore I have integrated material from an analysis that was undertaken during a<br />

workshop with 12 music therapy researchers 59 . The participants in this workshop<br />

listened to the Brahms movement without any introductory information about the<br />

music. Individually they chose and worked through one <strong>of</strong> the following tasks:<br />

• Auditory Analysis <strong>of</strong> the music (identifying salient musical features)<br />

• Visual Analysis using the score (same purpose as a)<br />

• Mood Analysis (using the Mood wheel)<br />

• Analysis <strong>of</strong> the image potential (Questionnaire on the character <strong>of</strong> the<br />

listener’s personal imagery or free indication/suggestion <strong>of</strong> image potentials)<br />

• Drawing a Mandala (+ comments).<br />

The Intensity Pr<strong>of</strong>ile is not an exact measurement <strong>of</strong> any single musical element.<br />

Tension and higher intensity level may be produced by volume (loud music is <strong>of</strong>ten,<br />

but not always experienced as more intense than quiet music; crescendos as<br />

intensifying), but also melodic movement and phrasing contributes (ascending<br />

movement <strong>of</strong>ten producing tension, descending relaxation), as does mood, texture etc.<br />

It is possible to make an exact graphic representation <strong>of</strong> the energy and tension level<br />

<strong>of</strong> the recording (measured in Volts), and the digitized wave-form (DW) pr<strong>of</strong>ile <strong>of</strong> the<br />

Brahms recording is presented in Figure 8.4, enabling a visual comparison with the<br />

Intensity Pr<strong>of</strong>ile:<br />

56 This analysis is integrated in the Intensity Pr<strong>of</strong>ile. The score used was: Heugel H 31406.<br />

57 Also integrated in the Intensity Pr<strong>of</strong>ile. Hevner’s Mood Wheel is enclosed as Appendix 8.10.<br />

58 Based on the Phenomenological description and material from the workshop describe in note 4.<br />

59 I would like to thank all participants in my workshop at the Ph.D.-course in Aalborg University,<br />

October 25th, 2003.<br />

252

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